The Essential James Branch Cabell Collection. James Branch Cabell
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Rain, sullen rain, was battering the window. "And you--you hunchback in the mirror, you maker of neat rhymes--pray, what had you to offer? A coach-and-six, of course, and pin-money and furbelows and in the end a mausoleum with unimpeachable Latin on it! And--_pat sur pat_--an unswerving devotion which she would share on almost equal terms with the Collected Works of Alexander Pope. And so she chose--chose brawn and a clean heart."
The dwarf turned, staggered, fell upon his bed. "God, make a man of me, make me a good brave man. I loved her--oh, such as I am, You know that I loved her! You know that I desire her happiness above all things. Ah, no, for You know that I do not at bottom. I want to hurt, to wound all living creatures, because they know how to be happy, and I do not know how. Ah, God, and why did You decree that I should never be an obtuse and comely animal such as this John Hughes is? I am so tired of being 'the great Mr. Pope,' and I want only the common joys of life."
The hunchback wept. It would be too curious to anatomize the writhings of his proud little spirit.
Now some one tapped upon the door. It was John Gay. He was bidden to enter, and, complying, found Mr. Pope yawning over the latest of Tonson's publications.
Gay's face was singularly portentous. "My friend," Gay blurted out, "I bring news which will horrify you. Believe me, I would never have mustered the pluck to bring it did I not love you. I cannot let you hear it first in public and unprepared, as, otherwise, you would have to do."
"Do I not know you have the kindest heart in all the world? Why, so outrageous are your amiable defects that they would be the public derision of your enemies if you had any," Pope returned.
The other poet evinced an awkward comminglement of consternation and pity. "It appears that when this storm arose--why, Mistress Drew was with a young man of the neighborhood--a John Hewet----" Gay was speaking with unaccustomed rapidity.
"Hughes, I think," Pope interrupted, equably.
"Perhaps--I am not sure. They sought shelter under a haycock. You will remember that first crash of thunder, as if the heavens were in demolishment? My friend, the reapers who had been laboring in the fields--who had been driven to such protection as the trees or hedges afforded----"
"Get on!" a shrill voice cried; "for God's love, man, get on!" Mr. Pope had risen. This pallid shaken wisp was not in appearance the great Mr. Pope whose ingenuity had enabled Homeric warriors to excel in the genteel.
"They first saw a little smoke. . . . They found this Hughes with one arm about the neck of Mistress Drew, and the other held over her face, as if to screen her from the lightning. They were both"--and here Gay hesitated. "They were both dead," he amended.
Pope turned abruptly. Nakedness is of necessity uncouth, he held, whether it be the body or the soul that is unveiled. Mr. Pope went toward a window which he opened, and he stood thus looking out for a brief while.
"So she is dead," he said. "It is very strange. So many rare felicities of curve and color, so much of purity and kindliness and valor and mirth, extinguished as one snuffs a candle! Well! I am sorry she is dead, for the child had a talent for living and got such joy out of it. . . . Hers was a lovely happy life, but it was sterile. Already nothing remains of her but dead flesh which must be huddled out of sight. I shall not perish thus entirely, I believe. Men will remember me. Truly a mighty foundation for pride! when the utmost I can hope for is but to be read in one island, and to be thrown aside at the end of one age. Indeed, I am not even sure of that much. I print, and print, and print. And when I collect my verses into books, I am altogether uncertain whether to took upon myself as a man building a monument, or burying the dead. It sometimes seems to me that each publication is but a solemn funeral of many wasted years. For I have given all to the verse-making. Granted that the sacrifice avails to rescue my name from oblivion, what will it profit me when I am dead and care no more for men's opinions than Sarah Drew cares now for what I say of her? But then she never cared. She loved John Hughes. And she was right."
He made an end of speaking, still peering out of the window with considerate narrowed eyes.
The storm was over. In the beech-tree opposite a wren was raising optimistic outcry. The sun had won his way through a black-bellied shred of cloud; upon the terrace below, a dripping Venus and a Perseus were glistening as with white fire. Past these, drenched gardens, the natural wildness of which was judiciously restrained with walks, ponds, grottoes, statuary and other rural elegancies, displayed the intermingled brilliancies of diamonds and emeralds, and glittered as with pearls and rubies where tempest-battered roses were reviving in assertiveness.
"I think the storm is over," Mr. Pope remarked. "It is strange how violent are these convulsions of nature. . . . But nature is a treacherous blowsy jade, who respects nobody. A gentleman can but shrug under her onslaughts, and henceforward civilly avoid them. It is a consolation to reflect that they pass quickly."
He turned as in defiance. "Yes, yes! It hurts. But I envy them. Yes, even I, that ugly spiteful hornet of a man! 'the great Mr. Pope,' who will be dining with the proudest people in England within the hour and gloating over their deference! For they presume to make a little free with God occasionally, John, but never with me. And _I_ envy these dead young fools. . . . You see, they loved each other, John. I left them, not an hour ago, the happiest of living creatures. I looked back once. I pretended to have dropped my handkerchief. I imagine they were talking of their wedding-clothes, for this broad-shouldered Hughes was matching poppies and field-flowers to her complexion. It was a scene out of Theocritus. I think Heaven was so well pleased by the tableau that Heaven hastily resumed possession of its enactors in order to prevent any after-happenings from belittling that perfect instant."
"Egad, and matrimony might easily have proved an anti-climax," Gay considered.
"Yes; oh, it is only Love that is blind, and not the lover necessarily. I know. I suppose I always knew at the bottom of my heart. This hamadryad was destined in the outcome to dwindle into a village housewife, she would have taken a lively interest in the number of eggs the hens were laying, she would even have assured her children, precisely in the way her father spoke of John Hughes, that young people ordinarily have foolish fancies which their rational elders agree to disregard. But as it is, no Eastern queen--not Semele herself--left earth more nobly--"
Pope broke off short. He produced his notebook, which he never went without, and wrote frowningly, with many erasures. "H'm, yes," he said; and he read aloud:
"When Eastern lovers feed the funeral fire, On the same pile the faithful fair expire; Here pitying heaven that virtue mutual found, And blasted both that it might neither wound. Hearts so sincere the Almighty saw well pleased, Sent His own lightning and the victims seized."
Then Pope made a grimace. "No; the analogy is trim enough, but the lines lack fervor. It is deplorable how much easier it is to express any emotion other than that of which one is actually conscious." Pope had torn the paper half-through before he reflected that it would help to fill a printed page. He put it in his pocket. "But, come now, I am writing to Lady Mary this afternoon. You know how she loves oddities. Between us--with prose as the medium, of course, since verse should, after all, confine itself to the commemoration of heroes and royal persons--I believe we might make