attendant to pull him along, and Florence always walking by his side, and the despondent Wickam bringing up the rear, he went down to the margin of the ocean every day; and there he would sit or lie in his carriage for hours together: never so distressed as by the company of children--Florence alone excepted, always.'Go away, if you please,' he would say to any child who came to bear him company. Thank you, but I don't want you.' Some small voice, near his ear, would ask him how he was, perhaps.
'I am very well, I thank you,' he would answer. 'But you had better go and play, if you please.'
Then he would turn his head, and watch the child away, and say to Florence, 'We don't want any others, do we? Kiss me, Floy.'
He had even a dislike, at such times, to the company of Wickam, and was well pleased when she strolled away, as she generally did, to pick up shells and acquaintances. His favourite spot was quite a lonely one, far away from most loungers; and with Florence sitting by his side at work, or reading to him, or talking to him, and the wind blowing on his face, and the water coming up among the wheels
of his bed, he wanted nothing more.
'Floy,' he said one day, 'where's India, where that boy's friends live?'
'Oh, it's a long, long distance off,' said Florence, raising her eyes from her work.
'Weeks off ?' asked Paul.
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'Yes dear. Many weeks' journey, night and day.'
'If you were in India, Floy,' said Paul, after being silent for a minute, 'I should--what is it that Mama did? I forget.'
'Loved me!' answered Florence.
'No, no. Don't I love you now, Floy? What is it?--Died. in you were in India, I should die, Floy.'
She hurriedly put her work aside, and laid her head down on his pillow, caressing him. And so would she, she said, if he were there. He would be better soon.
'Oh! I am a great deal better now!' he answered. 'I don't mean that. I mean that I should die of being so sorry and so lonely, Floy!' Another time, in the same place, he fell asleep, and slept quietly for a long time. Awaking suddenly, he listened, started up, and sat
listening.
Florence asked him what he thought he heard.
'I want to know what it says,' he answered, looking steadily in her face. 'The sea' Floy, what is it that it keeps on saying?' She told him that it was only the noise of the rolling waves.
'Yes, yes,' he said. 'But I know that they are always saying something. Always the same thing. What place is over there?' He rose up, looking eagerly at the horizon.
She told him that there was another country opposite, but he said he didn't mean that: he meant further away--farther away!
Very often afterwards, in the midst of their talk, he would break off, to try to understand what it was that the waves were always say-ing; and would rise up in his couch to look towards that invisible region, far away.
CHAPTER 9. In which the Wooden Midshipman gets into Trouble
That spice of romance and love of the marvellous, of which there was a pretty strong infusion in the nature of young Walter Gay, and which the guardianship of his Uncle, old Solomon Gills, had not very much weakened by the waters of stern practical experience, was the occasion of his attaching an uncommon and delightful interest to the adventure of Florence with Good Mrs Brown. He pampered and cherished it in his memory, especially that part of it with which he had been associated: until it became the spoiled child of his fancy, and took its own way, and did what it liked with it.
The recollection of those incidents, and his own share in them, may have been made the more captivating, perhaps, by the weekly dreamings of old Sol and Captain Cuttle on Sundays. Hardly a Sunday passed, without mysterious references being made by one or other of those worthy chums to Richard Whittington; and the latter gentleman had even gone so far as to purchase a ballad of considerable antiquity, that had long fluttered among many others, chiefly expressive of maritime sentiments, on a dead wall in
the Commercial Road: which poetical performance set forth the courtship and nuptials of a promising young coal-whipper with a certain 'lovely Peg,' the accomplished daughter of the master and part-owner of a Newcastle collier. In this stirring legend, Captain Cuttle descried a profound metaphysical bearing on the case of Walter and Florence; and it excited him so much, that on very festive occasions, as birthdays and a few other non-Dominical holidays, he would roar through the whole song in the little back parlour; making an amazing shake on the word Pe-e-eg, with which every verse concluded, in compliment to the heroine of the piece.
But a frank, free-spirited, open-hearted boy, is not much given to analysing the nature of his own feelings, however strong their hold upon him: and Walter would have found it difficult to decide this point. He had a great affection for the wharf where he had encountered Florence, and for the streets (albeit not enchanting in themselves) by which they had come home. The shoes that had so often tumbled off by the way, he preserved in his own room; and, sitting in the little back parlour of an evening, he had drawn
a whole gallery of fancy portraits of Good Mrs Brown. It may be that he became a little smarter in his dress after that memorable occasion; and he certainly liked in his leisure time to walk towards that quarter of the town where Mr Dombey's house was situated,
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on the vague chance of passing little Florence in the street. But the sentiment of all this was as boyish and innocent as could be. Florence was very pretty, and it is pleasant to admire a pretty face. Florence was defenceless and weak, and it was a proud thought that he had been able to render her any protection and assistance. Florence was the most grateful little creature in the world, and it was delightful to see her bright gratitude beaming in her face. Florence was neglected and coldly looked upon, and his breast was full of youthful interest for the slighted child in her dull, stately home.
Thus it came about that, perhaps some half-a-dozen times in the course of the year, Walter pulled off his hat to Florence in the street, and Florence would stop to shake hands. Mrs Wickam (who, with a characteristic alteration of his name, invariably spoke of him as 'Young Graves') was so well used to this, knowing the story of their acquaintance, that she took no heed of it at all. Miss Nip-per, on the other hand, rather looked out for these occasions: her sensitive young heart being secretly propitiated by Walter's good looks, and inclining to the belief that its sentiments were responded to.
In this way, Walter, so far from forgetting or losing sight of his acquaintance with Florence, only remembered it better and better. As to its adventurous beginning, and all those little circumstances which gave it a distinctive character and relish, he took them into account, more as a pleasant story very agreeable to his imagination, and not to be dismissed from it, than as a part of any matter of fact with which he was concerned. They set off Florence very much, to his fancy; but not himself. Sometimes he thought (and then he walked very fast) what a grand thing it would have been for him to have been going to sea on the day after that first meeting, and to have gone, and to have done wonders there, and to have stopped away a long time, and to have come back an Admiral of all the colours of the dolphin, or at least a Post-Captain with epaulettes of insupportable brightness, and have married Florence (then a beautiful young woman) in spite of Mr Dombey's teeth, cravat, and watch-chain, and borne her away to the blue shores of somewhere or other, triumphantly. But these flights of fancy seldom burnished the brass plate of Dombey and Son's Offices into a tablet of golden hope, or shed a brilliant lustre on their dirty skylights; and when the Captain and Uncle Sol talked about Richard
