Ugh! They were black, cold rooms; and seemed to be in mourning, like the inmates of the house. The books precisely matched asto size, and drawn up in line, like soldiers, looked in their cold, hard, slippery uniforms, as if they had but one idea among them, and that was a freezer. The bookcase, glazed and locked, repudiated all familiarities. Mr Pitt, in bronze, on the top, with no trace of his celestial origin' about him, guarded the unattainable treasure like an enchanted Moor. A dusty urn at each high corner, dug up from an ancient tomb, preached desolation and decay, as from two pulpits; and the chimney-glass, reflecting Mr Dombey and his portrait at one blow, seemed fraught with melancholy meditations.
The stiff and stark fire-irons appeared to claim a nearer relationship than anything else there to Mr Dombey, with his buttoned coat,
his white cravat, his heavy gold watch-chain, and his creaking boots.
But this was before the arrival of Mr and Mrs Chick, his lawful relatives, who soon presented themselves.
'My dear Paul,' Mrs Chick murmured, as she embraced him, 'the beginning, I hope, of many joyful days!'
'Thank you, Louisa,' said Mr Dombey, grimly. 'How do you do, Mr John?'
'How do you do, Sir?' said Chick.
He gave Mr Dombey his hand, as if he feared it might electrify him. Mr Dombey tool: it as if it were a fish, or seaweed, or some
such clammy substance, and immediately returned it to him with exalted politeness.
'Perhaps, Louisa,' said Mr Dombey, slightly turning his head in his cravat, as if it were a socket, 'you would have preferred a fire?'
'Oh, my dear Paul, no,' said Mrs Chick, who had much ado to keep her teeth from chattering; 'not for me.'
'Mr John,' said Mr Dombey, 'you are not sensible of any chill?'
Mr John, who had already got both his hands in his pockets over the wrists, and was on the very threshold of that same canine cho-rus which had given Mrs Chick so much offence on a former occasion, protested that he was perfectly comfortable.
He added in a low voice, 'With my tiddle tol toor rul'--when he was providentially stopped by Towlinson, who announced:
'Miss Tox!'
And enter that fair enslaver, with a blue nose and indescribably frosty face, referable to her being very thinly clad in a maze of fluttering odds and ends, to do honour to the ceremony.
'How do you do, Miss Tox?' said Mr Dombey.
Miss Tox, in the midst of her spreading gauzes, went down altogether like an opera-glass shutting-up; she curtseyed so low, in acknowledgment of Mr Dombey's advancing a step or two to meet her.
'I can never forget this occasion, Sir,' said Miss Tox, softly. ''Tis impossible. My dear Louisa, I can hardly believe the evidence of my senses.'
If Miss Tox could believe the evidence of one of her senses, it was a very cold day. That was quite clear. She took an early opportunity of promoting the circulation in the tip of her nose by secretly chafing it with her pocket handkerchief, lest, by its very low temperature, it should disagreeably astonish the baby when she came to kiss it.
The baby soon appeared, carried in great glory by Richards; while Florence, in custody of that active young constable, Susan Nipper, brought up the rear. Though the whole nursery party were dressed by this time in lighter mourning than at first, there was enough in the appearance of the bereaved children to make the day no brighter. The baby too--it might have been Miss Tox's nose--began to cry. Thereby, as it happened, preventing Mr Chick from the awkward fulfilment of a very honest purpose he had; which was, to make much of Florence. For this gentleman, insensible to the superior claims of a perfect Dombey (perhaps on account of having the honour to be united to a Dombey himself, and being familiar with excellence), really liked her, and showed that he liked her, and was
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about to show it in his own way now, when Paul cried, and his helpmate stopped him short--
'Now Florence, child!' said her aunt, briskly, 'what are you doing, love? Show yourself to him. Engage his attention, my dear!'
The atmosphere became or might have become colder and colder, when Mr Dombey stood frigidly watching his little daughter, who, clapping her hands, and standing On tip-toe before the throne of his son and heir, lured him to bend down from his high estate,
and look at her. Some honest act of Richards's may have aided the effect, but he did look down, and held his peace. As his sister hid behind her nurse, he followed her with his eyes; and when she peeped out with a merry cry to him, he sprang up and crowed lustily--laughing outright when she ran in upon him; and seeming to fondle her curls with his tiny hands, while she smothered him with kisses.
Was Mr Dombey pleased to see this? He testified no pleasure by the relaxation of a nerve; but outward tokens of any kind of feeling
were unusual with him. If any sunbeam stole into the room to light the children at their play, it never reached his face. He looked
on so fixedly and coldly, that the warm light vanished even from the laughing eyes of little Florence, when, at last, they happened to
meet his.
It was a dull, grey, autumn day indeed, and in a minute's pause and silence that took place, the leaves fell sorrowfully.
'Mr John,' said Mr Dombey, referring to his watch, and assuming his hat and gloves. 'Take my sister, if you please: my arm today is
Miss Tox's. You had better go first with Master Paul, Richards. Be very careful.'
In Mr Dombey's carriage, Dombey and Son, Miss Tox, Mrs Chick, Richards, and Florence. In a little carriage following it, Susan Nip-per and the owner Mr Chick. Susan looking out of window, without intermission, as a relief from the embarrassment of confronting the large face of that gentleman, and thinking whenever anything rattled that he was putting up in paper an appropriate pecuniary compliment for herself.
Once upon the road to church, Mr Dombey clapped his hands for the amusement of his son. At which instance of parental enthusiasm Miss Tox was enchanted. But exclusive of this incident, the chief difference between the christening party and a party in a mourning coach consisted in the colours of the carriage and horses.
Arrived at the church steps, they were received by a portentous beadle.' Mr Dombey dismounting first to help the ladies out, and standing near him at the church door, looked like another beadle. A beadle less gorgeous but more dreadful; the beadle of private life; the beadle of our business and our bosoms.
Miss Tox's hand trembled as she slipped it through Mr Dombey's arm, and felt herself escorted up the steps, preceded by a cocked hat and a Babylonian collar. It seemed for a moment like that other solemn institution, 'Wilt thou have this man, Lucretia?' 'Yes, I will.'
'Please to bring the child in quick out of the air there,' whispered the beadle, holding open the inner door of the church.
Little Paul might have asked with Hamlet 'into my grave?' so chill and earthy was the place. The tall shrouded pulpit and reading desk; the dreary perspective of empty pews stretching away under the galleries, and empty benches mounting to the roof and lost in the shadow of the great grim organ; the dusty matting and cold stone slabs; the grisly free seats' in the aisles; and the damp corner by the bellrope, where the black trestles used for funerals were stowed
