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Faith in Flux
CONTEMPORARY ETHNOGRAPHY
Kirin Narayan and Alma Gottlieb, Series Editors
A complete list of books in the series is available from the publisher.
FAITH IN FLUX
Pentecostalism and Mobility in Rural Mozambique
Devaka Premawardhana
UNIVERSITY OF PENNSYLVANIA PRESS
PHILADELPHIA
Copyright © 2018 University of Pennsylvania Press
All rights reserved. Except for brief quotations used for purposes of review or scholarly citation, none of this book may be reproduced in any form by any means without written permission from the publisher.
Published by
University of Pennsylvania Press
Philadelphia, Pennsylvania 19104-4112
Printed in the United States of America
on acid-free paper
1 3 5 7 9 10 8 6 4 2
Library of Congress Cataloging-in-Publication Data
Names: Premawardhana, Devaka, author.
Title: Faith in flux : Pentecostalism and mobility in rural Mozambique / Devaka Premawardhana.
Other titles: Contemporary ethnography.
Description: 1st edition. | Philadelphia : University of Pennsylvania Press, [2018] | Series: Contemporary ethnography | Includes bibliographical references and index.
Identifiers: LCCN 2017047730 | ISBN 978-0-8122-4998-9 (hardcover : alk. paper)
Subjects: LCSH: Pentecostalism—Mozambique. | Social mobility—Mozambique. | Residential mobility—Mozambique. | Makhuwa (African people)—Mozambique. | Mozambique—Religious life and customs. | Conversion. | Pentecostal churches—Mozambique.
Classification: LCC BR1644.5.M85 P74 2018 | DDC 276.79/083—dc23
LC record available at https://lccn.loc.gov/2017047730
For Kalinka
The sedentary life is the very sin against the Holy Spirit.
—Friedrich Nietzsche, Twilight of the Idols
CONTENTS
Chapter 2. Between the River and the Road
PART II. OHIYA NI OVOLOWA—TO LEAVE AND TO ENTER
Chapter 4. Two Feet In, Two Feet Out
Chapter 5. A Religion of Her Own?
Chapter 6. Moved by the Spirit
Figure 1. Map of Mozambican field site.
Introduction
I clapped twice to announce my presence, then ducked into the mud-plaster longhouse that Mutúali built soon after the rains had ceased. It was dark inside, except for the day’s last sunrays passing through the rear. It was empty except for Mutúali and Leonardo standing toward the front. On a bamboo platform before them sat what was, as late as 2012, only the second television set to appear in Kaveya village. An empty box to the side revealed it to be a fourteen-inch Sharp Multisystem. To repay the loan needed for its purchase, Mutúali would be operating his longhouse essentially as a village cinema, charging visitors an entrance fee of three meticais (at the time, around five U.S. cents) per night. Of course, not always would he be able to show videos and take in revenue. “Depends on the gasoline,” he said. The fee would also go toward this: the cost of diesel for his electric generator, and the labor of biking, jerry cans in tow, to the service station forty kilometers away.
For this inaugural occasion Mutúali invited his fellow worshippers at Kaveya’s Pentecostal church to join him early. I arrived with Jemusse, a church member with whose family my wife and I were living that year. We greeted Mutúali and Leonardo, then sat down in the front row—a broad log on the dirt floor. Silently and admiringly we watched our friends maneuver through a tangle of wires and devices.
Other church members trickled in. After Deacon Nório arrived, technical preparations ceased. Or, rather, they took a new form: we got to our feet and prayed. Jemusse started by recalling Mutúali’s previous failed projects—a dilapidated sewing machine, a malfunctioning motorbike—yet affirming that God was behind those opportunities just as God is now behind this one. “Bless us, Lord, so that all the machines work well,” he said.
