I a father? If I were?
Shrunken uncertain hand.
--Sabellius, the African, subtlest heresiarch of all the beasts of the field, held that the Father was Himself His Own Son. The bulldog of Aquin, with whom no word shall be impossible, refutes him. Well: if the father who has not a son be not a father can the son who has not a father be a son? When Rutlandbaconsouthamptonshakespeare or another poet of the same name in the comedy of errors wrote HAMLET he was not the father of his own son merely but, being no more a son, he was and felt himself the father of all his race, the father of his own grandfather, the father of his unborn grandson who, by the same token, never was born, for nature, as Mr Magee understands her, abhors perfection.
Eglintoneyes, quick with pleasure, looked up shybrightly. Gladly glancing, a merry puritan, through the twisted eglantine.
Flatter. Rarely. But flatter.
--Himself his own father, Sonmulligan told himself. Wait. I am big with child. I have an unborn child in my brain. Pallas Athena! A play! The play's the thing! Let me parturiate!
He clasped his paunchbrow with both birthaiding hands.
--As for his family, Stephen said, his mother's name lives in the forest of Arden. Her death brought from him the scene with Volumnia in CORIOLANUS. His boyson's death is the deathscene of young Arthur in KING JOHN. Hamlet, the black prince, is Hamnet Shakespeare. Who the girls in THE TEMPEST, in PERICLES, in WINTER'S TALE are we know. Who Cleopatra, fleshpot of Egypt, and Cressid and Venus are we may guess. But there is another member of his family who is recorded.
--The plot thickens, John Eglinton said.
The quaker librarian, quaking, tiptoed in, quake, his mask, quake, with haste, quake, quack.
Door closed. Cell. Day.
They list. Three. They.
I you he they.
Come, mess.
STEPHEN: He had three brothers, Gilbert, Edmund, Richard. Gilbert in his old age told some cavaliers he got a pass for nowt from Maister Gatherer one time mass he did and he seen his brud Maister Wull the playwriter up in Lunnon in a wrastling play wud a man on's back. The playhouse sausage filled Gilbert's soul. He is nowhere: but an Edmund and a Richard are recorded in the works of sweet William.
MAGEEGLINJOHN: Names! What's in a name?
BEST: That is my name, Richard, don't you know. I hope you are going to say a good word for Richard, don't you know, for my sake.
(Laughter)
BUCKMULLIGAN: (PIANO, DIMINUENDO)
Then outspoke medical Dick To his comrade medical Davy ...
STEPHEN: In his trinity of black Wills, the villain shakebags, Iago, Richard Crookback, Edmund in KING LEAR, two bear the wicked uncles' names. Nay, that last play was written or being written while his brother Edmund lay dying in Southwark.
BEST: I hope Edmund is going to catch it. I don't want Richard, my name ...
(Laughter)
QUAKERLYSTER: (A TEMPO) But he that filches from me my good name ...
STEPHEN: (STRINGENDO) He has hidden his own name, a fair name, William, in the plays, a super here, a clown there, as a painter of old Italy set his face in a dark corner of his canvas. He has revealed it in the sonnets where there is Will in overplus. Like John o'Gaunt his name is dear to him, as dear as the coat and crest he toadied for, on a bend sable a spear or steeled argent, honorificabilitudinitatibus, dearer than his glory of greatest shakescene in the country. What's in a name? That is what we ask ourselves in childhood when we write the name that we are told is ours. A star, a daystar, a firedrake, rose at his birth. It shone by day in the heavens alone, brighter than Venus in the night, and by night it shone over delta in Cassiopeia, the recumbent constellation which is the signature of his initial among the stars. His eyes watched it, lowlying on the horizon, eastward of the bear, as he walked by the slumberous summer fields at midnight returning from Shottery and from her arms.
Both satisfied. I too.
Don't tell them he was nine years old when it was quenched.
And from her arms.
Wait to be wooed and won. Ay, meacock. Who will woo you?
Read the skies. AUTONTIMORUMENOS. BOUS STEPHANOUMENOS. Where's your configuration? Stephen, Stephen, cut the bread even. S. D: SUA DONNA. GIA: DI LUI. GELINDO RISOLVE DI NON AMARE S. D.
--What is that, Mr Dedalus? the quaker librarian asked. Was it a celestial phenomenon?
--A star by night, Stephen said. A pillar of the cloud by day.
What more's to speak?
Stephen looked on his hat, his stick, his boots.
STEPHANOS, my crown. My sword. His boots are spoiling the shape of my feet. Buy a pair. Holes in my socks. Handkerchief too.
--You make good use of the name, John Eglinton allowed. Your own name is strange enough. I suppose it explains your fantastical humour.
Me, Magee and Mulligan.
Fabulous artificer. The hawklike man. You flew. Whereto? Newhaven-Dieppe, steerage passenger. Paris and back. Lapwing. Icarus. PATER, AIT. Seabedabbled, fallen, weltering. Lapwing you are. Lapwing be.
Mr Best eagerquietly lifted his book to say:
--That's very interesting because that brother motive, don't you know, we find also in the old Irish myths. Just what you say. The three brothers Shakespeare. In Grimm too, don't you know, the fairytales. The third brother that always marries the sleeping beauty and wins the best prize.
Best of Best brothers. Good, better, best.
The quaker librarian springhalted near.
--I should like to know, he said, which brother you ... I understand you to suggest there was misconduct with one of the brothers ... But perhaps I am anticipating?
He caught himself in the act: looked at all: refrained.
An attendant from the doorway called:
--Mr Lyster! Father Dineen wants ...
--O, Father Dineen! Directly.
Swiftly rectly creaking rectly rectly he was rectly gone.
John Eglinton touched the foil.
--Come, he said. Let us hear what you have to say of Richard and Edmund. You kept them for the last, didn't you?
--In asking you to remember those two noble kinsmen nuncle Richie and nuncle Edmund, Stephen answered, I feel I am asking too much perhaps. A brother is as easily forgotten as an umbrella.
Lapwing.
