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director’s office waits a consultant from the Ministry of Culture: he’s concerned because the theater has, in the press and in society, an image of too much autonomy, as if it weren’t integrating the cultural politics of the City Council (“What sense is there in investing twenty million pesos, if the return is just going to you and not to the government”). He gets out of the car. Climbs the stairs to the street. Crosses at the intersection. He enters the MG building. Goes up to the ninth floor. Leaves the elevator. Goes into MG. He runs into a secretary: “How did it go? Did they give you your license?” He gets to his office, or rather: his cubicle. The phone rings. It’s the General Manager, he wants to see him immediately. Dami walks to the General Manager’s office. He enters the General Manager’s office. They chat for a while. He leaves the General Manager’s office. MG is finally going to set up the Observatory of Sociocultural Trends, and Dami is going to be the Assistant Director.
Chapter 2
Конец ознакомительного фрагмента.
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