Neon Vernacular. Yusef Komunyakaa
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That turn workers into pulp
When they fall into vats
Of steamy serenity.
At the Screen Door
Just before sunlight
Burns off morning fog.
Is it her, will she know
What I’ve seen & done,
How my boots leave little grave-stone
Shapes in the wet dirt,
That I’m no longer light
On my feet, there’s a rock
In my belly? It weighs
As much as the story
Paul told me, moving ahead
Like it knows my heart.
Is this the same story
That sent him to a padded cell?
After all the men he’d killed in Korea
& on his first tour in Vietnam,
Someone tracked him down.
The Spec 4 he ordered
Into a tunnel in Cu Chi
Now waited for him behind
The screen door, a sunset
In his eyes, a dead man
Wearing his teenage son’s face.
The scream that leaped
Out of Paul’s mouth
Wasn’t his, not this decorated
Hero. The figure standing there
Wasn’t his son. Who is it
Waiting for me, a tall shadow
Unlit in the doorway, no more
Than an outline of the past?
I drop the duffle bag
& run before I know it,
Running toward her, the only one
I couldn’t have surprised,
Who’d be here at daybreak
Watching a new day stumble
Through a whiplash of grass
Like a man drunk on the rage
Of being alive.
Moonshine
Drunken laughter escapes
Behind the fence woven
With honeysuckle, up to where
I stand. Daddy’s running-buddy,
Carson, is beside him. In the time
It takes to turn & watch a woman
Tiptoe & pull a sheer blouse off
The clothesline, to see her sun-lit
Dress ride up peasant legs
Like the last image of mercy, three
Are drinking from the Mason jar.
That’s the oak we planted
The day before I left town,
As if father & son
Needed staking down to earth.
If anything could now plumb
Distance, that tree comes close,
Recounting lost friends
As they turn into mist.
The woman stands in a kitchen
Folding a man’s trousers—
Her chin tucked to hold
The cuffs straight.
I’m lonely as those storytellers
In my father’s backyard
I shall join soon. Alone
As they are, tilting back heads
To let the burning ease down.
The names of women melt
In their mouths like hot mints,
As if we didn’t know Old Man Pagget’s
Stoopdown is doctored with
Slivers of Red Devil Lye.
Salt
Lisa, Leona, Loretta?
She’s sipping a milkshake
In Woolworths, dressed in
Chiffon & fat pearls.
She looks up at me,
Grabs her purse
& pulls at the hem
Of her skirt. I want to say
I’m just here to buy
A box of Epsom salt
For my grandmama’s feet.
Lena, Lois? I feel her
Strain to not see me.
Lines are now etched
At the corners of her thin,
Pale mouth. Does she know
I know her grandfather
Rode a white horse
Through Poplas Quarters
Searching for black women,
How he killed Indians