Laura. Vera Caspary

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Laura - Vera Caspary Femmes Fatales

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And probing is the secret of finding. Through telescopic lenses I discerned in Mark the weakness that normal eyesight might never discover.

      The hard coin metal of his character fails to arouse my envy. I am jealous of severed bone, of tortured muscle, of scars whose existence demands such firmness of footstep, such stern, military erectness. My own failings, obesity, astigmatism, the softness of pale flesh, can find no such heroic apology. But a silver shinbone, the legacy of a dying desperado! There is romance in the very anatomy of man.

      For an hour after he had gone, I sat upon the sofa, listless, toying with my envy. That hour exhausted me. I turned for solace to Laura’s epitaph. Rhythms failed, words eluded me. Mark had observed that I wrote smoothly but said nothing. I have sometimes suspected this flaw in my talent, but have never faced myself with the admission of failure. Upon that Sunday noon I saw myself as a fat, fussy, and useless male of middle age and doubtful charm. By all that is logical I should have despised Mark McPherson. I could not. For all of his rough edges, he was the man I should have been, the hero of the story.

      The hero, but not the interpreter. That is my omniscient role. As narrator and interpreter, I shall describe scenes which I never saw and record dialogues which I did not hear. For this impudence I offer no excuse. I am an artist, and it is my business to recreate movement precisely as I create mood. I know these people, their voices ring in my ears, and I need only close my eyes and see characteristic gestures. My written dialogue will have more clarity, compactness, and essence of character than their spoken lines, for I am able to edit while I write, whereas they carried on their conversations in a loose and pointless fashion with no sense of form or crisis in the building of their scenes. And when I write of myself as a character in the story, I shall endeavor to record my flaws with the same objectivity as if I were no more important than any other figure in this macabre romance.

      Chapter 3

      Laura’s Aunt Susan once sang in musical comedy. Then she became a widow. The period between—the hyphen of marriage—is best forgotten. Never in the years I have known her have I heard her lament the late Horace Q. Treadwell. The news of Laura’s death had brought her hastily from her summer place on Long Island to the mausoleum on upper Fifth Avenue. One servant, a grim Finn, had accompanied her. It was Helga who opened the door for Mark and led him through a maze of dark canals into a vast uncarpeted chamber in which every piece of furniture, every picture and ornament, wore a shroud of pale, striped linen.

      This was Mark’s first visit to a private home on Fifth Avenue. As he waited he paced the long room, accosting and retreating from his lean, dark-clad image in a full-length gold-framed mirror. His thoughts dwelt upon the meeting with the bereaved bridegroom. Laura was to have married Shelby Carpenter on the following Thursday. They had passed their blood tests and answered the questions on the application for a marriage license.

      Mark knew these facts thoroughly. Shelby had been disarmingly frank with the police sergeant who asked the first questions. Folded in Mark’s coat pocket was a carbon record of the lovers’ last meeting. The facts were commonplace but not conventional.

      Laura had been infected with the weekend sickness. From the first of May until the last of September, she joined the fanatic mob in weekend pilgrimages to Connecticut. The mouldy house described in “The Fermenting of New England,” was Laura’s converted barn. Her garden suffered pernicious anaemia and the sums she spent to fertilize that rocky soil would have provided a purple orchid every day of the year with a corsage of Odontoglossum grande for Sundays. But she persisted in the belief that she saved a vast fortune because, for five months of the year, she had only to buy flowers once a week.

      After my first visit, no amount of persuasion could induce me to step foot upon the Wilton train. Shelby, however, was a not unwilling victim. And sometimes she took the maid, Bessie, and thus relieved herself of household duties which she pretended to enjoy. On this Friday, she had decided to leave them both in town. She needed four or five days of loneliness, she told Shelby, to bridge the gap between a Lady Lilith Face Cream campaign and her honeymoon. It would never do to start as a nervous bride. This reasoning satisfied Shelby. It never occurred to him that she might have other plans. Nor did he question her farewell dinner with me. She had arranged, or so she told Shelby, to leave my house in time to catch the ten-twenty train.

      She and Shelby had worked for the same advertising agency. At five o’clock on Friday afternoon, he went into her office. She gave her secretary a few final instructions, powdered her nose, reddened her lips, and rode down in the elevator with him. They stopped for martinis at the Tropicale, a bar frequented by advertising and radio writers. Laura spoke of her plans for the week. She was not certain as to the hour of her return, but she did not expect Shelby to meet her train. The trip to and from Wilton was no more to her than a subway ride. She set Wednesday as the day of her return and promised to telephone him immediately upon her arrival.

      As Mark pondered these facts, his eyes on the checkerboard of light and dark woods set into Mrs. Treadwell’s floor, he became aware that his restlessness was the subject of nervous scrutiny. The long mirror framed his first impression of Shelby Carpenter. Against the shrouded furniture, Shelby was like a brightly lithographed figure on the gaudy motion picture poster decorating the sombre granite of an ancient opera house. The dark suit chosen for this day of mourning could not dull his vivid grandeur. Male energy shone in his tanned skin, gleamed from his clear gray eyes, swelled powerful biceps. Later, as Mark told me of the meeting, he confessed that he was puzzled by an almost overwhelming sense of familiarity. Shelby spoke with the voice of a stranger but with lips whose considered smile seemed as familiar as Mark’s own reflection. All through the interview and in several later meetings, Mark sought vainly to recall some earlier association. The enigma enraged him. Failure seemed to indicate a softening process within himself. Encounters with Shelby diminished his self-confidence.

      They chose chairs at opposite ends of the long room. Shelby had offered, Mark accepted, a Turkish cigarette. Oppressed by Fifth Avenue magnificence, he had barely the courage to ask for an ashtray. And this a man who had faced machine guns.

      Shelby had borne up bravely during the ordeal at Headquarters. As his gentle Southern voice repeated the details of that tragic farewell, he showed clearly that he wished to spare his visitor the effort of sympathy.

      “So I put her in the taxi and gave the driver Waldo Lydecker’s address. Laura said, ‘Good-bye until Wednesday,’ and leaned out to kiss me. The next morning the police came to tell me that Bessie had found her body in the apartment. I wouldn’t believe it. Laura was in the country. That’s what she’d told me, and Laura had not lied to me before.”

      “We found the taxi-driver and checked with him,” Mark informed him. “As soon as they’d turned the corner, she said that he was not to go to Mr. Lydecker’s address, but to take her to Grand Central. She’d telephoned Mr. Lydecker earlier in the afternoon to break the dinner date. Have you any idea why she should have lied to you?”

      Cigarette smoke curled in flawless circles from Shelby’s flawless lips. “I don’t like to believe she lied to me. Why should she tell me she was dining with Waldo if she wasn’t?”

      “She lied twice, first in regard to dining with Mr. Lydecker, and second about leaving town that night.”

      “I can’t believe it. We were always so honest with each other.”

      Mark accepted the statement without comment. “We’ve interviewed the porters on duty Friday night at Grand Central and a couple remember her face.”

      “She always took the Friday night train.”

      “That’s the catch. The only porter who swears to a definite recollection of Laura on this particular night also asked if he’d

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