The Brothers Karamazov - The Original Classic Edition. Dostoyevsky Fyodor

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an hour after the offense he would address the offender or answer some question with as trustful and candid an expression as [pg 016] though nothing had happened between them. And it was not that he seemed to have forgotten or intentionally forgiven the affront, but simply that he did not regard it as an affront, and this completely conquered and captivated the boys.

       He had one characteristic which made all his schoolfellows from the bottom class to the top want to mock at him, not from malice but because it amused them. This characteristic was a wild fanatical modesty and chastity. He could not bear to hear certain words and certain conversations about women. There are "certain" words and conversations unhappily impossible to eradicate in schools. Boys pure in mind and heart, almost children, are fond of talking in school among themselves, and even aloud, of things, pictures, and images of which even soldiers would sometimes hesitate to speak. More than that, much that soldiers have no knowledge or

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       conception of is familiar to quite young children of our intellectual and higher classes. There is no moral depravity, no real corrupt inner cynicism in it, but there is the appearance of it, and it is often looked upon among them as something refined, subtle, daring, and worthy of imitation. Seeing that Alyosha Karamazov put his fingers in his ears when they talked of "that," they used sometimes to crowd round him, pull his hands away, and shout nastiness into both ears, while he struggled, slipped to the floor, tried to hide himself without uttering one word of abuse, enduring their insults in silence. But at last they left him alone and gave up taunting him with being a "regular girl," and what's more they looked upon it with compassion as a weakness. He was always one of the best in

       the class but was never first.

       At the time of Yefim Petrovitch's death Alyosha had two more years to complete at the provincial gymnasium. The inconsolable widow went almost immediately after his death for a long visit to Italy with her whole family, which consisted only of women and girls. Alyosha went to live in the house of two distant relations of Yefim Petrovitch, ladies whom he had never seen before. On what terms he lived with them he did not know himself. It was very characteristic of him, indeed, that he never cared at whose expense

       he was living. In that respect he was a striking contrast to his elder brother Ivan, who struggled with poverty for his first two years

       in the university, maintained himself by his own efforts, and had from childhood been bitterly conscious of living at the expense [pg

       017] of his benefactor. But this strange trait in Alyosha's character must not, I think, be criticized too severely, for at the slightest acquaintance with him any one would have perceived that Alyosha was one of those youths, almost of the type of religious enthusiast, who, if they were suddenly to come into possession of a large fortune, would not hesitate to give it away for the asking, either for good works or perhaps to a clever rogue. In general he seemed scarcely to know the value of money, not, of course, in a literal sense. When he was given pocket-money, which he never asked for, he was either terribly careless of it so that it was gone in a moment, or he kept it for weeks together, not knowing what to do with it.

       In later years Pyotr Alexandrovitch Miusov, a man very sensitive on the score of money and bourgeois honesty, pronounced the following judgment, after getting to know Alyosha:

       "Here is perhaps the one man in the world whom you might leave alone without a penny, in the center of an unknown town of

       a million inhabitants, and he would not come to harm, he would not die of cold and hunger, for he would be fed and sheltered at once; and if he were not, he would find a shelter for himself, and it would cost him no effort or humiliation. And to shelter him would be no burden, but, on the contrary, would probably be looked on as a pleasure."

       He did not finish his studies at the gymnasium. A year before the end of the course he suddenly announced to the ladies that he was

       going to see his father about a plan which had occurred to him. They were sorry and unwilling to let him go. The journey was not an expensive one, and the ladies would not let him pawn his watch, a parting present from his benefactor's family. They provided him liberally with money and even fitted him out with new clothes and linen. But he returned half the money they gave him, saying that he intended to go third class. On his arrival in the town he made no answer to his father's first inquiry why he had come before completing his studies, and seemed, so they say, unusually thoughtful. It soon became apparent that he was looking for his mother's

       tomb. He practically acknowledged at the time that that was the only object of his visit. But it can hardly have been the whole reason of it. It is more probable that he himself did not understand and could not explain what had suddenly arisen in his [pg 018] soul, and drawn him irresistibly into a new, unknown, but inevitable path. Fyodor Pavlovitch could not show him where his second wife was buried, for he had never visited her grave since he had thrown earth upon her coffin, and in the course of years had entirely forgotten where she was buried.

       Fyodor Pavlovitch, by the way, had for some time previously not been living in our town. Three or four years after his wife's death he had gone to the south of Russia and finally turned up in Odessa, where he spent several years. He made the acquaintance at first, in his own words, "of a lot of low Jews, Jewesses, and Jewkins," and ended by being received by "Jews high and low alike." It may be presumed that at this period he developed a peculiar faculty for making and hoarding money. He finally returned to our town only three years before Alyosha's arrival. His former acquaintances found him looking terribly aged, although he was by no means an old man. He behaved not exactly with more dignity but with more effrontery. The former buffoon showed an insolent propensity for making buffoons of others. His depravity with women was not simply what it used to be, but even more revolting. In a short time he opened a great number of new taverns in the district. It was evident that he had perhaps a hundred thousand roubles or not much less. Many of the inhabitants of the town and district were soon in his debt, and, of course, had given good security. Of late, too, he looked somehow bloated and seemed more irresponsible, more uneven, had sunk into a sort of incoherence, used to begin one thing and go on with another, as though he were letting himself go altogether. He was more and more frequently drunk. And, if it had

       not been for the same servant Grigory, who by that time had aged considerably too, and used to look after him sometimes almost like a tutor, Fyodor Pavlovitch might have got into terrible scrapes. Alyosha's arrival seemed to affect even his moral side, as though something had awakened in this prematurely old man which had long been dead in his soul.

       "Do you know," he used often to say, looking at Alyosha, "that you are like her, 'the crazy woman' "--that was what he used to call his dead wife, Alyosha's mother. Grigory it was who pointed out the "crazy woman's" grave to Alyosha. He took him to our town

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       cemetery and showed him in a remote corner a cast-iron tombstone, [pg 019] cheap but decently kept, on which were inscribed the name and age of the deceased and the date of her death, and below a four-lined verse, such as are commonly used on old-fashioned middle-class tombs. To Alyosha's amazement this tomb turned out to be Grigory's doing. He had put it up on the poor "crazy woman's" grave at his own expense, after Fyodor Pavlovitch, whom he had often pestered about the grave, had gone to Odessa, abandoning the grave and all his memories. Alyosha showed no particular emotion at the sight of his mother's grave. He only listened to Grigory's minute and solemn account of the erection of the tomb; he stood with bowed head and walked away without uttering a word. It was perhaps a year before he visited the cemetery again. But this little episode was not without an influence upon

       Fyodor Pavlovitch--and a very original one. He suddenly took a thousand roubles to our monastery to pay for requiems for the soul of his wife; but not for the second, Alyosha's mother, the "crazy woman," but for the first, Adelaida Ivanovna, who used to thrash him. In the evening of the same day he got drunk and abused the monks to Alyosha. He himself was far from being

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