Indonesian New Guinea Adventure Guide. David Pickell

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Trekking to the Shadow of Trikora TREK FROM KARUBAGA 136 North to Western Dani Country HIGHLANDS PRACTICALITIES 205 MAP: Wamena Town 206 PART V: The Asmat Region INTRODUCTION 145 THE ASMAT 146 Artists and Former Head-Hunters ASMAT ART World-Class Traditional Woodcarving 152 MAP: The Asmat Region 156-157 AGATS 158 Rickety Capital of the Asmat Region VISITING THE ASMAT 162 Through the Asmat Lands by Canoe ASMAT PRACTICALITIES 217 MAP: Agats Town 218 PART VI: Appendix TRAVEL ADVISORY 168 TRANSPORTATION 184 AREA PRACTICALITIES 192 FURTHER READING 224 GLOSSARY 226 INDEX 228

      AUTHOR'S DEDICATION

      To IMBC

       for inspiration

       above and beyond

      Many people have given generously of their time to help with this book. Among them are: Phil Reid, the best of travel companions; Paul Lundberg, who offered crucial introductions and corrected errors; Beni Wenda, a friend and the best of guides; Wayne Knight, a superb helicopter pilot; many Catholic fathers and brothers; friends Leroy and Philomena Hollenbeck; and John Cutts, a most dynamic and intelligent son of West Papua.

      THE AUTHOR

      Kal Muller has explored, photographed and written about Indonesia for more than 20 years. His work has appeared in dozens of books, as well as in the pages of National Geographic, Geo and many other magazines. Muller typically spends at least half the year in Indonesia, and the rest at his home in Mexico.

      CONTRIBUTORS

      John Cutts arrived in West Papua in 1954. His parents were pioneering missionaries in the highlands, and he grew up with the Moni, Dani and Nduga in the Homeyo and Hitadipa areas. His wife Joy and two daughters, Jaime and Jenna, have also lived with the Moni for many years. Cutts now works as a community liaison for Freeport Indonesia.

      George Chaloupka works with the Museum of the Northern Territory in Darwin, Australia. He is an acknowledged expert on Australian Aboriginal and Melanesian rock art.

      One of West Papua's most distinctive birds, the mambruk or Victoria crowned pigeon, Goura victoria. Photograph by Alain Compost.

      A Dani man, sitting on the straw floor of a honai in the central highlands, plays a traditional mouth harp of split bamboo.

      PART I

      Introducing

       West Papua

      As the 19th century wound down, only one of the world's great lands still remained cloaked in mystery: New Guinea. Here was a place where pulp writers could indulge their fits of fancy, populating this great unknown island with strange beasts and even stranger people, and no one could yet prove otherwise.

      The Baliem Valley, where agriculture had been going on for 9,000 years, and which supported a population density of almost 1,000 people per square kilometer, first felt the gaze of an outsider in 1938.

      Today hardy travelers can still get a special thrill pulling out a good, U.S.-produced flight map of West Papua (formerly Irian Jaya) and seeing the words "Relief Data Incomplete" printed across great swaths of territory.

      West Papua's 2 million people form a patchwork of ethnicities, speaking, by most estimates, as many as 250 distinct languages. The island's great size and rugged terrain have isolated them from one another for thousands of years, and each has developed a distinct culture and lifestyle.

      The Dani of the central highlands, perhaps the best-known of the West Papuans, live in communities of tidy little thatch-and-wood huts, surrounded by neatly kept gardens of sweet potato vines.

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