Paterson, illustration and chapter initial for Far from the Madding Crowd (Hardy), part 11
Fig. 0.6. William Makepeace Thackeray, illustration for his Vanity Fair, part 4
Fig. 0.7. Paterson, chapter initial for Far from the Madding Crowd (Hardy), part 1
Fig. 0.8. Sidney Paget, illustration for “A Case of Identity” (Doyle)
Fig. 0.9. George Du Maurier, illustration for Wives and Daughters (Gaskell), part 11
Fig. 0.10. Du Maurier, illustration for Wives and Daughters (Gaskell), part 16
Fig. 0.11. Warwick Goble, illustration for The War of the Worlds (Wells), part 3
Fig. 0.12. Goble, illustration for The War of the Worlds (Wells), part 7
Fig. 0.13. Browne, illustration for Bleak House (Dickens), part 16
Fig. 0.14. Thackeray, illustration for his Vanity Fair, parts 19 and 20
Fig. 0.15. George Cruikshank, illustration for Jack Sheppard (Ainsworth), part 11
Fig. 0.16. John Everett Millais, illustration for Parables (Guthrie), part 3
Fig. 0.17. Albrecht Dürer, The Descent from the Cross
Fig. 0.18. George Cattermole, illustration for The Old Curiosity Shop (Dickens), part 40
Fig. 0.19. Millais, illustration for Orley Farm (Trollope), part 2
Fig. 0.20. Charles Collins, wrapper for The Mystery of Edwin Drood (Dickens), part 1
Fig. 0.21. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2
Fig. 0.22. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2
Fig. 1.1. Browne, illustration for David Copperfield (Dickens), part 1
Fig. 1.2. Browne, illustration for David Copperfield (Dickens), part 1
Fig. 1.3. Browne, illustration for David Copperfield (Dickens), part 7
Fig. 1.4. Browne, title page for David Copperfield (Dickens), parts 19 and 20
Fig. 1.5. Browne, illustration for David Copperfield (Dickens), part 3
Fig. 1.6. Browne, illustration for David Copperfield (Dickens), part 16
Fig. 1.7. Du Maurier, illustration for Cousin Phillis (Gaskell), part 2
Fig. 2.1. Millais, illustration for The Anglers of the Dove (Martineau), part 1
Fig. 2.2. Millais, illustration for The Anglers of the Dove (Martineau), part 4
Fig. 2.3. Millais, illustration for The Anglers of the Dove (Martineau), part 2
Fig. 2.4. Millais, illustration for Son Christopher (Martineau), part 2
Fig. 2.5. Cruikshank, wrapper for The Tower of London (Ainsworth), part 1
Fig. 2.6. Cruikshank, headpiece, signature, and chapter initial for The Tower of London (Ainsworth), part 1
Fig. 2.7. Cruikshank, illustration for The Tower of London (Ainsworth), part 1
Fig. 2.8. Cruikshank, illustration for The Tower of London (Ainsworth), part 1
Fig. 2.9. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.10. Cruikshank, illustration for The Tower of London (Ainsworth), part 8
Fig. 2.11. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 13
Fig. 2.12. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.13. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.14. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 2.15. Cruikshank, illustration for The Tower of London (Ainsworth), part 4
Fig. 2.16. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 2.17. Browne, illustration for Charles O’Malley (Lever), parts 21 and 22
Fig. 2.18. Thackeray, wrapper for his Vanity Fair, part 1
Fig. 2.19. Thackeray, chapter initial for his Vanity Fair, parts 19 and 20
Fig. 2.20. Thackeray, illustration for his Vanity Fair, part 1
Fig. 2.21. Thackeray, chapter initial for his Vanity Fair, part 1
Fig. 2.22. Thackeray, tailpiece for his Vanity Fair, part 1
Fig. 2.23. Thackeray, illustration for his Vanity Fair, part 6
Fig. 2.24. Thackeray, illustration for his
