works as a visiting artist and consultant delivering video and sound design projects for companies such as ION, Immediate, B-Arts, 1157 and Icon. He is currently working on a large-scale video mapping project with partners in London, Prague, Copenhagen, Geneva, Amsterdam, Belgrade and Berlin. He was recently commissioned to produce a new piece of interactive video design for LUX Helsinki and he is also working on new designs to be shown at Barbican’s Digital Weekend and London’s Inside Out Festival in November 2012. He is currently a lecturer in Digital Performance Technology at the Guildhall School of Music and Drama where he is responsible for all of the AV design for both drama and opera and is currently writing a new MA in Video Design, due to begin in 2014.
George Ransley | Assistant Director
George is currently Resident Assistant Director at the Finborough Theatre where he was Assistant Director on Events While Guarding The Bofors Gun (2012), Autumn Fire (2012), The American Clock (2012) and The Drawer Boy (2012).
Assistant Direction includes assisting Blanche McIntyre on Repentance and Behind the Lines (Angle Theatre at the Bush Theatre). Direction whilst studying includes Rope, Rosmersholm, Housekeeping – Theatre Uncut (Bedlam Theatre, Edinburgh) and Amadeus (Bedlam Theatre, Edinburgh, and The National Student Drama Festival 2011 where it was Winner of the Audience Award for Best Production, the Cameron Mackintosh Award for Best Use of Music, and The Spotlight Best Actor and Actress Awards), Macbeth (Edinburgh University Shakespeare Society Highland Tour), Opera Sins (Edinburgh Festival) and, as Assistant Director, The Cunning Little Vixen (Pleasance Edinburgh).
Tim Klotz | Fight Director
Tim Klotz has been a fight director for almost twenty years and has been resident fight director for the Drama Centre London since 2004. He has worked at Shakespeare’s Globe, Lyric Hammersmith, Gate Theatre, Nashville Ballet, Royal Festival Hall, Sony, SEGA, Rebellion and a host of smaller theatres and educational projects. Tim is proud to be on the staff of the upcoming Paddy Crean International Stage Combat Conference in Banff, Canada.
Sarah Bunting | Stage Manager
Trained at the Central School of Speech and Drama. Theatre includes The Hard-boiled Egg And The Wasp (Lion and Unicorn Theatre), Concrete Jungle (Riverside Studios), Adam And Eve (Blue Rooms, Perth, Australia) and Blood Brothers (Metcalfe Playhouse, Western Australia).
Lucy Casson | Casting Director
At the Finborough Theatre, Lucy is a Resident Casting Director where she has cast Through the Night (2011), Rigor Mortis (2011), Crush (2011), Autumn Fire (2012), Merrie England (2012), The Sluts of Sutton Drive (2012) and the forthcoming production of Cornelius.
Other casting includes The Art of Concealment (Riverside Studios). Film casting includes Tested, currently in post-production, and The Dark Road starring Con O’Neil as Casting Assistant to Sam Claypole.
Elaine Smith | Make-Up Designer
Trained at Edinburgh College of Art. Elaine worked as a freelance artist before joining the BBC, specialising in prosthetics, where her work includes Just Another Saturday, United Britain, Contact, The Fire Beetle, The Grass Arena, Picasso, The Merryhill Millionaires, Frankenstein’s Baby, Song of Experience, Cymbeline and War and Peace live from St. Petersburg. After leaving the BBC, she designed A Respectable Trade, The Georgian Underworld – Bare Knuckle Boxers and The Cazalets for which she was nominated for BAFTA and Royal Television Society awards.
Chris Foxon | Producer
At the Finborough Theatre, Chris was Assistant Producer on Don Juan Comes Back From The War (2012).
Read English at Oxford University and trained at the Central School of Speech and Drama on an AHRC Scholarship. Productions include The Madness of George III (Oxford Playhouse), Looking After The Pooters (Compass Theatre), Grave Expectations (Compass Theatre, St Albans South Signal Box and South Hill Park) and This Is India (O’Reilly Theatre). Theatre as Assistant Producer includes On The Threshing Floor (Hampstead Theatre) and Mudlarks (HighTide Festival and Theatre503).
Michael Byrne | Assistant Producer
Michael has worked in theatre for the past five years as both an actor and a front-of-house manager in theatres including the Bush Theatre and Live Theatre, Newcastle. Theatre as Assistant Producer includes Grave Expectations (Compass Theatre, St Albans South Signal Box and South Hill Park).
Izzie Sullivan | Assistant Stage Manager
Theatre as Stage Manager includes Zhe (National Tour) and as Assistant Stage Manager includes Aladdin (Greenwich Theatre). Izzie has been Production Technician for several productions at the Edinburgh Festival and was Theatre Manager at Bedlam Theatre during the 2011 Festival.
Catherine Cooper | Production Assistant
Trained at St Mary’s University, Twickenham. Theatre includes Can’t Pay Won’t Pay, A Night Of Fairytales and Heroes (St Mary’s Drama Society) and All Star Talent (Rose Bruford College).
Production Acknowledgements
Poster and Leaflet Design | Rebecca Maltby
Rehearsal Space | Identity
Photography | Richard Davenport
Thanks to Lucy Jackson, Jessica Bowles, Lynne Kendrick, The Central School of Speech and Drama, Rose Fenton, Nigel and Val Foxon, Julia Farrington, the Free Word Centre and Tansy Adair.
With special thanks to Omar Alkhani, the Syrian Revolution Coordinators’ Union Secretary General.
The Fear of Breathing was developed through Wales Lab, National Theatre Wales.
Matthew Aubey, Matthew Bulgo, Gwydion Rhys and Rachel Helena Walsh formed the cast for the Wales Lab research and development week.
The text of Barbara Walters’ interview with Bashar al-Assad appears by kind permission of the American Broadcasting Company. The full interview and transcript can be found on the ABC website.
We wish to thank The Red Room for their support, particularly Artistic Director Topher Campbell and Producer Bryan Savery.
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