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all from the hand of Tim Rice. The shortest and earliest, thus corresponding to Mark, is the studio version of the rock opera. The stage adaptation of the album added more text to existing songs and even added a whole new song. This one might be compared to Matthew, who essentially padded out Mark. Finally, the film version added still more transitional material, including another song. Certain words appearing in the first two, have been changed in the retelling. This might be Rice's "Luke." We may even find hints of Superstar's influence on the film version of The Last Temptation of Christ. And this implies, correctly, that one might profitably undertake similar redactional studies of all the various Jesus movies and gospel novelizations. It would be quite revealing as to the theological tastes of the various writers and redactors, as well as of the publics for whom they wrote. But all that is beyond our scope this time out.
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