The Heronry. Mark Jarman

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The Heronry - Mark Jarman

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to her from the whitewater

      and another time the owl in daylight

      who flew past her window more than once,

      the bear who loped through her camp

      when her dad died, the cloudless sky

      over her mother’s burial plot

      where two vapor trails suddenly crisscrossed.

      She would not let me go without

      another word, another anecdote.

      Nothing escaped her hunt for meaning, meaning.

      And the kestrel swooped from the treetop,

      struck the moth, and looked me in the eye.

      That sense on a fall night driving home

      that I will see something and must see something,

      climbing the hill toward the reservoir.

      I will see the shadowy buck grazing in a hollow of lawn

      and his antlers emerging like a doused candelabra,

      and stop the car to peer beyond the street lights

      with my headlights off as he watches me and decides

      to dip his face back to the dark grass.

      That sense of readiness prepared

      by so many unexpected things.

      The man lunging onto our car in the Metro,

      the doors hushing shut, the gendarmes slapping their hands

      on the windows as we pulled away.

      He glared at the one couple who dared to look at him

      and excused himself with a barked curse.

      That sense recorded in the lifted arms and curved fingers

      of the Highland dancers to honor the deer’s grace

      as he eludes the hunter.

      That sense derived from my mother

      who saw an angel by her bedside as a child

      and knew the ghosts who attended her

      as she cleaned house were playful but indifferent.

      Seeing her during her difficult recovery

      naked in her diaper and helping her dress

      and washing her hair, that sense that I would find

      the dimple in her scalp where the prosthesis was inserted.

      It gathers in the strange and makes it yours.

      Tall blades of tufted grasses, keep on flowing.

      Towhees like good ideas, keep on flowing.

      Pooled water, black in shadow, green in sunshine,

      with wild olives bending down to drink,

      those figures coming daily to the bridge

      to look at their two shadows on your surface,

      keep them returning, keep them coming back.

      As when, on the interstate in the country,

      you have to pull over and stop

      and get out to change drivers, the hurtling forward

      stops and the day opens as the car door opens,

      and you are no longer moving but still, as the day moves around you,

      and you see just how fast everyone else is going,

      and you decide either to enjoy the field beside you, your back to the traffic,

      or quickly as possible get the car going again:

      So, leaving the rush of private thoughts is also

      like entering an open stillness. A great halt occurs.

      Someone else, talking, removes you from the inner pressure,

      and either you can enjoy the release, like a field of sunflowers,

      or hurry to break off

      and rejoin the mental traveling that speeds you away.

      After a year of too much face time,

      I came where I could choose, instead of people,

      birds and their slant gaze, water, trees and clouds,

      the gossip and confidences of cat’s-paw breezes

      across the face of a lagoon.

      I knew the place was the byproduct of money.

      I knew it was peace that the state had paid for—

      though only a few who knew about it prospered.

      There was a bench in the sun that looked out over the shallows,

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