Propaganda. Edward Bernays

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Propaganda - Edward Bernays

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one can never clearly see conviction as distinct from calculation. Indeed, that inner murkiness appears itself to be the very source or basis of the mass manipulator’s enigmatic power, and so we cannot comprehend it through schematic dualistic formulas. (Orwell’s elusive concept of “doublethink” is highly pertinent here.)

      Of course, there are significant differences between such epoch-making dervishes as Hitler, Coughlin, and McCarthy, who worked in person, on a stage or at a microphone, and propagandists not intent on rousing furious reactions on the spot. Behind even the wildest propaganda orator there must be countless unknown deputies and lesser troops involved in tedious preparations and/or follow-through; and, of course, there are also countless propagandists whose assignments in no way entail the maddening of multitudes. Admakers—researchers, creative directors, copywriters, art directors, photographers—labor gradually toward mass reactions that, in general, are not explosive and immediate but incremental, individual, dispersed, half-conscious. As this book demonstrates, the public relations expert likewise seeks to make a gradual impression, after long research and sober planning. In the hearts of such methodical manipulators there would seem to be no streak of mad commitment, as their enterprise is not infuriating and millennial but businesslike, mundane and rational.

      And even in the magisterial Bernays we note the tendency to let his clients’ needs dictate “the truth.” Such is the major occupational hazard facing all full-time propagandists—even this most cautious and painstaking of professionals, whose celebrated title, “Counsel on Public Relations,” implied not just a heightened status but a certain lawyerly impartiality. Bernays invented the authoritative-seeming “sponsoring committee” as a way to hype his client’s wares. (He first used this now-venerable gimmick in early 1913, assembling a “committee” of physicians to approve the Broadway production of Eugene Brieux’s play Damaged Goods, which dealt forthrightly with the issue of venereal disease.) A few years later he used that device again, to sell the American people on the “hearty breakfast” of fried eggs served on strips of bacon. Whereas “the old type of salesmanship” would merely place a lot of ads exhorting everyone to eat more bacon, “because it is good, because it gives you energy,” etc., Bernays’s approach, as ever, was more “scientific”:

      The newer salesmanship, understanding the group structure of society and the principles of mass psychology, would first ask, “Who is it that influences the eating habits of the public?” The answer, obviously, is: “The physicians.” The new salesman will then suggest to physicians to say publicly that it is wholesome to eat bacon. He knows as a mathematical certainty, that large numbers of persons will follow the advice of their doctors, because he understands the psychological relation of dependence of men upon their physicians.

      Bernays can only be applauded for his scrupulous position, which reflected his lifelong commitment to a stringent code of ethics for all p.r. specialists. But the issue here is not so much ethical as epistemological. In a world under the influence of propaganda experts, how does a costly truth get out into the world as truth? When is an idea no longer just a crackpot theory, a paranoid delusion of the left or right, but something that must be, and finally is, accepted? Bernays’s eventual stand on cigarettes was admirable indeed, especially considering his own prodigious work, from the mid-Thirties, for George Washington Hill’s American Tobacco Company. (The propagandist helped Hill sell a lot of Lucky Strikes.) The risks of smoking were, however, evident before the antismoking propaganda started picking up momentum in the Fifties. As early as 1941, the independent journalist George Seldes was intrepidly reporting on the pertinent medical discoveries in his tiny muckraking journal, In Fact. With the exception of the Reader’s Digest, no other American news source, print or broadcast, dared even to hint at what tobacco scientists were finding out—an advertising-induced blackout that persisted, by and large, until the Seventies. Such was the clout of the tobacco companies, which used Bernays’s sort of propaganda genius to keep most people blithely unaware of what they were inhaling.

      Although Bernays did see the light about tobacco, then, and did the honorable thing, the fact is that corporate propaganda squelches inconvenient journalistic enterprise, so that early warnings fail to resonate, and growing ills receive no mass attention. As with the risks of smoking, so it has been, until very recently, with global warming, and so it is today with the carcinogenicity of cell phones, and the toxic side effects of fluoride, just to name a few underreported threats to public health. In all such cases, the investigative journalist is the propagandist’s natural enemy, as the former serves the public interest, while the latter tends to work against it.

      Thus Bernays expresses here a hostile view of muckraking journalism, which would always becloud the sunny view that he was hired to propagate. That that view might be false, or incomplete, is a possibility that just does not come up in Propaganda. “Big business studies every move which may express its true personality,” the author writes, implying clearly that the corporate personality is always somehow likeable, attractive and benign—a notion as unsound as any Ptolemaic theorem or medieval superstition. Concerning cigarettes, the counter-propaganda finally overwhelmed the pro-tobacco propaganda that had long prevented any public talk about the actual effects of smoking. Other of Bernays’s campaigns were likewise meant to preempt all discussion, if not all conception, of some rational alternatives to the established ways of doing business.

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