Philadelphia Fire. John Edgar Wideman
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Yes. Clark Park. He knew the location of Clark Park. He’d nodded at Margaret Jones. Yes, I know Clark Park. He’d beaten up his body many a day on the basketball court there. Drank wine and smoked reefer with the hoop junkies many a night after playing himself into a stupor. Clear now what he’d been trying to do. Purge himself. Force the aching need for Caroline and his sons out of his body. Running till his body was gone, his mind whipped. Till he forgot his life was coming apart. Keep score of the game, let the rest go. The park a place to come early and stay late, punish the humpty-dumpty pieces of himself till they’d never want to be whole again.
Clark Park where he’d see a face like Teresa’s. A woman sat in the grass, on a slope below the asphalt path circling the park, in a bright patch of early-morning sunshine. She was staring at the hollow’s floor, a field tamped hard and brown by countless ball games. This woman who could be Teresa, who would be Teresa until Cudjoe satisfied himself otherwise, rested her chin on her drawn-up knees. No kids playing in the hollow, no dog walkers strolling on the path, just the two of us, Cudjoe had thought as he stopped and ambled down the green slope, lower than she was, so he could check out her face. He’ll smile, one early bird greeting another. Pass on if she’s a stranger.
Under her skimpy paisley dress, the woman was naked. She hugged her legs to her chest. Goose bumps prickled her bare loins. At the center of her a dark crease, a spray of curly hairs, soft pinch of buttocks. Cudjoe expected her to raise her chin off her knees, snap her legs straight, but she remained motionless, staring at the hollow. It could be Teresa’s face perched on the woman’s bare knees, a perfect match even though the body bearing it no way Teresa’s. But still it could be Teresa’s face. Right head, wrong body, like a sphinx. The eyes are dreamy, express a vulnerability Teresa never exposed. Teresa’s eyes were mirrors. You saw yourself, your unhappy secrets in them. Nothing in Teresa’s gaze suggested you could change her or change yourself. This woman, girl in Clark Park whose face was Teresa’s, whose body was compact, generously fleshed where Teresa was lithe and taut, this woman who let him see under her dress, had finally smiled down at him over her knees, a smile saying no more or less than this gift of sun feels good and I’m content to share it.
Then she had leaned backward catching her weight on her arms, knees steepled, eyes closing as she tilted her forehead into the light filtering through the trees. Cudjoe’s throat had tightened; he was afraid to swallow, to move an inch. He stared at the dark hinge between her legs. Though she seemed unconcerned by his presence, she wasn’t ignoring him. She was stretching, yawning, welcoming, returning to him after centuries of sleep. She’d chosen her spot and he was part of it, so nothing was foreign, nothing could disturb this moment of communion when what she was was boundless, new, Eve to his Adam, Cudjoe had told himself, half-believing, as he peered into the crack between her legs, the delicate pinks, soft fleece. Born again.
Her green-and-white minidress clearly an afterthought. Didn’t matter to her if it was off or on. She rolled slowly onto her side. From where Cudjoe stood the dress disappeared except for a green edging along the top of one bare flank. Neat roundness of her buttocks, graceful drape of thighs glowed in soft morning light. He couldn’t see a face now. Teresa disintegrates in the smoky shafts of sunlight painting the bank. Above him the remnant of a statue, a woman perfectly formed from marble.
He’d been stuck. Like a fly in honey. He couldn’t look away. Couldn’t go on about his business. What was he looking for then, now as he remembers her, remembers her wisp of dress and the sun, his throat dry, loins filling up, growing so heavy he believed he was sinking into the ground, remembering how she was Teresa, then she wasn’t, then she was, and the loud clanking of trolleys up Woodland, down Baltimore, cables popping, laughing at himself, believing none of it was real? At some point she’d risen, awkward, stiff from sitting too long. A flash of red-dimpled white cheek before she smooths down the flowered hem of her dress. How long had he stood there like a dummy, gazing into the empty stripe of sunlight?
On Mykonos scuffing his way through hot sand he’d seen naked bodies every size, shape and color stretched for acres between green sea and rocks spilled at the base of cliffs, bodies so casual, blasé, he ignored them, preferred them at night, clothed, in the restaurants and discos. Funny how quickly he’d gotten used to nakedness. Hair, skin, bones. What was different, what was the same about all the bodies. Blond, dark, lean, stubby, every nation represented, all shapes of male and female displayed in any angle he could imagine. What was he looking for in women’s bodies? Surely he’d have tripped over it trudging up and back those golden beaches on Mykonos. But no. The mystery persisted. His woman in the park. A daydream till she brushes bits of straw from the seat of her paisley dress. Runs away.
Rules posted in the park, but the signs, blasted by spray paint, unreadable. No rules, no signs when he’d lived here a decade ago. He’d remembered a green oasis. Forgotten those seasons, months when the park was the color of the neighborhood surrounding it. No color. Grays and browns of dead leaves. July now. Trees should be full, the grass green. He’d been hoping for green. Hoping the park sat green and waiting between Woodland and Baltimore avenues, that it had not been an invention, one more lie he’d told himself about this land to which he was returning.
A statue of Charles Dickens. Only one in the world at last count. Little Nell at his knee stares imploringly up at the great man’s distant face. They are separated and locked together by her gaze. Both figures larger than life, greener than the brittle grass. Both blind. In a notebook somewhere Cudjoe had recorded the inscription carved into the pedestal. For his story about people who frequent the park. A black boy who climbs on Dickens’s knee and daydreams. A crazy red-haired guy muttering and singing nonsense songs to himself. A blind man who shoots baskets at night. A boy-girl vignette about a baby the girl’s carrying, how the couple strolls round and round the path, kids on a carousel, teaching themselves the news of another, unexpected life.
Twenty blocks west the fire had burned. If the wind right, smoke would have drifted here, settled on leaves, grass, bushes. Things that eat leaves and buds must have tasted smoke. Dark clouds drifting this way carried the ashy taste of incinerated children’s flesh. Could you still smell it? Was the taste still part of what grew in the park? Would it ever go away?
Cudjoe watches a runty little boy terrorize other children in a play area off to his right. The kid’s a devil. He screams and stomps his feet, laying claim to a domain invisible to the other kids till they encroach. Then he goes wild, patrolling his turf ferociously with shoves, screeches, the threat of his tiny fist wagged in somebody’s face. He’s everywhere at once, defending, shooing, hollering. Tough little bastard, Cudjoe thinks. All the other kids are buffaloed. Till one boy goes after the tyrant with a gun from outer space that squeals like a lost soul. The bully loses it. Screams and trucks away as fast as his stubby legs and miniature Adidas will carry him to a group of women sitting on a wall. Little guy’s so shook up, he crashes into the wrong lap, hiding his face till another woman, who must be his mother, snatches him up, fusses at him and plops him down beside her.
The moral, Cudjoe says to himself, is everybody’s afraid