Erebus. Michael Palin

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      For Albert and Rose

      And indeed, nothing is easier for a man who has, as the phrase goes, ‘followed the sea’ with reverence and affection, than to evoke the great spirit of the past upon the lower reaches of the Thames. The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home, or to the battles of the sea . . . from the Golden Hind returning with her round flanks full of treasure . . . to the Erebus and Terror, bound on other conquests – and that never returned.

      Joseph Conrad, Heart of Darkness

      CONTENTS

       Introduction: Hooker’s Stockings

       Prologue: The Survivor

       1Made in Wales

       2Magnetic North

       3Magnetic South

       4Far-off Shores

       5‘Our Southern Home’

       6‘Farther south than any (Known) human being has been’

       7Dancing with the Captains

       8‘Pilgrims of the Ocean’

       9‘Such a wretched place as this you never saw’

       10‘Three years from Gillingham’

       11Homeward Bound

       12‘So little now remains to be done’

       13North by North-west

       14No Signal

       15The Truth

       16Life and Death

       17The Inuit Story

       18Resurrection

       Epilogue: Back in the

       Northwest Passage

       Appendix: Timeline

       Acknowledgements

       Picture Acknowledgements

       Index

      At the age of just twenty-two, Joseph Dalton Hooker joined the crew of HMS Erebus as assistant surgeon. He went on to become one of the greatest botanists of the nineteenth century.

      INTRODUCTION

      HOOKER’S STOCKINGS

      I’ve always been fascinated by sea stories. I discovered C.S. Forester’s Horatio Hornblower novels when I was eleven or twelve, and scoured Sheffield city libraries for any I might have missed. For harder stuff, I moved on to The Cruel Sea by Nicholas Monsarrat – one of the most powerful books of my childhood, even though I was only allowed to read the ‘Cadet’ edition, with all the sex removed. In the 1950s there was a spate of films about the Navy and war: The Sea Shall Not Have Them, Above Us the Waves, Cockleshell Heroes. They were stories of heroism, pluck and survival against all the odds. Unless you were in the engine room, of course.

      As luck would have it, much later in life I ended up spending a lot of time on ships, usually far from home, with only a BBC camera crew and one of Patrick O’Brian’s novels for company. I found myself, at different times, on an Italian cruise ship, frantically thumbing through Get By in Arabic as we approached the Egyptian coast, and in the Persian Gulf, dealing with an attack of diarrhoea on a boat whose only toilet facility was a barrel slung over the stern. I’ve been white-water rafting below the Victoria Falls, and marlin-fishing (though not catching) on the Gulf Stream – what Hemingway called ‘the great blue river’. I’ve been driven straight at a canyon wall by a jet boat in New Zealand, and have swabbed the decks of a Yugoslav freighter on the Bay of Bengal. None of this has put me off. There’s something about the contact between boat and water that I find very natural and very comforting. After all, we emerged from the sea and, as President Kennedy once said, ‘we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea . . . we are going back to whence we came’.

      In 2013 I was asked to give a talk at the Athenaeum Club in London. The brief was to choose a member of the club, dead or alive, and tell their story in an hour. I chose Joseph Hooker, who ran the Royal Botanic Gardens at Kew for much of the nineteenth century. I had been filming in Brazil and heard stories of how he had pursued a policy of ‘botanical imperialism’, encouraging plant-hunters to bring exotic, and commercially exploitable, specimens back to London. Hooker acquired rubber-tree seeds from the Amazon, germinated them at Kew and exported the young shoots to Britain’s Far Eastern colonies. Within two or three decades the Brazilian rubber industry was dead, and the British rubber industry was flourishing.

      I didn’t get far into my research before I stumbled across an aspect of Hooker’s life that was something of a revelation. In 1839, at the unripe age of twenty-two,

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