it; and indeed his not otherwise meeting it testified to that. “I know at least what I am,” he simply went on; “the other side of the medal’s clear enough. I’ve not been edifying—I believe I’m thought in a hundred quarters to have been barely decent. I’ve followed strange paths and worshipped strange gods; it must have come to you again and again—in fact you’ve admitted to me as much—that I was leading, at any time these thirty years, a selfish frivolous scandalous life. And you see what it has made of me.”
She just waited, smiling at him. “You see what it has made of me.”
“Oh you’re a person whom nothing can have altered. You were born to be what you are, anywhere, anyway: you’ve the perfection nothing else could have blighted. And don’t you see how, without my exile, I shouldn’t have been waiting till now—?” But he pulled up for the strange pang.
“The great thing to see,” she presently said, “seems to me to be that it has spoiled nothing. It hasn’t spoiled your being here at last. It hasn’t spoiled this. It hasn’t spoiled your speaking—” She also however faltered.
He wondered at everything her controlled emotion might mean. “Do you believe then—too dreadfully!—that I am as good as I might ever have been?”
“Oh no! Far from it!” With which she got up from her chair and was nearer to him. “But I don’t care,” she smiled.
“You mean I’m good enough?”
She considered a little. “Will you believe it if I say so? I mean will you let that settle your question for you?” And then as if making out in his face that he drew back from this, that he had some idea which, however absurd, he couldn’t yet bargain away: “Oh you don’t care either—but very differently: you don’t care for anything but yourself.”
Spencer Brydon recognised it—it was in fact what he had absolutely professed. Yet he importantly qualified. “He isn’t myself. He’s the just so totally other person. But I do want to see him,” he added. “And I can. And I shall.”
Their eyes met for a minute while he guessed from something in hers that she divined his strange sense. But neither of them otherwise expressed it, and her apparent understanding, with no protesting shock, no easy derision, touched him more deeply than anything yet, constituting for his stifled perversity, on the spot, an element that was like breatheable air. What she said however was unexpected. “Well, I’ve seen him.”
“You—?”
“I’ve seen him in a dream.”
“Oh a ‘dream’—!” It let him down.
“But twice over,” she continued. “I saw him as I see you now.”
“You’ve dreamed the same dream—?”
“Twice over,” she repeated. “The very same.”
This did somehow a little speak to him, as it also gratified him. “You dream about me at that rate?”
“Ah about him!” she smiled.
His eyes again sounded her. “Then you know all about him.” And as she said nothing more: “What’s the wretch like?”
She hesitated, and it was as if he were pressing her so hard that, resisting for reasons of her own, she had to turn away. “I’ll tell you some other time!”
CHAPTER II
It was after this that there was most of a virtue for him, most of a cultivated charm, most of a preposterous secret thrill, in the particular form of surrender to his obsession and of address to what he more and more believed to be his privilege. It was what in these weeks he was living for—since he really felt life to begin but after Mrs. Muldoon had retired from the scene and, visiting the ample house from attic to cellar, making sure he was alone, he knew himself in safe possession and, as he tacitly expressed it, let himself go. He sometimes came twice in the twenty-four hours; the moments he liked best were those of gathering dusk, of the short autumn twilight; this was the time of which, again and again, he found himself hoping most. Then he could, as seemed to him, most intimately wander and wait, linger and listen, feel his fine attention, never in his life before so fine, on the pulse of the great vague place: he preferred the lampless hour and only wished he might have prolonged each day the deep crepuscular spell. Later—rarely much before midnight, but then for a considerable vigil—he watched with his glimmering light; moving slowly, holding it high, playing it far, rejoicing above all, as much as he might, in open vistas, reaches of communication between rooms and by passages; the long straight chance or show, as he would have called it, for the revelation he pretended to invite. It was a practice he found he could perfectly “work” without exciting remark; no one was in the least the wiser for it; even Alice Staverton, who was moreover a well of discretion, didn’t quite fully imagine.
He let himself in and let himself out with the assurance of calm proprietorship; and accident so far favoured him that, if a fat Avenue “officer” had happened on occasion to see him entering at eleven-thirty, he had never yet, to the best of his belief, been noticed as emerging at two. He walked there on the crisp November nights, arrived regularly at the evening’s end; it was as easy to do this after dining out as to take his way to a club or to his hotel. When he left his club, if he hadn’t been dining out, it was ostensibly to go to his hotel; and when he left his hotel, if he had spent a part of the evening there, it was ostensibly to go to his club. Everything was easy in fine; everything conspired and promoted: there was truly even in the strain of his experience something that glossed over, something that salved and simplified, all the rest of consciousness. He circulated, talked, renewed, loosely and pleasantly, old relations—met indeed, so far as he could, new expectations and seemed to make out on the whole that in spite of the career, of such different contacts, which he had spoken of to Miss Staverton as ministering so little, for those who might have watched it, to edification, he was positively rather liked than not. He was a dim secondary social success—and all with people who had truly not an idea of him. It was all mere surface sound, this murmur of their welcome, this popping of their corks—just as his gestures of response were the extravagant shadows, emphatic in proportion as they meant little, of some game of ombres chinoises. He projected himself all day, in thought, straight over the bristling line of hard unconscious heads and into the other, the real, the waiting life; the life that, as soon as he had heard behind him the click of his great house-door, began for him, on the jolly corner, as beguilingly as the slow opening bars of some rich music follows the tap of the conductor’s wand.
He always caught the first effect of the steel point of his stick on the old marble of the hall pavement, large black-and-white squares that he remembered as the admiration of his childhood and that had then made in him, as he now saw, for the growth of an early conception of style. This effect was the dim reverberating tinkle as of some far-off bell hung who should say where?—in the depths of the house, of the past, of that mystical other world that might have flourished for him had he not, for weal or woe, abandoned it. On this impression he did ever the same thing; he put his stick noiselessly away in a corner—feeling the place once more in the likeness of some great glass bowl, all precious concave crystal, set delicately humming by the play of a moist finger round its edge. The concave crystal held, as it were, this mystical other world, and the indescribably fine murmur of its rim was the sigh there, the scarce audible pathetic wail to his strained ear, of all the old baffled forsworn possibilities. What he did therefore by this appeal of his hushed presence was to wake them into such measure of ghostly life as they might still enjoy. They were shy, all but unappeasably shy, but they weren’t really sinister; at least they weren’t as he had hitherto felt them—before they had taken the Form he so yearned to make them take,
