The Hidden Authorship of Søren Kierkegaard. Jacob Sawyer

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Kierkegaard’s first key work Either/Or.

      1.2 “The Single Individual”

      Introduction

      Kierkegaard’s corrective to his outwardly driven society was to emphasize the absolute claim that Christianity makes on each and every person inwardly. This point was summed up in Kierkegaard’s phrase “the single individual,” which constituted the key concept for Kierkegaard’s reintroduction of Christianity into Christendom. We will explore this concept and how it was used as a contextual corrective by Kierkegaard. Out of this understanding of Kierkegaard’s view of a human person, we will then consider a critique frequently made of Kierkegaard because of his concept of “the single individual”: the critique of individualism.

      “The Single Individual”: A Contextual Response

      It is important to note that Kierkegaard’s authorship and its accompanying concepts were not an absolute and definitive account of what he believed or understood. His works were always in response to the context in which he found himself. Much like Wittgenstein, who believed that philosophy was a tool to use in relation to something and not a goal or thing per se, Kierkegaard’s thought cannot be removed from that with which he was concerned, i.e., the realization of “the single individual.”171 Therefore one should not be too quick to judge Kierkegaard as being overly individualistic, with no place for human interrelations and society—his work was a polemic corrective for the “mob mentality” that plagued his Copenhagen.172 But more than this, Kierkegaard anticipated such critiques and attempted to address them within his work.

      As George Pattison helpfully articulates, “Kierkegaard is not just a debating partner for Hegel and Co.”173 That is, Kierkegaard did not merely isolate himself within the concerns and conversations of academic philosophers, but sought to dialogue with a raft of popular literature and art in an attempt to address the concerns of the public. He commented on popular novels, plays, actors, and music, as well as the latest and most influential philosophical works. Pattison calls him a “feuilleton writer”: one who was concerned with reflecting on popular culture in the hope of influencing it.174 As we have seen in the previous chapter, Kierkegaard was concerned with the lack of inward reflection that characterized his society, and sought to redirect his fellow Danes away from the distractions of outwardness and toward a consideration of their own lives as individuals. Kierkegaard’s ultimate desire was evangelistic—for his reader to meet God in the “hidden inwardness” of her own heart—but this was not immediately achievable for him, as we shall see. So instead, as a first and necessary step, he sought to awaken “the single individual” apart from “the crowd.”

      Such a task was not therefore an attempt at a universally viable philosophical system, but arose out of a perceived need. Kierkegaard’s “single individual” is thus a deeply contextual tool which was the product of its time, and should be considered as such.

      “The Single Individual”: A Dialectic of Being

      The key idea of “the single individual” was fundamental to Kierkegaard’s entire task, as he saw this as the true reality of what a human being was, as opposed to “one” who was swallowed up in anonymity and the untruth of “the crowd.” “The single individual” was a person who had been stripped of this illusion of Christendom and was free to take responsibility for her own existence. Johannes Climacus’ argument for the importance

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