of the Church in the face of this scandalous irruption of Methodism, and as that dignity was bound up with his own sonorous utterance of the responses, his argument naturally suggested a quotation from the psalm he had read the last Sunday afternoon.
The stronger curiosity of the women had drawn them quite to the edge of the Green, where they could examine more closely the Quakerlike costume and odd deportment of the female Methodists. Underneath the maple there was a small cart, which had been brought from the wheelwright’s to serve as a pulpit, and round this a couple of benches and a few chairs had been placed. Some of the Methodists were resting on these, with their eyes closed, as if wrapt in prayer or meditation. Others chose to continue standing, and had turned their faces towards the villagers with a look of melancholy compassion, which was highly amusing to Bessy Cranage, the blacksmith’s buxom daughter, known to her neighbours as Chad’s Bess, who wondered “why the folks war amakin’ faces a that’ns.” Chad’s Bess was the object of peculiar compassion, because her hair, being turned back under a cap which was set at the top of her head, exposed to view an ornament of which she was much prouder than of her red cheeks—namely, a pair of large round ear-rings with false garnets in them, ornaments condemned not only by the Methodists, but by her own cousin and namesake Timothy’s Bess, who, with much cousinly feeling, often wished “them ear-rings” might come to good.
Timothy’s Bess, though retaining her maiden appellation among her familiars, had long been the wife of Sandy Jim, and possessed a handsome set of matronly jewels, of which it is enough to mention the heavy baby she was rocking in her arms, and the sturdy fellow of five in knee-breeches, and red legs, who had a rusty milk-can round his neck by way of drum, and was very carefully avoided by Chad’s small terrier. This young olive-branch, notorious under the name of Timothy’s Bess’s Ben, being of an inquiring disposition, unchecked by any false modesty, had advanced beyond the group of women and children, and was walking round the Methodists, looking up in their faces with his mouth wide open, and beating his stick against the milk-can by way of musical accompaniment. But one of the elderly women bending down to take him by the shoulder, with an air of grave remonstrance, Timothy’s Bess’s Ben first kicked out vigorously, then took to his heels and sought refuge behind his father’s legs.
“Ye gallows young dog,” said Sandy Jim, with some paternal pride, “if ye donna keep that stick quiet, I’ll tek it from ye. What dy’e mane by kickin’ foulks?”
“Here! Gie him here to me, Jim,” said Chad Cranage; “I’ll tie hirs up an’ shoe him as I do th’ hosses. Well, Mester Casson,” he continued, as that personage sauntered up towards the group of men, “how are ye t’ naight? Are ye coom t’ help groon? They say folks allays groon when they’re hearkenin’ to th’ Methodys, as if they war bad i’ th’ inside. I mane to groon as loud as your cow did th’ other naight, an’ then the praicher ’ull think I’m i’ th’ raight way.”
“I’d advise you not to be up to no nonsense, Chad,” said Mr. Casson, with some dignity; “Poyser wouldn’t like to hear as his wife’s niece was treated any ways disrespectful, for all he mayn’t be fond of her taking on herself to preach.”
“Aye, an’ she’s a pleasant-looked un too,” said Wiry Ben. “I’ll stick up for the pretty women preachin’; I know they’d persuade me over a deal sooner nor th’ ugly men. I shouldna wonder if I turn Methody afore the night’s out, an’ begin to coort the preacher, like Seth Bede.”
“Why, Seth’s looking rether too high, I should think,” said Mr. Casson. “This woman’s kin wouldn’t like her to demean herself to a common carpenter.”
“Tchu!” said Ben, with a long treble intonation, “what’s folks’s kin got to do wi’t? Not a chip. Poyser’s wife may turn her nose up an’ forget bygones, but this Dinah Morris, they tell me, ’s as poor as iver she was—works at a mill, an’s much ado to keep hersen. A strappin’ young carpenter as is a ready-made Methody, like Seth, wouldna be a bad match for her. Why, Poysers make as big a fuss wi’ Adam Bede as if he war a nevvy o’ their own.”
