begins the volume called and entitled the Dizain of Queens, composed and extracted from divers chronicles and other sources of information, by that extremely venerable person and worshipful man, Messire Nicolas de Caen, priest and chaplain to the right noble, glorious and mighty prince in his time, Philippe, Duke of Burgundy, of Brabant, etc., in the year of the Incarnation of our Lord God a thousand four hundred and seventy: and imprinted by me, Colard Mansion, at Bruges, in the year of our said Lord God a thousand four hundred and seventy-one; at the commandment of the right high, mighty and virtuous Princess, my redoubted Lady, Isabella of Portugal, by the grace of God Duchess of Burgundy and Lotharingia, of Brabant and Limbourg, of Luxembourg and of Gueldres, Countess of Flanders, of Artois, and of Burgundy, Palatine of Hainault, of Holland, of Zealand and of Namur, Marquesse of the Holy Empire, and Lady of Frisia, of Salins and of Mechlin; whom I beseech Almighty God less to increase than to continue in her virtuous disposition in this world, and after our poor fleet existence to receive eternally. Amen."
THE PROLOGUE
"_Afin que les entreprises honorables et les nobles aventures et faicts d'armes soyent noblement enregistrs et conservs, je vais traiter et raconter et inventer ung galimatias_."
THE DIZAIN OF QUEENS OF THAT NOBLE MAKER IN THE FRENCH TONGUE, MESSIRE NICOLAS DE CAEN, DEDICATED TO THE MOST ILLUSTRIOUS ISABELLA OF PORTUGAL, OF THE HOUSE OF THE INDOMITABLE ALFONSO HENRIQUES, AND DUCHESS DOWAGER OF BURGUNDY. HERE BEGINS IN AUSPICIOUS WISE THE PROLOGUE.
The Prologue
A Sa Dame
Inasmuch as it was by your command, illustrious and exalted lady, that I have gathered together these stories to form the present little book, you should the less readily suppose I have presumed to dedicate to your Serenity this trivial offering because of my esteeming it to be not undeserving of your acceptance. The truth is otherwise: your postulant approaches not spurred toward you by vainglory, but rather by equity, and equity's plain need to acknowledge that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age. I humbly bring my book to you as Phidyle approached another and less sacred shrine, _farre pio et saliente mica_, and lay before you this my valueless mean tribute not as appropriate to you but as the best I have to offer.
It is a little book wherein I treat of divers queens and of their love-business; and with necessitated candor I concede my chosen field to have been harvested, and scrupulously gleaned, by many writers of innumerable conditions. Since Dares Phrygius wrote of Queen Heleine, and Virgil (that shrewd necromancer) of Queen Dido, a preponderating mass of clerks, in casting about for high and serious matter, have chosen, as though it were by common instinct, to dilate upon the amours of royal women. Even in romance we scribblers must contrive it so that the fair Nicolete shall be discovered in the end to be no less than the King's daughter of Carthage, and that Sir Don of Mayence shall never sink in his love affairs beneath the degree of a Saracen princess; and we are backed in this old procedure not only by the authority of Aristotle but, oddly enough, by that of reason.
Kings have their policies and wars wherewith to drug each human appetite. But their consorts are denied these makeshifts; and love may rationally be defined as the pivot of each normal woman's life, and in consequence as the arbiter of that ensuing life which is eternal. Because--as anciently Propertius demanded, though not, to speak the truth, of any woman--
Quo fugis? ah demens! nulla est fuga, tu licet usque Ad Tanaim fugias, usque sequetur amor.
And a dairymaid, let us say, may love whom she will, and nobody else be a penny the worse for her mistaking of the preferable nail whereon to hang her affections; whereas with a queen this choice is more portentous. She plays the game of life upon a loftier table, ruthlessly illuminated, she stakes by her least movement a tall pile of counters, some of which are, of necessity, the lives and happiness of persons whom she knows not, unless it be by vague report. Grandeur sells itself at this hard price, and at no other. A queen must always play, in fine, as the vicar of destiny, free to choose but very certainly compelled in the ensuing action to justify that choice: as is strikingly manifested by the authentic histories of Brunhalt, and of Guenevere, and of swart Cleopatra, and of many others that were born to the barbaric queenhoods of extinct and dusty times.
All royal persons are (I take it) the immediate and the responsible stewards of Heaven; and since the nature of each man is like a troubled stream, now muddied and now clear, their prayer must ever be, _Defenda me, Dios, de me_! Yes, of exalted people, and even of their near associates, life, because it aims more high than the aforementioned Aristotle, demands upon occasion a more great catharsis, which would purge any audience of unmanliness, through pity and through terror, because, by a quaint paradox, the players have been purged of humanity. For a moment Destiny has thrust her scepter into the hands of a human being and Chance has exalted a human being to decide the issue of many human lives. These two--with what immortal chucklings one may facilely imagine--have left the weakling thus enthroned, free to direct the heavy outcome, free to choose, and free to evoke much happiness or age-long weeping, but with no intermediate course unbarred. _Now prove thyself_! saith Destiny; and Chance appends: _Now prove thyself to be at bottom a god or else a beast, and now eternally abide that choice. And now_ (O crowning irony!) _we may not tell thee clearly by which choice thou mayst prove either_.
In this little book about the women who intermarried, not very enviably, with an unhuman race (a race predestinate to the red ending which I have chronicled elsewhere, in _The Red Cuckold_), it is of ten such moments that I treat.
You alone, I think, of all persons living, have learned, as you have settled by so many instances, to rise above mortality in such a testing, and unfailingly to merit by your conduct the plaudits and the adoration of our otherwise dissentient world. You have often spoken in the stead of Destiny, with nations to abide your verdict; and in so doing have both graced and hallowed your high vicarship. If I forbear to speak of this at greater length, it is because I dare not couple your well-known perfection with any imperfect encomium. Upon no plea, however, can any one forbear to acknowledge that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age.
_Therefore to you, madame--most excellent and noble lady, to whom I love to owe both loyalty and love--I dedicate this little book._
I
_THE STORY OF THE SESTINA_
"Armatz de fust e de fer e d'acier, Mos ostal seran bosc, fregz, e semdier, E mas cansos sestinas e descortz, E mantenrai los frevols contra 'ls fortz."
THE FIRST NOVEL.--ALIANORA OF PROVENCE, COMING IN DISGUISE AND IN ADVERSITY TO A CERTAIN CLERK, IS BY HIM CONDUCTED ACROSS A HOSTILE COUNTRY; AND IN THAT TROUBLED JOURNEY ARE MADE MANIFEST TO EACH THE SNARES WHICH HAD BEGUILED THEM AFORETIME.
The Story of the Sestina
In this place we have to do with the opening tale of the Dizain of Queens. I abridge, as afterward, at discretion; and an initial account of the Barons' War, among other superfluities, I amputate as more remarkable for veracity than interest. The result, we will agree at outset, is that to the Norman cleric appertains whatever these tales may have of merit, whereas what you find distasteful in them you must impute to my delinquencies in skill rather than in volition.
Within the half hour after de Giars' death (here one overtakes Nicolas mid-course in narrative) Dame Alianora thus stood alone in the corridor of a strange house. Beyond the arras the steward and his lord were at irritable converse.
