The Memory of the Temple and the Making of the Rabbis
DIVINATIONS: REREADING LATE ANCIENT RELIGION
Series Editors: Daniel Boyarin, Virginia Burrus, Derek Krueger
A complete list of books in the series is available from the publisher.
The Memory of the Temple and the Making of the Rabbis
Naftali S. Cohn
UNIVERSITY OF PENNSYLVANIA PRESS
PHILADELPHIA
Copyright © 2013 University of Pennsylvania Press
All rights reserved. Except for brief quotations used for purposes of review or scholarly citation, none of this book may be reproduced in any form by any means without written permission from the publisher.
Published by
University of Pennsylvania Press
Philadelphia, Pennsylvania 19104-4112
Printed in the United States of America on acid-free paper
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Cohn, Naftali S.
The memory of the Temple and the making of the rabbis / Naftali S. Cohn. — 1st ed.
p. cm. — (Divinations: rereading late ancient religion)
Includes bibliographical references and index.
ISBN 978-0-8122-4457-1 (hardcover : alk. paper)
1. Temple of Jerusalem (Jerusalem)—In rabbinical literature. 2. Mishnah—Criticism, interpretation, etc. 3. Rabbis—Office. 4. Judaism—History—Talmudic period, 10–425. I. Title. II. Series: Divinations
BM509.T46C64 2013
296.4'91—dc23
2012014283
For Zehava
Contents
Chapter 1. Rabbis as Jurists of Judaean Ritual Law and Competing Claims for Authority
Chapter 2. The Temple, the Great Court, and the Rabbinic Invention of the Past
Chapter 3. Narrative Form and Rabbinic Authority
Chapter 4. Constructing Sacred Space
Chapter 5. The Mishnah in the Context of a Wider Judaean, Christian, and Roman Temple Discourse
Conclusion: The Memory of the Temple and the Making of the Rabbis
Appendix A: The Mishnah’s Temple Ritual Narratives and Court-Centered Ritual Narratives
Appendix B: Mishnaic Narratives in Which a Rabbi or Rabbis Issue an Opinion with Respect to a Case
Notes on Usage
On Translation and Transliteration
At times throughout the book, I refer to words or passages that are Hebrew or Greek. Whenever knowledge of the original Hebrew adds to an understanding of my point, I quote it in Hebrew and also translate it. At other times, I may provide only translation or transliteration, depending on what is most appropriate for the context. If I would like the Hebrew term itself accessible to all readers, I transliterate it, sometimes in addition to providing the original Hebrew. For the most part, I provide the Greek only in translation or transliteration—though occasionally, when it is most pertinent, I provide the original as well. Greek transliteration follows The SBL Handbook of Style. Hebrew transliteration attempts to follow the scholarly practice of rendering consonants uniquely and conveying additional information about vocalization. At the same time, I wish to present the transliterations such that they can be read following the convention of modern Hebrew pronunciation (which, it must be noted, is merely a convention). To these ends, I have built upon both The SBL Handbook “academic” style and “general-purpose” style to create my own transliteration system, which is detailed below. Please note that this is not a full scholarly system. In order to read the transliterated Hebrew words according to conventional pronunciation, simply ignore the diacritical marks (excluding the underdot beneath the h, which indicates the guttural ḥet). The only exception to these pronunciation rules is the letter ו (waw), which is rendered with a w, though conventionally pronounced as a v. As a further general exception to the transliteration rules detailed below, certain common words in Hebrew and Aramaic (including many personal and place names) have at times been rendered according to general usage (or largely according to general usage). Transliterations of vowels in mishnaic passages are based on a combination of the vocalization in MS Parma, MS Kaufmann, and the Albeck edition of the Mishnah (vocalized by Yalon; most frequently, I follow MS Kaufmann). In translating passages of the Mishnah and Tosefta, I follow the standard scholarly practice of rendering fairly literally, and I use square brackets to indicate glosses (and, at times, to indicate corrections or glosses in the manuscript).
On the Manuscripts Used
Against the scholarly consensus, I have decided to make MS Parma (de Rossi 138) the base text for quoting and translating. Scholars have shown convincingly that the alternative, MS Kaufmann, preserves forms not preserved anywhere else (see Bar-Asher,
