Impostures. al-Ḥarīrī

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Impostures - al-Ḥarīrī Library of Arabic Literature

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shoes

      potato-trap mouth

      yam eat

      gab talk

      tooth-music hearty chewing

      queer lamp blind or squinting eye

      7.7

      bene cove good fellow

      bread-basket stomach

      gummy-stuff medicine

      bang-up best

      jock joy

      stubble hold

      gob mouth

      prime twig first-rate condition, here re-literalized

      edge encourage, induce

      lathy thin

      heaver lover

      glib smooth

      spado sword

      spit sword

      agogare anxious, eager

      cog tooth

      slippery soap

      lurch abandon

      daddle hand

      put on a string send on a wild-goose chase

      M T empty

      drab nasty woman

      pelt rage

      tout follow, pursue

      boated gone to sea

      nubibus the clouds

      Notes

      Matsell (d. 1877), “Chief of the New York Police” (though not the only one, as there was more than one force), claims to have spent “years of diligent labor” studying thieves’ cant, which he identifies as “the Romany or Gipsy language, adapted to the use of rogues in all parts of the world.” In addition to the lexicon, the book contains a sample conversation, a story, a poem, and even a tailor’s advertisement translated into cant. It seems doubtful that anyone spoke the way Matsell imagines—that is, using jargon equivalents for all common words all the time (although there was evidently a term for doing just that—namely, “stamfishing”; cf. Scots English “scomfish’t,” 14.1). By composing texts entirely in cant, Matsell has in effect created a literary language, and it is the one I am using here. To learn it, I found it helpful to read Herbert Asbury’s The Gangs of New York and to watch Martin Scorsese’s film of nearly the same title. The film’s screenwriters (Jay Cocks, Steven Zaillian, and Kenneth Lonergan) drew on Matsell’s glossary, and the bits that made it into the script sound especially convincing when performed by Daniel Day-Lewis in his role as gang lord Bill Cutting. Although the Five Points gangsters are altogether more brutal and savage than anyone in the Impostures, their language proved a good fit for this one. Among other things, it contains eight different ways to say “eyes,” which came in handy in a story about a man pretending to be blind. In a few cases where Matsell could not supply a word I needed (e.g., “its liturgies and articles” in §7.1

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