David Copperfield - The Original Classic Edition. Dickens Charles
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If ever child were stricken with sincere grief, I was. But I remember that this importance was a kind of satisfaction to me, when I walked in the playground that afternoon while the boys were in school. When I saw them glancing at me out of the windows, as they went up to their classes, I felt distinguished, and looked more melancholy, and walked slower. When school was over, and they came out and spoke to me, I felt it rather good in myself not to be proud to any of them, and to take exactly the same notice of them all, as before.
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I was to go home next night; not by the mail, but by the heavy night-coach, which was called the Farmer, and was principally used by country-people travelling short intermediate distances upon the road. We had no story-telling that evening, and Traddles insisted on lending me his pillow. I don't know what good he thought it would do me, for I had one of my own: but it was all he had to lend, poor fellow, except a sheet of letter-paper full of skeletons; and that he gave me at parting, as a soother of my sorrows and a contri-bution to my peace of mind.
I left Salem House upon the morrow afternoon. I little thought then that I left it, never to return. We travelled very slowly all night, and did not get into Yarmouth before nine or ten o'clock in the morning. I looked out for Mr. Barkis, but he was not there; and instead of him a fat, short-winded, merry-looking, little old man in black, with rusty little bunches of ribbons at the knees of his breeches, black stockings, and a broad-brimmed hat, came puffing up to the coach window, and said:
'Master Copperfield?'
'Yes, sir.'
'Will you come with me, young sir, if you please,' he said, opening the door, 'and I shall have the pleasure of taking you home.'
I put my hand in his, wondering who he was, and we walked away to a shop in a narrow street, on which was written OMER, DRAP-ER, TAILOR, HABERDASHER, FUNERAL FURNISHER, &c. It was a close and stifling little shop; full of all sorts of clothing, made and unmade, including one window full of beaver-hats and bonnets. We went into a little back-parlour behind the shop, where we found three young women at work on a quantity of black materials, which were heaped upon the table, and little bits and cuttings of which were littered all over the floor. There was a good fire in the room, and a breathless smell of warm black crape--I did not know what the smell was then, but I know now.
The three young women, who appeared to be very industrious and comfortable, raised their heads to look at me, and then went on with their work. Stitch, stitch, stitch. At the same time there came from a workshop across a little yard outside the window, a regular sound of hammering that kept a kind of tune: RAT--tat-tat, RAT--tat-tat, RAT--tat-tat, without any variation.
'Well,' said my conductor to one of the three young women. 'How do you get on, Minnie?'
'We shall be ready by the trying-on time,' she replied gaily, without looking up. 'Don't you be afraid, father.'
Mr. Omer took off his broad-brimmed hat, and sat down and panted. He was so fat that he was obliged to pant some time before he could say:
'That's right.'
'Father!' said Minnie, playfully. 'What a porpoise you do grow!'
'Well, I don't know how it is, my dear,' he replied, considering about it. 'I am rather so.'
'You are such a comfortable man, you see,' said Minnie. 'You take things so easy.'
'No use taking 'em otherwise, my dear,' said Mr. Omer.
'No, indeed,' returned his daughter. 'We are all pretty gay here, thank Heaven! Ain't we, father?'
'I hope so, my dear,' said Mr. Omer. 'As I have got my breath now, I think I'll measure this young scholar. Would you walk into the shop, Master Copperfield?'
I preceded Mr. Omer, in compliance with his request; and after showing me a roll of cloth which he said was extra super, and too good mourning for anything short of parents, he took my various dimensions, and put them down in a book. While he was recording them he called my attention to his stock in trade, and to certain fashions which he said had 'just come up', and to certain other fashions which he said had 'just gone out'.
'And by that sort of thing we very often lose a little mint of money,' said Mr. Omer. 'But fashions are like human beings. They come in, nobody knows when, why, or how; and they go out, nobody knows when, why, or how. Everything is like life, in my opinion, if
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you look at it in that point of view.'
I was too sorrowful to discuss the question, which would possibly have been beyond me under any circumstances; and Mr. Omer took me back into the parlour, breathing with some difficulty on the way.
He then called down a little break-neck range of steps behind a door: 'Bring up that tea and bread-and-butter!' which, after some time, during which I sat looking about me and thinking, and listening to the stitching in the room and the tune that was being hammered across the yard, appeared on a tray, and turned out to be for me.
'I have been acquainted with you,' said Mr. Omer, after watching me for some minutes, during which I had not made much impression on the breakfast, for the black things destroyed my appetite, 'I have been acquainted with you a long time, my young friend.'
'Have you, sir?'
'All your life,' said Mr. Omer. 'I may say before it. I knew your father before you. He was five foot nine and a half, and he lays in five-and-twen-ty foot of ground.'
'RAT--tat-tat, RAT--tat-tat, RAT--tat-tat,' across the yard.
'He lays in five and twen-ty foot of ground, if he lays in a fraction,' said Mr. Omer, pleasantly. 'It was either his request or her direction, I forget which.'
'Do you know how my little brother is, sir?' I inquired. Mr. Omer shook his head.
'RAT--tat-tat, RAT--tat-tat, RAT--tat-tat.'
'He is in his mother's arms,' said he.
'Oh, poor little fellow! Is he dead?'
'Don't mind it more than you can help,' said Mr. Omer. 'Yes. The baby's dead.'
My wounds broke out afresh at this intelligence. I left the scarcely-tasted breakfast, and went and rested my head on another table, in a corner of the little room, which Minnie hastily cleared, lest I should spot the mourning that was lying there with my tears. She was a pretty, good-natured girl, and put my hair away from my eyes with a soft, kind touch; but she was very cheerful at having nearly finished her work and being in good time, and was so different from me!
Presently the tune left off, and a good-looking young fellow came across the yard into the room. He had a hammer in his hand, and his mouth was full of little nails, which he was obliged to take out before he could speak.
'Well, Joram!' said Mr. Omer. 'How do you get on?'
'All right,' said Joram. 'Done, sir.'