carefully decorated with red candies and burnt sugar. Fritz Sweiheart, the German carpenter, won in the pickle contest, but he disappeared soon after supper and was not seen for the rest of the evening. Joe Vavrika said that Fritz could have managed the pickles all right, but he had sampled the demijohn in his buggy too often before sitting down to the table.
While the supper was being cleared away the two fiddlers began to tune up for the dance. Clara was to accompany them on her old upright piano, which had been brought down from her father's. By this time Nils had renewed old acquaintances. Since his interview with Clara in the cellar, he had been busy telling all the old women how young they looked, and all the young ones how pretty they were, and assuring the men that they had here the best farm-land in the world. He had made himself so agreeable that old Mrs. Ericson's friends began to come up to her and tell how lucky she was to get her smart son back again, and please to get him to play his flute. Joe Vavrika, who could still play very well when he forgot that he had rheumatism, caught up a fiddle from Johnny Oleson and played a crazy Bohemian dance tune that set the wheels going. When he dropped the bow every one was ready to dance.
Olaf, in a frock-coat and a solemn made-up necktie, led the grand march with his mother. Clara had kept well out of _that_ by sticking to the piano. She played the march with a pompous solemnity which greatly amused the prodigal son, who went over and stood behind her.
"Oh, aren't you rubbing it into them, Clara Vavrika? And aren't you lucky to have me here, or all your wit would be thrown away."
"I'm used to being witty for myself. It saves my life."
The fiddles struck up a polka, and Nils convulsed Joe Vavrika by leading out Evelina Oleson, the homely school-teacher. His next partner was a very fat Swedish girl, who, although she was an heiress, had not been asked for the first dance, but had stood against the wall in her tight, high-heeled shoes, nervously fingering a lace handkerchief. She was soon out of breath, so Nils led her, pleased and panting, to her seat, and went over to the piano, from which Clara had been watching his gallantry. "Ask Olena Yenson," she whispered. "She waltzes beautifully."
Olena, too, was rather inconveniently plump, handsome in a smooth, heavy way, with a fine color and good-natured, sleepy eyes. She was redolent of violet sachet powder, and had warm, soft, white hands, but she danced divinely, moving as smoothly as the tide coming in. "There, that's something like," Nils said as he released her. "You'll give me the next waltz, won't you? Now I must go and dance with my little cousin."
Hilda was greatly excited when Nils went up to her stall and held out his arm. Her little eyes sparkled, but she declared that she could not leave her lemonade. Old Mrs. Ericson, who happened along at this moment, said she would attend to that, and Hilda came out, as pink as her pink dress. The dance was a schottische, and in a moment her yellow braids were fairly standing on end. "Bravo!" Nils cried encouragingly. "Where did you learn to dance so nicely?"
"My Cousin Clara taught me," the little girl panted.
Nils found Eric sitting with a group of boys who were too awkward or too shy to dance, and told him that he must dance the next waltz with Hilda.
The boy screwed up his shoulders. "Aw, Nils, I can't dance. My feet are too big; I look silly."
"Don't be thinking about yourself. It doesn't matter how boys look."
Nils had never spoken to him so sharply before, and Eric made haste to scramble out of his corner and brush the straw from his coat.
Clara nodded approvingly. "Good for you, Nils. I've been trying to get hold of him. They dance very nicely together; I sometimes play for them."
"I'm obliged to you for teaching him. There's no reason why he should grow up to be a lout."
"He'll never be that. He's more like you than any of them. Only he hasn't your courage." From her slanting eyes Clara shot forth one of those keen glances, admiring and at the same time challenging, which she seldom bestowed on any one, and which seemed to say, "Yes, I admire you, but I am your equal."
Clara was proving a much better host than Olaf, who, once the supper was over, seemed to feel no interest in anything but the lanterns. He had brought a locomotive headlight from town to light the revels, and he kept skulking about it as if he feared the mere light from it might set his new barn on fire. His wife, on the contrary, was cordial to every one, was animated and even gay. The deep salmon color in her cheeks burned vividly, and her eyes were full of life. She gave the piano over to the fat Swedish heiress, pulled her father away from the corner where he sat gossiping with his cronies, and made him dance a Bohemian dance with her. In his youth Joe had been a famous dancer, and his daughter got him so limbered up that every one sat round and applauded them. The old ladies were particularly delighted, and made them go through the dance again. From their corner where they watched and commented, the old women kept time with their feet and hands, and whenever the fiddles struck up a new air old Mrs. Svendsen's white cap would begin to bob.
Clara was waltzing with little Eric when Nils came up to them, brushed his brother aside, and swung her out among the dancers. "Remember how we used to waltz on rollers at the old skating-rink in town? I suppose people don't do that any more. We used to keep it up for hours. You know, we never did moon around as other boys and girls did. It was dead serious with us from the beginning. When we were most in love with each other, we used to fight. You were always pinching people; your fingers were like little nippers. A regular snapping-turtle, you were. Lord, how you'd like Stockholm! Sit out in the streets in front of cafs and talk all night in summer. Just like a reception--officers and ladies and funny English people. Jolliest people in the world, the Swedes, once you get them going. Always drinking things--champagne and stout mixed, half-and-half; serve it out of big pitchers, and serve plenty. Slow pulse, you know; they can stand a lot. Once they light up, they're glow-worms, I can tell you."
"All the same, you don't really like gay people."
"_I_ don't?"
"No; I could see that when you were looking at the old women there this afternoon. They're the kind you really admire, after all; women like your mother. And that's the kind you'll marry."
"Is it, Miss Wisdom? You'll see who I'll marry, and she won't have a domestic virtue to bless herself with. She'll be a snapping-turtle, and she'll be a match for me. All the same, they're a fine bunch of old dames over there. You admire them yourself."
"No, I don't; I detest them."
"You won't, when you look back on them from Stockholm or Budapest. Freedom settles all that. Oh, but you're the real Bohemian Girl, Clara Vavrika!" Nils laughed down at her sullen frown and began mockingly to sing:
"_Oh, how could a poor gypsy maiden like me Expect the proud bride of a baron to be?_"
Clara clutched his shoulder. "Hush, Nils; every one is looking at you."
"I don't care. They can't gossip. It's all in the family, as the Ericsons say when they divide up little Hilda's patrimony amongst them. Besides, we'll give them something to talk about when we hit the trail. Lord, it will be a godsend to them! They haven't had anything so interesting to chatter about since the grasshopper year. It'll give them a new lease of life. And Olaf won't lose the Bohemian vote, either. They'll have the laugh on him so that they'll vote two apiece. They'll send him to Congress. They'll never forget his barn party, or us. They'll always remember us as we're dancing together now. We're making a legend. Where's my waltz, boys?" he called as they whirled past the fiddlers.
The
