I Love Artists. Mei-mei Berssenbrugge

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I Love Artists - Mei-mei Berssenbrugge New California Poetry

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to drift in heaps on the porches?

       The Constellation Quilt

      She stitched her story on black

      silk patches from the mourning dress, quaint

      as our novels will seem, but we still recognize

      tonight's sky, as if there were a pattern

      whose edges compose with distance, like nebulae

      or namings, so triangles become Orion

      Horse, Morning Star, not flanks and wings imagined

      in gases, or story pieced out of intervals

      from which any might grow, as if sparks ever

      scatter the same, or a name assume one face

      and stance, dated in cross-stitch in a corner

      Stitching a name like defoliate in white thread

      on white fabric leaves the leaf empty. In that

      century, it was a giraffe or a bear's act. Sometimes

      the only pattern seems shock waves advancing

      in parallel fanned lines, leaving a tide's debris

      whose pattern is moon, cryptic as if there were none

      the one safe assumption. Littlest sisters eclipsed

      are each another story of a marriage, using the same

      scraps for different constellations, Bear, Swan

      overlapping.

       The Heat Bird

      1

      A critic objects to their “misterian” qualities

      I look it up and don't find it, which must relate

      to the mystères in religions. Stepping across stones in the river, which covers my sound, I startle a big bird who must circle the meadow to gain height. There is a din of big wings. A crow loops over and over me. I can see many feathers gone from its wing by sky filling in, but it's not the big bird I walk into the meadow to find what I've already called an eagle to myself. At first you just notice a heap like old asphalt and white stones dumped

      2

      There is a curving belly. The cow's head is away from me

       Its corpse is too new to smell, but as an explanation

       hasn't identified my bird. Twice I'm not sure if light wings

       between some bushes are not light through crow feathers

       but then I really see the expansive back swoop down

       and circle up to another cottonwood and light

       It's a buzzard with a little red head. You say

       that's good. They're not so scarce anymore. It should

       have been more afraid of me

      3

      Fresh wind blows the other way at dawn, so

       I'm free to wonder at the kind of charge such a mass

       of death might put on air, which is sometimes clear

       with yellow finches and butterflies. That poor heap

       is all sleeping meat by design with little affect

       I decide in a supermarket, whose sole mystere is an evocative creak in a wheel. Not unlike a dead stinkbug on the path, but unlike a little snake I pass over All night I pictured its bones for a small box of mine Today I remembered, on my last night you wanted to linger after the concert, drinking with other couples like a delicate dragonfly

      4

      And I can't predict your trauma. Potent and careless

      as radiation here, which we call careless, because

      we don't suspect anything. Then future form is in doubt

      Like a critic I thought form was an equilibrium

      which progressed by momentum from some original reduction

      of fear to the horizon. But my son's thigh bones

      are too long. I seduced myself. I thought

      I'll give it a little fish for the unexpected. Its paw

      moved. My back-bones are sparking mica on sand

      now, that carried messages up and down

      5

      Glass that melted in the last eruption of the

      Valle Grande has cooled, and you can run

      among wild iris on a slope, or fireweed in the fall

      Its former violence is the landscape, as far as Oklahoma. Its ontogeny as a thin place scrambles the plane's radio, repeating the pre-radio dream At any time, they all tell us, to think of eruption as a tardy arrival into present form, the temperate crystal I still see brightness below as night anger, not because of violence, but its continuousness with the past while airy light on the plain is merciful and diffuse that glints on radium pools. I wanted to learn how to dance last year. I thought your daughter might teach me

      6

      She did a pretty good job at elucidating something

      she didn't understand and had no interest in

      out of duty. She has evoked a yen for dance. Any

      beat with wind through it. In an apricot tree

      were many large birds, and an eagle that takes off

      as if tumbling before catching its lift. I thought

      it was flight that rumpled the collar down like a broken neck

      but then as it climbed, it resembled a man in eagle dress

      whose feathers ruffle back because of firm feet

      stamping the ground in wind. The other birds discreetly

      passed their minutes with old drummers of stamina

      but eagles entered swept ground oblivious to other drummers

      making streams of rhythm in their repetitions

      until pretty soon some of the other ladies' white feet

      moved to them, too, bound thickly around the ankles

      so their claws look especially small

      7

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