Frommer's Portugal. Paul Ames

Чтение книги онлайн.

Читать онлайн книгу Frommer's Portugal - Paul Ames страница 42

Frommer's Portugal - Paul Ames Complete Guide

Скачать книгу

rel="nofollow" href="#fb3_img_img_b34949fc-c01f-5e0d-b003-18dae6c5af84.png" alt=""/> 21/885-48-20. Admission 3€ adults, 1.50€ ages 15–25, free for children under 14; free for all Sun after 2pm. Tues–Sun 10am–5pm; closed holidays. Tram: 28.

      Sé de Lisboa CHURCH Chances are you’ll do a double take on first sight of Lisbon’s medieval cathedral. It looks more like a fortress than a place of worship. Lisbon’s new Christian rulers built the church on the site of a mosque (itself constructed over an ancient Visigothic church) after taking the city in 1147 but made sure it could serve as defendable sanctuary in case of a Muslim counterattack. An English crusader-turned-bishop named Gilbert of Hastings was put in charge of the works.

      Although damaged by the 1755 earthquake, the Sé remains an impressive example of Romanesque architecture with a barrel-vaulted ceiling and arched upper-level gallery. Graceful Gothic additions were made in later centuries. Most notable are the airy cloisters , but restoration work and archeological excavations means they are closed until at least 2020.

      Among the treasures inside are the font where St. Anthony is said to have been christened in 1195; the 14th-century Gothic chapel of Bartolomeu Joanes , a wealthy merchant; and 14th-century sarcophaguses holding the remains of nobleman Lopo Fernandes Pacheco and his book-reading wife Maria Villalobos. There are frequent performances of Portuguese classical guitar music in the sacristy.

      Largo da Sé. 21/886-67-52. Free admission Mon-Sat 9am–7pm, Sun 9am–8pm. Tram: 12, 28. Bus: 737.

      Baixa & Chiado

      The Baixa is the commercial heart of old Lisbon, its handsome plazas connected by a grid of streets lined by solid five-story building erected after the 1755 earthquake. Climbing up the hill to the west, Chiado’s elegant shops, theaters, and cafes recall the days of 19th-century artists and poets, while neighboring Bairro Alto and Príncipe Real are today’s hip nightlife and shopping hubs.

      Convento do Carmo & Museu Arqueológico MUSEUM No other Lisbon museum conveys so well the sensation that you’ve wandered into a living relic to become a witness to history. You enter into the ruined nave of a Gothic church, originally built in 1389, that has stood in a state of partial collapse since the earthquake of 1755, when many parishioners died inside.

      In a stark monument to nature’s destructive power, the pointed Gothic arches point skyward like the ribs of a skeletal whale. The church was the center of a convent that was built in the 14th century by Nuno Álvares Pereira, the kingdom’s richest nobleman and a military hero for defeating Spanish invaders at the battle of Aljubarrota (p. 18). When construction was completed, Álvares Pereira gave away his wealth and lived there as a humble monk. Pope Benedict made him a saint in 2009.

      The magnificent church tumbled like most of Lisbon in 1755, and its soaring nave was left as a memorial to quake victims. Surviving structures at the back rooms contain the Archeological Museum , whose exhibits include 6th-century Jewish gravestones, an Egyptian sarcophagus, and a pair of spooky Peruvian mommies.

      In summer, concerts, plays, and open-air movie screenings are held in the ruins, which are even more evocative in the evening light. The entrance is on one of the Chiado’s prettiest squares. Next door, guarded by soldiers in plumed helmets, is the headquarters of the National Republican Guard (GNR) where the remnants of Portugal’s 46-year dictatorship surrendered to revolutionary forces in 1974.

      Largo do Carmo. www.museuarqueologicodocarmo.pt. 21/346-04-73. Admission 5€, 4€ students and seniors; free under 14s. May–Sep Mon–Sat 10am–7pm; Oct–Apr Mon–Sat 10am–6pm. Metro: Baixa-Chiado. Tram: 28. Bus: 758.

      Chiado & Bairro Alto

      Igreja de São Domingos CHURCH This church was never fully repaired after a devastating fire in 1957. Scorched walls and soot-blacked columns stand where once were baroque paintings and gilded carvings. Its eerie atmosphere is accentuated by a dark history.

      In Easter 1506, an argument broke out in the church between a Jewish man who had recently converted to Christianity and other worshipers in what was then one of the biggest churches in Lisbon. The dispute sparked a pogrom against Lisbon’s Jewish community. Before King Manuel sent the royal guard to quell the violence, an estimated 2,000 Jews were murdered.

      More horrors were to come. Manuel’s successor João III invited the Holy Inquisition to Portugal. This became the inquisitors’ church. Hundreds of suspected heretics were burned at the stake over the next 250 years, many in the square facing the church. Most victims were “New Christians”—Jews who converted to avoid being exiled from the country.

      In 1987, President Mário Soares asked the Jewish community for forgiveness and in the 2000s, a memorial was placed in front of the church and a ceremony declared Lisbon a “City of Tolerance” open to all races and religions.

      Largo de São Domingos. 21/342-82-75. Free. Daily 7:30am–7pm. Metro: Rossio. Bus: 711, 732, 736, 746, 759, 783.

      Igreja e Museu de São Roque CHURCH From the plain white facade it’s hard to guess at the treasures within. The interior is a masterpiece, combining artforms that Portugal made its own: azulejo tiles and talha dourada (gold-covered wood carving). Both reached their peak when a gold rush in Portugal’s Brazilian colonies made King João V one of the richest monarchs in 18th-century Europe.

      The church is lined with side chapels gleaming with gold, but its crowning glory is the Chapel of St. John which the king ordered from Rome and shipped here at enormous cost. It is a rococo fantasy in lapis lazuli, agate, alabaster, Carrara marble, gold, ivory, and more. Look up too at the 16th-century painted ceiling , the only one of its kind in Portugal, and the sacristy lined with baroque paintings.

      The church was a headquarters of the Jesuits, the wealth and power of which led the Marquis of Pombal to kick them out of the country in the 1750s because of a perceived threat to Portugal’s secular rulers. A museum adjacent to the church tells the order’s story and includes a notable collection of religious art. Don’t miss the ivory sculpture of the Crucifixion, a fine example of the 17th-century East-West crossover art produced in Portugal’s Indian colonies.

Скачать книгу