IS APPENDED THE EPILOGUE THAT MESSIRE NICOLAS DE CAEN AFFIXED TO THE BOOK WHICH HE HAD MADE ACCORDING TO THE BEST OF HIS ABILITY; AND WHICH (IN CONSEQUENCE) HE DARED NOT APPRAISE.
_The Epilogue_
_A Son Livret_
Intrepidly depart, my little book, into the presence of that most illustrious lady who bade me compile you. Bow down before her judgment. And if her sentence be that of a fiery death, I counsel you not to grieve at what cannot be avoided.
But, if by any miracle that glorious, strong fortress of the weak consider it advisable that you remain unburned, pass thence, my little book, to every man who may desire to purchase you, and live out your little hour among these very credulous persons; and at your appointed season perish and be forgotten. Thus may you share your betters' fate, and be at one with those famed comedies of Greek Menander and all the poignant songs of Sappho. _Et quid Pandoniae_--thus, little book, I charge you to poultice your more-merited oblivion--_quid Pandoniae restat nisi nomen Athenae?_
Yet even in your brief existence you may chance to meet with those who will affirm that the stories you narrate are not true and protest assertions which are only fables. To these you will reply that I, your maker, was in my youth the quite unworthy servant of the most high and noble lady, Dame Jehane, and in this period, at and about her house of Havering-Bower, conversed in my own person with Dame Katharine, then happily remarried to a private gentleman of Wales; and so obtained the matter of the ninth story and of the tenth authentically. You will say also that Messire de Montbrison afforded me the main matter of the sixth and seventh stories, and many of the songs which this book contains; and that, moreover, I once journeyed to Caer Idion and talked for some two hours with Richard Holland (whom I found a very old and garrulous and cheery person), and got of him the matter of the eighth tale in this dizain, together with much information as concerns the sixth and the seventh. And you will add that the matter of the fourth and fifth tales was in every detail related to me by my most illustrious mistress, Madame Isabella of Portugal, who had this information from her mother, an equally veracious and immaculate lady, and one that was in youth Dame Philippa's most dear associate. For the rest you must admit, unwillingly, the first three stories in this book to be a thought less solidly confirmed; although (as you will say) even in these histories I have not ever deviated from what was at odd times narrated to me by the aforementioned persons, and have always endeavored honestly to piece together that which they told me.
I have pieced together these tales about the women who intermarried, not very enviably, with the demon-tainted blood of Edward Longshanks, because it seems to me that these tales, when they are rightly considered, compose the initial portion of a troubling history. Whether (as some declare) the taint came from Manuel of Poictesme, or whether (as yet others say) this poison was inherited from the demon wife whom Foulques Plantagenet fetched out of hell, the blood in these men was not all human. These men might not tread equally with human beings: their wives suffered therefor, just as they that had inherited this blood suffered therefor, and all England suffered therefor. And the upshot of it I have narrated elsewhere, in the book called and entitled _The Red Cuckold_, which composes the final portion of this history, and tells of the last spilling and of the extinction of this blood.
Also, my little book, you will encounter more malignant people who will jeer at you, and will say that you and I have cheated them of your purchase-money. To these you will reply, with Plutarch, _Non mi aurum posco, nec mi pretium_. Secondly you will say that, of necessity, the tailor cuts the coat according to his cloth; and that he cannot undertake to robe an Ephialtes or a towering Orion suitably when the resources of his shop amount to only a few yards of cambric. Indeed had I the power to make you better, my little book, I would have exercised that power to the utmost. A good conscience is a continual feast, and I summon high Heaven to be my witness that had I been Homer you had awed the world, another Iliad. I lament your inability to do this, as heartily as any person living; yet Heaven willed it; and it is in consequence to Heaven these aforementioned cavillers should rightfully complain.
So to such impious people do you make no answer at all, unless indeed you should elect to answer them by repetition of this song which I now make for you, my little book, at your departure from me. And the song runs in this fashion:
Depart, depart, my book! and live and die Dependent on the idle fantasy Of men who cannot view you, quite, as I.
For I am fond, and willingly mistake My book to be the book I meant to make, And cannot judge you, for that phantom's sake.
Yet pardon me if I have wrought too ill In making you, that never spared the will To shape you perfectly, and lacked the skill.
Ah, had I but the power, my book, then I Had wrought in you some wizardry so high That no man but had listened ...
They pass by, And shrug--as we, who know that unto us It has been granted never to fare thus, And never to be strong and glorious.
Is it denied me to perpetuate What so much loving labor did create?-- I hear Oblivion tap upon the gate, And acquiesce, not all disconsolate.
For I have got such recompense Of that high-hearted excellence Which the contented craftsman knows, Alone, that to loved labor goes, And daily does the work he chose, And counts all else impertinence!
EXPLICIT DECAS REGINARUM
THE CORDS OF VANITY
A Comedy of Shirking
Revised and Expanded Edition
by JAMES BRANCH CABELL
with INTRODUCTION by WILSON FOLLETT
To
GABRIELLE BROOKE MONCURE
_Plus sapit vulgus, quia tantum, quantum opus est, sapit._
AN INTRODUCTION
by Wilson Follett
Mr. Cabell, in making ready this second or intended edition of THE CORDS OF VANITY, performs an act of reclamation which is at the same time an act of fresh creation.
For the purely reclamatory aspect of what he has done, his reward (so far as that can consist in anything save the doing) must come from insignificantly few directions; so few indeed that he, with a wrily humorous exaggeration, affects to believe them singular. The author of this novel has been pleased to describe the author of this introduction as "the only known purchaser of the book" and, further, as "the other person to own a CORDS OF VANITY". I could readily enough acquit myself, with good sound legal proofs, of any such singularity as stands charged in this soft impeachment--and that without appeal to _The Cleveland Plain Dealer_ of eleven years ago ("slushy and disgusting"), or to _The New York Post_ ("sterile and malodorous ... worse than immoral--dull"), or to _Ainslee's Magazine_ ("inconsequent and rambling ... rather nauseating at times"). These devotees of the adjective that hunts in pairs are hardly to be discussed, I suppose, in connection with any rewards except such as accrue to the possessors of a certain obtuseness, who always and infallibly reap at least the reward of not being hurt by what they do not know--or, for that matter, by what they do know. He who writes such a book as THE CORDS OF VANITY is committing himself to the supremely irrational faith that this dullness is somehow not the ultimate
