To the Elephant Graveyard. Tarquin Hall
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‘Thanking you, thanking you very much, Mr Halls,’ said Mr Banerjee, backing away from me. He bounced on his heels with excitement, his head bowed to the ground. I thought I noticed tears in his eyes.
‘This is the greatest day of my life, Mr Halls! Thanking you! Thanking you!’
Mr Choudhury was standing next to his Land Rover, his eyebrows raised in astonishment. I caught his gaze and, as I did so, he tilted his head to one side.
‘Who was that?’ he asked.
I shrugged my shoulders.
‘Oh, just one of my fans,’ I replied.
Across Guwahati, the electricity had been cut off, throwing the city into darkness. Residents stood about in the streets like spectators watching an eclipse. While they waited expectantly for the power to be turned back on, children played in the moonlight and elderly people huddled around fires burning inside empty oil drums. Along the main road, lanterns hung outside shop fronts. On the pavements, the proprietors of the larger stores revved up their petrol generators, deafening passers-by.
Even the city’s traffic lights had failed and the police were trying to direct the rush-hour traffic with torches. Vegetable stands were doing business by candlelight, dozens of flames twinkling in the gloom. Outside a cinema showing an Indian version of Mrs Doubtfire entitled Aunty Number One, angry customers, furious that the film had been interrupted, were demanding their money back. Down the road, a street-poster vendor who sold pin-ups of busty Bombay film actresses alongside garish paintings of Mother Teresa, Princess Diana, Jesus Christ and the usual Hindu deities, was doing a roaring trade by the light of his car headlights.
As we inched our way through the traffic, I caught glimpses of advertisements for everything from Tipsy Beer to East Wood Cigarettes. ‘MOUNTAIN SPRING WATER. THE SWEAT TASTE’, announced one poster. Next to it, a billboard promoted a certain brand of local soap as being the best ‘FOR THOSE PRIVATE MOMENTS’.
Towards the edge of the city, we passed the Boogie Woogie Dance School where anyone with two hundred and fifty rupees to spare could learn to ‘get down like Michael Jackson’. Next to it stood the Double Digest Restaurant. A mile on, I spotted the Good Luck Driving School which promised graduates a ‘chance of survival’.
We passed out of the city limits and into the surrounding hills. A sign on the side of the road, erected by Assam’s Department of Transport, warned:‘YOU ARE NOW ENTERING AN ACCIDENT PRONE ZONE.’The large number of chewed-up cars and squashed truck cabs that lay abandoned on the side of the road – perhaps left there as a warning to others – were proof that Highway 37 was indeed hazardous, if not a death-trap. More of Assam’s dogs lay about on the tarmac in various stages of decomposition.
According to my driver Rudra, who described them as ‘bad mens’, it was generally the truck-drivers who were responsible for the inordinate number of accidents and deaths. Most of them were said to be on drugs, which they took to help them stay awake on long journeys. Only that morning, there had been a head-on collision. ‘Both mens become like jams,’ said Rudra.
Highway 37 wound its way through the hills and down into the Brahmaputra valley. Knowing that in India there is an accident every minute and a death on the roads every eight minutes, I sat back in my seat, making sure that I was unable to see the road ahead. If something was going to kill me, I preferred not to have to see it coming.
I had been looking forward to talking to Mr Choudhury and getting to know him better on the journey, and I was disappointed that I wasn’t sitting next to him. Tired, I attempted to put such thoughts out of my head. Instead, I reached into my backpack and took out a collection of short stories and essays by George Orwell. I turned on the light and flicked through until I found his acclaimed piece, ‘Shooting an Elephant’. With the car bouncing over pot-holes, keeping my eyes on the words wasn’t easy. The story is set in Moulmein in Lower Burma where Orwell worked as a police officer. As a colonial, he was despised by the local population. One day while he was on duty, a trained elephant went beserk. Rather than lose face amongst the natives, Orwell decided to shoot it. But all he had available was a small-bore rifle, a weapon wholly inadequate for such a task. Despite this the first shot found its mark.
He looked suddenly stricken, shrunken, immensely old, as though the frightful impact of the bullet had paralysed him without knocking him down. At last, after what seemed like a long time – it might have been five seconds, I dare say – he sagged flabbily to his knees. His mouth slobbered. An enormous senility seemed to have settled upon him. One could have imagined him thousands of years old. I fired again into the same spot. At the second shot he did not collapse but climbed with desperate slowness to his feet and stood weakly upright, with legs sagging and head drooping. I fired a third time. That was the shot that did him. You could see the agony of it jolt his whole body and knock the last remnant of strength from his legs. But in falling he seemed for a moment to rise. For as his hind legs collapsed beneath him he seemed to tower upwards like a huge rock toppling, his trunk reaching skywards like a tree. He trumpeted, for the first and only time. And then down he came, his belly towards me, with a crash that seemed to shake the ground even where I lay.
Assuming I managed to talk Mr Choudhury into allowing me on the hunt I would see the same sad sight. I would see an elephant die.
A lump formed in my throat as Orwell’s imagery flashed again and again across my mind and suddenly, feelings of revulsion and guilt swept over me. Surely elephants, animals we regard with awe, endangered the world over, should not be gunned down? Couldn’t the rogue be captured, sedated and released elsewhere? But what of the people the rogue had killed? By all accounts, the victims’ families were baying for his blood. Surely they deserved justice. No human being would be let off such crimes.
Even so, as I switched off the light and drifted into sleep, I pictured the tusker on his own in the darkness somewhere in northern Assam. And I found myself hoping that he would disappear deep into the jungle – far away, where Mr Choudhury would not be able to find him.
The Game Is Afoot
‘If you roamed every continent for thousands of years, coming to consider the globe your own private football, and you were then confined to an open prison . . . you too might become unbalanced.’
Heathcote Williams, Sacred Elephant
Rudra, the driver of the Hindustan Ambassador, had been chewing paan all night. He kept his stash in a stainless steel dabba, an Indian lunchbox, in the glove compartment and periodically would ask me to take it out and open it for him. Keeping one eye on the road, he would first extract a lump of lime paste with his index finger and smear it into the space between his teeth and his bottom lip. He would then pop one or two choice chunks of betel nut into his mouth. Finally, uttering a satisfied grunt, he would start to chew.
Rudra was clearly an addict. He had the desperate eyes of a junkie and had consumed so much paan over the years that his gums, tongue and lips were permanently stained a luminous red. His teeth had turned jet black at the roots, and when he grinned he looked like a prize-fighter who had just taken a beating in the ring.
Admittedly, his addiction was not as anti-social as some others I could think of, but having to watch him spit out of the window