“Idle talk! idle talk!” said Mr. Joshua Rann. “Adam an’ Seth’s two men; you wunna fit them two wi’ the same last.”
“Maybe,” said Wiry Ben, contemptuously, “but Seth’s the lad for me, though he war a Methody twice o’er. I’m fair beat wi’ Seth, for I’ve been teasin’ him iver sin’ we’ve been workin’ together, an’ he bears me no more malice nor a lamb. An’ he’s a stout-hearted feller too, for when we saw the old tree all afire a-comin’ across the fields one night, an’ we thought as it war a boguy, Seth made no more ado, but he up to’t as bold as a constable. Why, there he comes out o’ Will Maskery’s; an’ there’s Will hisself, lookin’ as meek as if he couldna knock a nail o’ the head for fear o’ hurtin’t. An’ there’s the pretty preacher woman! My eye, she’s got her bonnet off. I mun go a bit nearer.”
Several of the men followed Ben’s lead, and the traveller pushed his horse on to the Green, as Dinah walked rather quickly and in advance of her companions towards the cart under the maple-tree. While she was near Seth’s tall figure, she looked short, but when she had mounted the cart, and was away from all comparison, she seemed above the middle height of woman, though in reality she did not exceed it—an effect which was due to the slimness of her figure and the simple line of her black stuff dress. The stranger was struck with surprise as he saw her approach and mount the cart—surprise, not so much at the feminine delicacy of her appearance, as at the total absence of self-consciousness in her demeanour. He had made up his mind to see her advance with a measured step and a demure solemnity of countenance; he had felt sure that her face would be mantled with the smile of conscious saintship, or else charged with denunciatory bitterness. He knew but two types of Methodist—the ecstatic and the bilious. But Dinah walked as simply as if she were going to market, and seemed as unconscious of her outward appearance as a little boy: there was no blush, no tremulousness, which said, “I know you think me a pretty woman, too young to preach”; no casting up or down of the eyelids, no compression of the lips, no attitude of the arms that said, “But you must think of me as a saint.” She held no book in her ungloved hands, but let them hang down lightly crossed before her, as she stood and turned her grey eyes on the people. There was no keenness in the eyes; they seemed rather to be shedding love than making observations; they had the liquid look which tells that the mind is full of what it has to give out, rather than impressed by external objects. She stood with her left hand towards the descending sun, and leafy boughs screened her from its rays; but in this sober light the delicate colouring of her face seemed to gather a calm vividness, like flowers at evening. It was a small oval face, of a uniform transparent whiteness, with an egg-like line of cheek and chin, a full but firm mouth, a delicate nostril, and a low perpendicular brow, surmounted by a rising arch of parting between smooth locks of pale reddish hair. The hair was drawn straight back behind the ears, and covered, except for an inch or two above the brow, by a net Quaker cap. The eyebrows, of the same colour as the hair, were perfectly horizontal and firmly pencilled; the eyelashes, though no darker, were long and abundant—nothing was left blurred or unfinished. It was one of those faces that make one think of white flowers with light touches of colour on their pure petals. The eyes had no peculiar beauty, beyond that of expression; they looked so simple, so candid, so gravely loving, that no accusing scowl, no light sneer could help melting away before their glance. Joshua Rann gave a long cough, as if he were clearing his throat in order to come to a new understanding with himself; Chad Cranage lifted up his leather skull-cap and scratched his head; and Wiry Ben wondered how Seth had the pluck to think of courting her.
“A sweet woman,” the stranger said to himself, “but surely nature never meant her for a preacher.”
Perhaps he was one of those who think that nature has theatrical properties and, with the considerate view of facilitating art and psychology, “makes up,” her characters, so that there may be no mistake about them. But Dinah began to speak.
“Dear
