The Iphigenia Quartet. Caroline Bird
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The Gate has been inspiring audiences and artists alike for over 35 years. Thanks to our Supporters, we are able to keep telling challenging, inspirational stories, in our intimate space, on an epic scale.
Our Supporters are invited behind the scenes to discover more about the performances and are given the unique chance to meet and engage with the theatre leaders of tomorrow.
Please join us as a Supporter to celebrate the most exceptional new talent whilst helping to ensure we are around for the next 35 years.
Join us and change the world.
To join as a Gate Supporterfrom £250 a year,please contact
Fiona English, Development Manager
020 7229 5387
The Gate Theatre is a registered charity (No. 280278).
The Gate would like to thank the following for their continued generous support:
GATE PIONEER Kate Maltby
GATE GUARDIANS Katrina and Chris Barter, Lauren and Michael Clancy, Leslie Feeney, James Hughes-Hallett, Helen and Paul Jameson, David and Linda Lakhdhir, Addy Loudiadis, Miles Morland, Jon and NoraLee Sedmak, The Emmanuel Kaye Foundation
GATE AMBASSADORS Arianne Braillard and Francesco Cincotta, Nick and Jane Ferguson, David and Abigail Lacey, Ellen and Michel Plantevin, Charles and Barbara Prideaux, Scott Stevens and Eva Boenders, The Ulrich Family, Bill and Anda Winters
GATE KEEPERS The Agency (London) Ltd., Matthew Bannister and Kate McGuire, Christiane and Bruno Boesch, Neil and Sarah Brener, Geraldine and Chris Brodie, Sarah and Phillippe Chappatte, Charles Cormick, Robert Devereux, David Emmerson, Joachim Fleury, Richard and Jan Grandison, Nick Hern, Alan and Jan Morgan, Elisabeth Morse, Lyndsey Posner, Mark and Claire Ralf, Bob and Ian Reichert, Mark Robinson, David and Susie Sainsbury, Rita Skinner, Lawrence Staden and Alice Bordini Staden
Thank you to all our Future Philanthropists, Gate Openers and Directors’ Appeal supporters too.
TRUSTS AND FOUNDATIONS Arts Council England, Backstage Trust, City Bridge Trust, Creative Access, Fenton Arts Trust, Fidelio, Garrick Charitable Trust, Jerwood Charitable Foundation, John Lyon’s Charity, Paul Hamlyn Foundation, People’s Postcode Trust, Royal Borough of Kensington & Chelsea, The Emmanuel Kaye Foundation, The Goldsmiths’ Company, The Mercers’ Company, Unity Theatre Trust and the Wates Foundation
CORPORATE SUPPORTERS Rien Qui Bouge, Polpo Notting Hill
Special thanks to Jenny Hall
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