Terrible Blooms. Melissa Stein

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Terrible Blooms - Melissa Stein

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is the season of dead things.

      Bat curled up on its back, frog broken open

      to the meat, a turtle’s pixelated shell.

      And all the frantic honeybees.

      As a child I daily encountered such death

      when the air was close or thundery.

      There was the flipping over,

      the poking things with sticks.

      Look what I found, smeared and bloated.

      Look what’s living in it.

      ii.

      Hawk stood along the path

      as I jogged past. He eyed me sharply

      but didn’t stir. His ankles had these surprising

      little cuffs. When I looked back

      he took off into a blur of coral tail, gray wing.

      He shrieks around the property

      to frighten small creatures into hiding

      and picks them off while they scurry.

      In this way his cry pierces doubly.

      iii.

      She was nearly gone

      by the time I went to see her.

      A nurse was dampening her lips

      with a coral triangle of sponge

      and she was rasping, a little louder

      when I sat next to her and told her I was there

      and loved her though who knows if she knew

      though they say they do. Her skin

      had grown a size too small. Her eyes

      that were ice blue were closed that day;

      because I’d missed my plane

      I missed their final opening.

      She died early the next morning.

      I held my mother’s hand through this

      though we hadn’t spoken in a year.

      I’m next, she said. I will be, too.

      Quarry

      As you slept

      I was thinking about the quarry,

      about light going deeper

      into earth, into rock, the hurt

      of light hitting layers

      that should be hidden,

      that should be buried,

      and how when it rained

      for a long time that absence filled

      with suffering, and we swam.

      London, Dresden

      In the classically laid out fountain koi

      slapped and gaped at the surface

      like misguided bathtub toys. Like mute

      prisoners. Like the abandoned overgrown

      goldfish they were. And even more so

      when the sky broke upon them,

      unleashing flowers of ice. The bodies

      took cover as best they could, as bodies do,

      within their medium. And the ice kept on falling,

      as long as there was ice to fall.

      Flower

      The ruler left a welted stripe;

      the hand and belt, raised letters

      I could read. My desk held

      parchment, paint, and mucilage,

      its lid a face for stenciling—

      how ink would fill the ridge compressed

      in wood—those cells—compressed

      for good—my own, what I was beaten for.

      I never learned to play the violin.

      I never learned what I was beaten for.

      At Easter brushing watercolor on crayon—

      what soaked into the egg’s white skin

      and what resisted—beading there—

      It’s possible to envy wax.

      Sometimes I drew around the mark.

      The red would fade, the blue would stay.

      Blue shape, blue flower

      yellow took. Then everything went in.

      Thanksgiving

      Swan folding its head

      into its wing. That snow—

      falling into the water. My friend’s

      daughter in the car seat,

      sleeping. The water is ice.

      The plow doing its job

      along the night roads.

      Night roads doing their job

      of being dark, and slippery.

      The crisp perfection of an envelope.

      The blank perfection of a sheet.

      The snow on the windshield

      a tunnel of wings

      my friend is driving through.

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