The Essential Julian Hawthorne Collection
Archibald Malmaison
by Julian Hawthorne
Author of "Garth," "Sebastian Strome," "Dust," Etc.
INTRODUCTORY.
When I was a child, I used to hope my fairy-stories were true. Since reaching years of discretion, I have preferred acknowledged fiction. This inconsistency, however, is probably rather apparent than real. Experience has taught me that the greater the fairy-story the less the truth; and contrariwise, that the greater the truth the less the fairy-story. In other words, the artistic graces of romance are irreconcilable with the crude straightforwardness of fact. The idealism of childhood, believing that all that is most beautiful must on that very account be most true, clamors accordingly for truth. The knowledge of maturity, which has discovered that nothing that is true (in the sense of being existent) can be beautiful, deprecates truth beyond everything. What happens, we find, is never what ought to happen; nor does it happen in the right way or season. In palliation of this hardship, the sublime irony of fate grants us our imagination, wherewith we create little pet worlds of poetry and romance, in which everything is arranged in neat harmonies and surprises, to gratify the scope of our little vision. The actual world, the real universe, may, indeed, be picturesque and perfect beyond the grandest of our imaginative miniatures; but since the former can be revealed to us only in comparatively infinitesimal portions, the miniatures still have the best of it.
To preface a story with the information that it is true, is not, therefore, the way to recommend it. Your hearer's life, and those of his friends, are enough true stories for him; what he wants of you is merciful fiction. Destiny, to his apprehension, is always either vapid, or clumsy, or brutal; and he feels certain that, do your worst, you can never rival the brutality, the clumsiness, or the vapidity of destiny. If you are silly, he can at least laugh at you; if you are clumsy or brutal, he has his remedy; and meanwhile there is always the chance that you may turn out to be graceful and entertaining. But to bully him with facts is like asking him to live his life over again; and the civilized human being has yet to be found who would not rather die than do that.
No; we are all spontaneously sure that no story-teller, though he were a Timon of Athens double distilled, can ever be so unsympathetic and unnatural as destiny, who tells the only story that never winds up. We cannot understand destiny; we never know to what lengths she may go: but the story-teller we know inside and out; he is only a possible ourself, and we defy him to do us any serious harm. I trust I am rendering my meaning clear, and that no one will suppose that in making this onslaught upon truth, I have anything else in view than truth as applied to what are called stories. With truth scientific, moral, religious, I am at present in nowise concerned. Only, I have no respect for the weakness that will outrage a promising bit of narrative for the sake of keeping to the facts. Imbecile! the facts are given you, like the block of marble or the elements of a landscape, as material for the construction of a work of art. Which would you rather be, a photographer or Michael Angelo? "_Non vero ma ben trovato_" should be your motto; and if you refuse to kill your heroine on the Saturday night because, forsooth, she really did, despite all dramatic propriety, survive till Monday morning--why, please yourself; but do not bring your inanities to me!
I have now to reconcile this profession of faith with the incongruous fact that the following story is a true one. True it is, in whole and in part; furthermore, the events took place in the present century, and within a hundred miles of London. But let me observe, in the first place, that, although a true tale, it is nevertheless strange and interesting to an unusual degree; and, secondly, that this interest and strangeness mainly depend, not upon the succession of incidents, but upon the subjective condition--character it cannot be termed--of Archibald Malmaison himself. This being the case, it follows that the greater part of the objections above insisted upon fall to the ground. What goes on inside a man must needs be accepted as it is revealed to us: to invent psychological attributes does not lie within the province of a romancer. His skill and power are confined to so selecting and arranging the incidents as to provide his psychological data with the freest possible development. In the present case I might easily have devised a stage and a series of events for Malmaison, which would have brought his mysterious affection into somewhat more prominent and picturesque relief. But that affection is itself so absorbing a problem, that the fashion of its statement becomes of comparatively small import; and I may add that the setting furnished by nature happens on this occasion to answer all practical purposes tolerably well. Moreover, I am not altogether a free agent in the matter. The friend by whose permission I tell the tale is of opinion that no liberties ought to be taken with its form, any more than with what he is pleased to call its "physiological characteristics." The main significance of the narrative being, according to him, of a scientific or pathological kind, it would be hostile to scientific interests to depart from historical accuracy in its presentation. From the professional dictum of a man like Dr. Forbes Rollinson there can, of course, be no appeal, and if I am to write the account at all, it is but fair that in so doing I should respect the wishes of him who is the lawful proprietor of it. I have thought it but fair to myself, however, to begin by offering this explanation. I feel more or less hampered by the conditions enjoined upon me, and, besides, I do not agree with Dr. Rollinson's theory of the phenomena. In the present state of our knowledge, no theory on such subjects can pretend to be more than hypothetically correct; and my prejudices are opposed to what is known as the materialistic explanation of the universe. With, all respect for the validity of science within its proper sphere, I do not conceive that its judgments are entitled to paramount consideration when they attempt to settle the problems of psychology. There are mysteries which no process of inductive reasoning can reach.--The reader, however, will not be decoyed blindfold into accepting as final either the Doctor's view or mine; but, after possessing himself of the facts, will be left free to draw what conclusions he may please.
As regards the matter of names, dates, and localities, Dr. Rollinson holds that they had better be given at full length; and here I am not disposed to differ from him. The system of blanks and initial letters was always distasteful to me; and to use fictitious names in a true story seems like taking away with one hand what you give with another. Besides, every one of the actors in the drama is now dead: Dr. Rollinson [1] himself being the only living person who is cognizant, directly, of all the circumstances, from beginning to end. In his capacity of physician, he was the intimate and trusted friend of the ill-fated Malmaison household during upward of twenty years, and he inherited this confidential position from his father. He has kindly placed at my disposal a number of his professional note-books and journals, and in various places I have incorporated with the narrative some of the information which they contain. At other times I have inserted minor details of conversation and incident, and have endeavored to throw over the whole as "fictitious" an air as was consistent with the conscientious observance of my compact with the Doctor. And now, without further preface, I will proceed to business.
I.
Archibald Malmaison was the second son of Sir Clarence Butt Malmaison, of Malmaison, Sussex. He had the odd distinction of being born on the 29th of February, 1800. His elder brother, Edward, born 1798, died before him, as will be hereinafter shown. There were no other brothers, but four girls appeared after Archibald, two of whom died in childhood of scarlet fever, while the other two grew up to be married. They have nothing to do with the story, and will not be mentioned again.
The Malmaisons, as their name denotes, were of French descent--Huguenots. Like many other emigrants, they yielded, in the course of a generation or two, to a barbarous mispronunciation of their patronymic, which came to be spoken of as if spelt "Malmsey."
How it happened that the chateau of the Empress Josephine was christened by the same name, I know not; at all events, the Sussex Malmaisons have prior claim to the title. The estate, which embraced between seven and eight hundred acres, lay in that
