Pilgrims of the Wild. Grey Evil Owl

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the wild creatures involved in it, save in so far as the findings were of commercial value. Therefore much that is interesting has been overlooked. The kinship between the human race and the rest of our natural fauna becomes very apparent to those of us who sojourn among the latter for any length of time; alarmingly so to those whose attitude has hitherto been governed by the well-worn and much abused phrase that “Man shall have dominion over all.” However I do not draw comparisons between man and beast, save in a few instances which are too remarkable to be overlooked. Nor do I ascribe human attributes to animals. If any of their qualities are found to closely approximate some of our own, it is because they have, unknown to us, always possessed them, and the fault lies in our not having discovered sooner that these characteristics were not after all exclusively human, any more than are a number of others to which we have by long usage become accustomed.

      My fingers, well toasted at many an open fire, and stiffened a little by the paddle and the pull of a loaded toboggan, are ill-suited for the task I set them to. In this writing game I find myself in the dangerous situation of a man who has played his first game of poker and won a small jackpot, and who is now sitting in on another round having rather disastrous possibilities. To each his craft and calling, nor should we grudge another his ability; nonetheless, did I have the power to expertly carry out what I have here attempted, or had another, more skilled in letters and who knew this story well, have undertaken it, it would have been better done.

      To me the rifle has ever been mightier than the pen. The feel of a canoe gunnel at the thigh, the splash of flying spray in the face, the rhythm of the snowshoe trail, the beckoning of far-off hills and valleys, the majesty of the tempest, the calm and silent presence of the trees that seem to muse and ponder in their silence; the trust and confidence of small living creatures, the company of simple men; these have been my inspiration and my guide. Without them I am nothing. To these and to my teachers, men of a type that is rapidly passing from the face of the earth, belongs the credit for whatever there may be that is worthy in this work of mine.

      And should any part of it provide an hour of pleasure to just a few of those who love the Great Outdoors, or who have a kindly thought for a simple people or for a lowly animal, or should I perchance touch somewhere a chord of sympathy, or make some slight appeal to the sense of fair play of any of those true sportsmen to whom wildlife owes so much today, I will count my work, with all its imperfections, as having been worthwhile.

      Grey Owl (Wa-sha-quon-asin)

       Beaver Lodge, Prince Albert National Park, Saskatchewan

       November 7, 1933

      My road calls me, lures me

       West, east, south, and north;

      Most roads lead me homewards,

       My road leads me forth

      To add more miles to the tally

       Of grey miles left behind,

      In quest of that one beauty

       God put me here to find.

      — John Masefield

      Outside a window from which the sash has been removed stands a man, alert, silent, watchful.

      The cabin beside which he keeps post faces out onto a lake, its frontage at the water’s edge. The slopes of the surrounding hills are covered with a heavy forest, the tall grey poplars and giant spruce standing close in a dark and serried palisade about the camp.

      The water is calm and unruffled; the lake appears to sleep. There is no sound and no movement save the desultory journeyings of a squirrel, engaged in salvaging cones he has been dropping from the spruce tops.

      In front of the man, and directed through the aperture into the building, is a motion picture camera, trained on the door, which is closed. The interior of the building is equipped with the rude but comfortable furnishings, and the simple utensils of a woodsman’s home, for the greater part of the dwelling is given over to human occupancy, and is a permanent abode, although it has one peculiarity. Across one end of it is a large erection having the appearance of a massive earthwork, shoulder high and occupying easily one-third of the floor space.

      Outside, in strategic positions commanding the door and the approach from the lake, are other men, holding cameras. Inside the building a man sits in a chair, waiting. Suddenly:

      “All right! Here he comes,” cries a watcher. The man at the window sights his machine afresh, makes small adjustments and stands poised, ready. There can now be heard, approaching the entrance, a heavy measured tread. The camera man’s face becomes suddenly tense, the camera commences to whir and simultaneously with a resounding thump the door is thrown widely open and there steps over the threshold, not the leading lady of a cast of players, not the handsome hero of a screen romance, nor yet the villain, but a full-grown beaver, erect, and bearing in his arms a load of earth and sticks.

      Walking upright like a man, steadily, purposefully, looking neither to the right nor to the left, past the stove, round the table, between the benches, he pursues his undeviating way towards the earthwork, advancing with the resolute step of an unfaltering and unchangeable purpose. The camera swings, follows him, grinding. But for that sound and the thudding of the beaver’s heavy steps, there is silence. Straight up the side of the lodge, for such the earth work is, the beaver marches, deposits his load, tamps it in with his hands; he pushes in a stick to bind it, cuts off the protruding end and potters at some small repairs. At this moment another and a larger beaver enters hauling a six foot stick which she skillfully manoeuvres through the opening, drawing it over to the house and up the side of it. The two animals work with the heavy pole, placing it; they are very particular and take some time at this. Meanwhile the man in the chair rises, shuts the door, and resumes his seat.

      The camera drones on.

      Another beaver, small, brisk, business-like, emerges from a hole in the side of the lodge, places two sticks very carefully, looks around, becomes fidgety, and scampers in again. The operator’s face is a study; he is getting it all. Yesterday he got a moose passing through the door yard, the day before a group of muskrats.

      The two big beaver at last finish their job to their complete satisfaction; and now their purposeful, sober mien deserts them. On all fours and at a little trot, they run over to the seated man and stand erect beside him, looking up at him. Their enquiring faces reach waist high on him as he sits. They must weigh one hundred pounds between the two of them. The larger one, the female, plucks at his sleeve trying to attract his attention. The camera grinds steadily and the beavers undoubtedly hear it. But they pay no heed; this is their fourth year at the business.

      The man strokes the animals’ heads.

      “Well! How is it going today, old-timers?” he asks.

      A series of short, sharp, ejaculations from the larger one as she pulls impatiently at his hand with her forepaws.

      “All right, here’s your apple,” says the man, and seizing the offering, she runs, hops, and trots over to the door, opens it inwards, with a quick pull at a leather loop, and runs outside. The other, her consort, patient, more sedate, gently takes his apple, and slips quietly out.

      The camera at the window stops. Outside other machines click and drone according

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