filled her purse with the notes. "Anyhow, now I can treat somebody," and she threw a wink of promise at Adela. Adela's eyes took refuge with her papa, who leaned over to her, and said: "You won't mind waiting till you see me again? She's taken all I had." Adela nodded blankly, and the next moment, with an angry glance toward Mrs. Chump, "Papa," said she, "if you wish to see servants in the house on your return, you must yourself speak to them, and tell them that we, their master and mistresses, do not regard them as thieves." Out of this there came a quarrel as furious as the ladies would permit it to be. For Mrs. Chump, though willing to condone the offence for the sum she had received, stuck infamy upon the whole list of them. "The Celtic nature," murmured Cornelia. And the ladies maintained that their servants should be respected, at any cost. "You, ma'am," said Arabella, with a clear look peculiar to her when vindictive--"you may have a stain on your character, and you are not ruined by it. But these poor creatures..."
"Ye dare to compar' me--!"
"Contrast you, ma'am."
"It's just as imp'dent."
"I say, our servants, ma'am..."
"Oh! to the deuce with your 'ma'am;' I hate the word. It's like fittin' a cap on me. Ye want to make one a turbaned dow'ger, ye malicious young woman!"
"Those are personages that are, I believe, accepted in society!"
So the contest raged, Mrs. Chump being run clean through the soul twenty times, without touching the consciousness of that sensitive essence. Mr. Pole appeared to take the part of his daughters, and by-and-by Mrs. Chump, having failed to arouse Mrs. Lupin's involuntary laugh (which always consoled her in such cases), huffed out of the room. Then Mr. Pole, in an abruptly serious way, bashfully entreated the ladies to be civil to Martha, who had the best heart in the world. It sounded as if he were going to say more. After a pause, he added emphatically, "Do!" and went. He was many days absent: nor did he speak to Adela of the money she had asked for when he returned. Adela had not the courage to allude to it.
CHAPTER XVII
Emilia sat in her old place under the dwarf pine. Mr. Powys had brought her back to Brookfield, where she heard that Wilfrid had been seen; and now her heart was in contest with an inexplicable puzzle: "He was here, and did not come to me!" Since that night when they had walked home from Ipley Green, she had not suffered a moment of longing. Her senses had lain as under a charm, with heart at anchor and a mind free to work. No one could have guessed that any human spell was on the girl. "Wherever he is, he thinks of me. I find him everywhere. He is safe, for I pray for him and have my arms about him. He will come." So she waited, as some grey lake lies, full and smooth, awaiting the star below the twilight. If she let her thoughts run on to the hour of their meeting, she had to shut her eyes and press at her heart; but as yet she was not out of tune for daily life, and she could imagine how that hour was to be strewn with new songs and hushed surprises. And 'thus' he would look: and 'thus.' "My hero!" breathed Emilia, shuddering a little. But now she was perplexed. Now that he had come and gone, she began to hunger bitterly for the sight of his face, and that which had hitherto nourished her grew a sickly phantom of delight. She wondered how she had forced herself to be patient, and what it was that she had found pleasure in.
None of the ladies were at home when Emilia returned. She went out to the woods, and sat, shadowed by the long bent branch; watching mechanically the slow rounding and yellowing of the beam of sunlight over the thick floor of moss, up against the fir-stems. The chaffinch and the linnet flitted off the grey orchard twigs, singing from new stations; and the bee seemed to come questioning the silence of the woods and droning disappointed away. The first excess of any sad feeling is half voluntary. Emilia could not help smiling, when she lifted her head out of a musing fit, to find that she had composed part of a minuet for the languid dancing motes in the shaft of golden light at her feet. "Can I remember it?" she thought, and forgot the incident with the effort.
Down at her right hand, bordering a water, stood a sallow, a dead tree, channelled inside with the brown trail of a goat-moth. Looking in this direction, she saw Cornelia advancing to the tree. When the lady had reached it, she drew a little book from her bosom, kissed it, and dropped it in the hollow. This done, she passed among the firs. Emilia had perceived that she was agitated: and with that strange instinct of hearts beginning to stir, which makes them divine at once where they will come upon the secret of their own sensations, she ran down to the tree and peered on tiptoe at the embedded volume. On a blank page stood pencilled: "This is the last fruit of the tree. Come not to gather more." There was no meaning for her in that sentimental chord but she must have got some glimpse of a meaning; for now, as in an agony, her lips fashioned the words: "If I forget his face I may as well die;" and she wandered on, striving more and more vainly to call up his features. The--"Does he think of me?" and--"What am I to him?"--such timorous little feather-play of feminine emotion she knew nothing of: in her heart was the strong flood of a passion.
She met Edward Buxley and Freshfield Sumner at a cross-path, on their way to Brookfield; and then Adela joined the party, which soon embraced Mr. Barrett, and subsequently Cornelia. All moved on in a humming leisure, chattering by fits. Mr. Sumner was delicately prepared to encounter Mrs. Chump, "whom," said Adela, "Edward himself finds it impossible to caricature;" and she affected to laugh at the woman.
"Happy the pencil that can reproduce!" Mr. Barrett exclaimed; and, meeting his smile, Cornelia said: "Do you know, my feeling is, and I cannot at all account for it, that if she were a Catholic she would not seem so gross?"
"Some of the poetry of that religion would descend upon her, possibly," returned Mr. Barrett.
"Do you mean," Freshfield said quickly, "that she would stand a fair chance of being sainted?"
Out of this arose some polite fencing between the two. Freshfield might have argued to advantage in a Court of law; but he was no match, on such topics and before such an audience, for a refined sentimentalist. More than once he betrayed a disposition to take refuge in his class (he being son to one of the puisne Judges). Cornelia speedily punished him, and to any correction from her he bowed his head.
Adela was this day gifted with an extraordinary insight. Emilia alone of the party was as a blot to her; but the others she saw through, as if they had been walking transparencies. She divined that Edward and Freshfield had both come, in concert, upon amorous business--that it was Freshfield's object to help Edward to a private interview with her, and, in return, Edward was to perform the same service for him with Cornelia. So that Mr. Barrett was shockingly in the way of both; and the perplexity of these stupid fellows--who would insist upon wondering why the man Barrett and the girl Emilia (musicians both: both as it were, vagrants) did not walk together and talk of quavers and minims--was extremely comic. Passing the withered tree, Mr. Barrett deserved thanks from Freshfield, if he did not obtain them; for he lingered, surrendering his place. And then Adela knew that the weight of Edward Buxley's remonstrative wrath had fallen on silent Emilia, to whom she clung fondly.
"I have had a letter," Edward murmured, in the voice that propitiates secresy.
"A letter?" she cried loud; and off flew the man like a rabbit into his hole, the mask of him remaining.
Emilia presently found Mr. Barrett at her elbow. His hand clasped the book Cornelia had placed in the tree.
"It is hers," said Emilia.
He opened it and pointed to his initials. She looked in his face.
"Are you very ill?"
Adela turned round from Edward's neighbouring head. "Who is ill?"
