the Print Edition
About the Author
Acknowledgments
This book would not have been possible without the support and kindness of many people. I’d like to thank David Blakesley for entertaining the original proposal and encouraging me to submit it to the Perspectives on Writing Series. Huge thank you to Sue McLeod and Mike Palmquist for believing in this project from the start and for their patient and thoughtful guidance throughout the publication process. Thank you to the anonymous reviewers for their detailed and constructive feedback, which helped tremendously in reining in a wild-horse of an early draft. And special thanks to Paul Rogers, my west-coast brother in spirit. Many energizing conversations with Paul helped me to perform essential fine-tunings for clarity, precision, and purposefulness throughout the book.
Finally, thank you will never be enough Pat Marks, Teagan Decker, Anis Bawarshi, Juan Guerra, George Dillon, Gail Stygall, and Will Hochman for opening the gates and allowing me in.
Introduction: Sharing Pedagogical Authority: Practice Complicates Theory when Synergizing Classroom, Small-Group, and One-to-One Writing Instruction
In short, we are not here to serve, supplement, back up, complement, reinforce, or otherwise be defined by any external curriculum.
– Stephen North
Our field can no longer afford, if it ever could, to have forged a separate peace between classroom and nonclassroom teaching. There is no separate but equal.
– Elizabeth H. Boquet and Neal Lerner
The intersecting contexts of on-location tutoring not only serve ...
– Holly Bruland
Increasingly, the literature on writing centers and peer tutoring programs reports on what we’ve learned about teaching one-to-one and peer-to-peer from historical, theoretical, and empirical points of view. We’ve re-defined and re-interpreted just how far back the “desire for intimacy” in writing instruction really goes (Lerner “Teacher-Student,” The Idea). We’ve questioned what counts as credible and useful research methods and methodologies (Babcock and Thonus; Liggett, Jordan, and Price; Corbett “Using,” “Negotiating”) and meaningful assessment (Schendel and Macauley). We’ve explored what the implications of peer tutoring are, for not just tutees, but also for tutors themselves (Hughes, Gillespie, and Kail). And we’ve made connections to broader implications for the teaching and learning of writing (for example see Harris “Assignments,” and Soliday Everyday Genres on assignment design and implementation; Greenfield and Rowan, Corbett, Lewis, and Clifford, and Denny on race and identity; Mann, and Corbett “Disability” on learning-disabled students; Lerner The Idea and Corbett, LaFrance, and Decker on the connections between writing center theory and practice and peer-to-peer learning in the writing classroom). Since the first publication of North’s often-cited essay “The Idea of a Writing Center,” quoted above, writing center practitioners and scholars have continued to ask a pivotal question: How closely can or should writing centers, writing classrooms—and the people involved in either or both—collaborate (North “Revisting”; Smith; Hemmeter; Healy; Raines; Soliday “Shifting Roles”; Decker; Sherwood; Boquet and Lerner)?
Yet with all our good intentions, unresolved tensions and dichotomies pervade all our actions as teachers or tutors of writing. At the heart of everything we do reside choices. Foremost among these choices includes just how directive (or interventionist or controlling) versus how nondirective (or noninterventionist or facilitative) we wish to be in the learning of any given student or group of students at any given time. The intricate balancing act between giving a student a fish and teaching him or her how to fish can be a very slippery art to grasp. But it is one we need to think about carefully, and often. It affects how we design and enact writing assignments, how much cognitive scaffolding we build into every lesson plan, or how much we tell students what to do with their papers versus letting them do some of the crucial cognitive heavy-lifting. The nuances of this pedagogical balancing act are brought especially to light when students and teachers in writing classrooms and tutors from the writing center or other tutoring programs are brought together under what Neal Lerner characterizes as the “big cross-disciplinary tent” of peer-to-peer teaching and learning (qtd. in Fitzgerald 73). Like many teachers of writing, I started my career under this expansive tent learning to negotiate directive and nondirective instruction with students from across cultures and across the disciplines.
I started out as a tutor at Edmonds Community College (near Seattle, Washington) in 1997. When I made my way as a GTA teaching my own section of first-year composition at the University of Washington, in 2002, I took my writing-centered attitudes and methods right along with me. My initial problem was how to make the classroom more like the center I felt so strongly served students in more individualized and interpersonal ways. I began to ask the question: Can I make every writing classroom (as much as possible) a “writing center”? Luckily, I soon found out I was not alone in this quest for pedagogical synergy. Curriculum- and classroom-based tutoring offer exciting, dramatic instructional arenas from which to continue asking questions and provoking conversations involving closer classroom and writing center/tutoring connections (Spigelman and Grobman; Moss, Highberg, and Nicolas; Soven; Lutes; Zawacki; Hall and Hughes; Cairns and Anderson; Corbett “Bringing,” “Using,” “Negotiating”). In the Introduction to On Location: Theory and Practice in Classroom-Based Writing Tutoring Candace Spigelman and Laurie Grobman differentiate between the more familiar curriculum-based tutoring, usually associated with writing fellows programs, and classroom-based tutoring, where tutorial support is offered during class (often in developmental writing courses). But just as all writing centers are not alike, both curriculum- and classroom-based tutoring programs differ from institution to institution. There is much variation involved in curriculum- and classroom-based tutoring due to the context-specific needs and desires of students, tutors, instructors, and program administrators: Some programs ask tutors to comment on student papers; some programs make visits to tutors optional, while others make them mandatory; some have tutors attend class as often as possible, while others do not; and some programs offer various hybrid approaches. Due to the considerable overlap in theory and practice between curriculum- and classroom-based tutoring, I have opted for the term course-based tutoring (still CBT) when referring to pedagogical elements shared by both.
The following quotes, from three of the case-study participants this book reports on, begin to suggest the types of teaching and learning choices afforded by CBT, especially for developmental teachers and learners:
I feel like when I’m in the writing center just doing individual sign up appointments it’s much more transient. People come and you don’t see them and you don’t hear from them until they show up and they have their paper with them and it’s the first time you see them, the first time you see their work, and you go through and you help them and then they leave. And whether they come back or not it’s up to them but you’re not really as tied to them. And I felt more tied to the success of the students in this class. I really wanted them to do better.
– Sam, course-based tutor
One of the best features of my introductory English course was the built-in support system that was available to me. It was a small class, and my professor was able to give all of us individual assistance. In addition, the class had a peer tutor who was always available to help me. My tutor helped alleviate my anxiety over the understanding of assignments as she would go over the specifics with me before I started it ... When I did not understand something, my professor and tutor would patiently explain the material to me. My fears lessened as my confidence grew and I took more chances with my writing, which was a big step for me.
– Max, first-year developmental writer
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