The Essential George Gissing Collection. George Gissing
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'Will Mr. Warricombe be long away?' he asked, coldly.
'A day or two. I hope you didn't wish particularly to see him to-day?'
'Oh, no.'
'Do you know, Mr. Peak,' put in Fanny, 'that we are all going to London next month, to live there for half a year?'
Godwin exhibited surprise. He looked from the speaker to her sister, and Sidwell, as she smiled confirmation, bent very slightly towards him.
'We have made up our minds, after much uncertainty,' she said. 'My brother Buckland seems to think that we are falling behind in civilisation.'
'So we are,' affirmed Fanny, 'as Mr. Peak would admit, if only he could be sincere.'
'Am I never sincere then, Miss Fanny?' Godwin asked.
'I only meant to say that nobody can be when the rules of politeness interfere. Don't you think it's a pity? We might tell one another the truth in a pleasant way.'
'I agree with you. But then we must be civilised indeed. How do you think of London, Miss Warricombe? Which of its aspects most impresses you?'
Sidwell answered rather indefinitely, and ended by mentioning that in _Villette_, which she had just re-read, Charlotte Bronte makes a contrast between the City and the West End, and greatly prefers the former.
'Do you agree with her, Mr. Peak?'
'No, I can't. One understands the mood in which she wrote that; but a little more experience would have led her to see the contrast in a different light. That term, the West End, includes much that is despicable, but it means also the best results of civilisation. The City is hateful to me, and for a reason which I only understood after many an hour of depression in walking about its streets. It represents the ascendency of the average man.'
Sidwell waited for fuller explanation.
'A liberal mind,' Peak continued, 'is revolted by the triumphal procession that roars perpetually through the City highways. With myriad voices the City bellows its brutal scorn of everything but material advantage. There every humanising influence is contemptuously disregarded. I know, of course, that the trader may have his quiet home, where art and science and humanity are the first considerations; but the _mass_ of traders, corporate and victorious, crush all such things beneath their heels. Take your stand (or try to do so) anywhere near the Exchange; the hustling and jolting to which you are exposed represents the very spirit of the life about you. Whatever is gentle and kindly and meditative must here go to the wall--trampled, spattered, ridiculed. Here the average man has it all his own way--a gross utilitarian power.'
'Yes, I can see that,' Sidwell replied, thoughtfully. 'And perhaps it also represents the triumphant forces of our time.'
He looked keenly at her, with a smile of delight.
'That also! The power which centres in the world's money-markets--plutocracy.'
In conversing with Sidwell, he had never before found an opportunity of uttering his vehement prejudices. The gentler side of his character had sometimes expressed itself, but those impulses which were vastly more significant lay hidden beneath the dissimulation he consistently practised. For the first time he was able to look into Sidwell's face with honest directness, and what he saw there strengthened his determination to talk on with the same freedom.
'You don't believe, then,' said Sidwell, 'that democracy is the proper name for the state into which we are passing?'
'Only if one can understand democracy as the opening of social privileges to free competition amongst men of trade. And social privilege is everything; home politics refer to nothing else.'
Fanny, true to the ingenuous principle of her years, put a direct question:
'Do you approve of real democracy, Mr. Peak?'
He answered with another question:
'Have you read the "Life of Phokion" in Plutarch?'
'No, I'm sorry to say.'
'There's a story about him which I have enjoyed since I was your age. Phokion was once delivering a public speech, and at a certain point the majority of his hearers broke into applause; whereupon he turned to certain of his friends who stood near and asked, "What have I said amiss?"'
Fanny laughed.
'Then you despise public opinion?'
'With heart and soul!'
It was to Sidwell that he directed the reply. Though overcome by the joy of such an utterance, he felt that, considering the opinions and position of Buckland Warricombe, he was perhaps guilty of ill manners. But Sidwell manifested no disapproval.
'Did you know that story?' Fanny asked of her.
'It's quite new to me.'
'Then I'm sure you'll read the "Life of Phokion" as soon as possible. He will just Suit you, Sidwell.'
Peak heard this with a shock of surprise which thrilled in him deliciously. He had the strongest desire to look again at Sidwell but refrained. As no one spoke, he turned to Bertha Lilywhite and put a commonplace question.
A servant entered with the tea-tray, and placed it on a small table near Fanny. Godwin looked at the younger girl; it seemed to him that there was an excess of colour in her cheeks. Had a glance from Sidwell rebuked her? With his usual rapidity of observation and inference he made much of this trifle.
Contrary to what he expected, Sidwell's next remark was in a tone of cheerfulness, almost of gaiety.
'One advantage of our stay in London will be that home will seem more delightful than ever when we return.'
'I suppose you won't be back till next summer?'
'I am afraid not.'
'Shall you be living here then?' Fanny inquired.
'It's very doubtful.'
He wished to answer with a decided negative, but his tongue refused. Sidwell was regarding him with calm but earnest eyes, and he knew, without caring to reflect, that his latest projects were crumbling.
'Have you been to see our friends at Budleigh Salterton yet?' she asked.
'Not yet. I hope to in a few days.'
Pursuing the subject, he was able to examine her face as she spoke of Mr. Moorhouse. His conjecture was assuredly baseless.
Fanny and Bertha began to talk together of domestic affairs, and presently, when tea-cups were laid aside, the two girls went to another part of the room; then they withdrew altogether. Peak was monologising on English art as represented at the Academy, but finding himself alone with Sidwell (it had never before happened) he became silent. Ought he to take