time for just about anyone to get their autographs. (And if you see a writer whose work you admire in the hallways, just walk up and ask for an autograph; that’s part of what they’re there for. You’re paying good money to attend, so don’t be shy about asking for anything at all.)
The Art Show. Just about every major artist from Whelan to Eggleton to Giancola to Maitz to Picacio to whoever will display some paintings here, as will hundreds of minor artists. The hangings will all be in the middle of the room; sculptures and other 3-dimensional pieces will be on tables lining the walls. Almost everything will have a minimum-bid pricetag on it. The auction rules change from year to year, so ask how to bid at the entrance to the art show—but know that 90% of what you see will be sold during the con.
Kaffeeklatsches. These are one-hour (and occasionally two-hour) periods where you sign up to meet with your favorite writer or artist. They serve coffee and sweets, and usually there are 10 or 12 to a table—the writer plus 9 or 11 fans. Sign up for the kaffeeklatsches you want to attend as soon as you get to the con. It’s always first-signed first-seated.
Fanzine room. There is always a room devoted to fanzines. Usually it’s a small, unpublicized room, difficult to find, but it’s worth the hunt, because it gives away dozens of fanzines. Not the perennial Hugo nominees, but enough to get you started.
Fanhistorica room. This doesn’t occur every year, but it’s present more often than not, and will be a room devoted to the history of fandom—books, photos, artifacts, famous (and incredibly valuable) old fanzines, Hugos from previous years, everything you’ll want to know about sf fandom from its origins in the 1930s to the present day. Often old-time pros and fans will lead docent tours of the exhibit.
Fan lounge. Many Worldcons have a fan lounge. It’ll be somewhere near the dealers and lecture rooms, and you’ll find tables where you can plop down, relax, get soft drinks or coffee, read fanzines (which will be supplied), and meet other fans.
Costume exhibit. This doesn’t occur at every Worldcon, but when it shows up it’s stunning. It’ll be a display of the greatest masquerade costumes of the past 20 or 30 years, draped on mannequins.
Photo exhibit. Over the years SFWA’s former attorney, M. Christine Valada, who was also a photographer, took black-and-white portraits of just about every pro who attends Worldcon, and there is a standing display of all of them every year.
Fan photo exhibit. Encouraged by Valada’s traveling photo show, fandom now has its own portrait exhibit.
There will doubtless be more exhibits, but these are the ones that tend to show up every year, or at least most years. I encourage you to hunt them all up. You do yourself a disservice if you travel all the way to Worldcon, pay your money to become a member, pay even more to stay at the hotels, and then don’t take advantage of all the exhibits that your money is paying for.
SPECIAL EVENTS
Along with the regular programming, every Worldcon has its share of special events.
Hugo Ceremonies. This is where the Toastmaster gets to shine (if he shines at all; alas, some don’t). 15 Hugos will be presented in the pro and fan categories, but that’s not all. Also presented are the Campbell Award for Best New Writer; the Big Heart Award; and the Seiun (Japanese Hugo) for the Best Translated Novel and Best Translated Short Fiction. There will be photo ops for everybody, and you can probably watch the Hugos and the Masquerade in your room on closed-circuit television.
The Masquerade: This is the biggest draw of the Worldcon, but it’s a mere shadow of its former self. All during the 1970s and 1980s the Worldcon masquerade used to draw well over 100 costumes and take at least four or five hours, often longer. Now, thanks to Costume Con and the proliferation of minor costume conventions, the masquerade barely draws 35 to 40 costumes…but it’s still a fun event to go to. And if you’re an author, not much gives you a bigger kick than watching a fan who spent months of effort creating a costume based on one of more of your characters.
Opening Ceremonies: The Toastmaster introduces the Pro and Fan Guests of Honor, who will make brief speeches. You’ll be told where to find everything, and then sent off to do just that.
Pro Guest of Honor Speech(es): There used to be just one Pro GOH, and 90% of the time it was a writer. These days there’s usually a Writer GOH, an Editor GOH, and an Artist GOH, and each will have an hour in which to make a speech.
Fan GOH Speech: It probably draws a bit better than the pro speeches, which is only right and fitting. Unlike the Nebulas, Worldcon is put on by and for fans, a fact that many pros forget or are simply unaware of. Pros are an attraction and their function is to draw more fans to the con, but never make any mistake about who the con is for.
Hugo-nominated movies: These will play free of charge sometime during the con before the winner is announced.
There may be other special events. They can be as diverse as a miniature golf tournament (1991), a pro vs. fan basketball game (1986), a trivia contest (just about every year), the world premiere of a science fiction movie (“A Boy and His Dog” in 1974; “Watership Down” in 1978) or the first peek at a new TV show (“Star Trek” in 1966).
PROGRAMMING
OK, I’ve mentioned 18-track programming and the like, but until you run into it, I don’t think any of you can truly realize the magnitude of Worldcon programming.
A typical hour will have 3 or 4 panels on science fiction, all featuring well-known writers; a pair of panels on fantasy; a panel on horror; a panel or two on science; a couple of panels on the business end of science fiction, from writing to editing to selling to reading contracts; an item or two of children’s programming; a pair of panels on various aspect of fandom, from fan history to publishing a fanzine; a publisher’s editorial staff telling you what they’re looking for this year; a panel of critics evaluating the year’s fiction; and a couple of more panels or speeches on various subjects.
That’s every hour, from 10:00 AM to 6:00 PM. It’ll slow down then, but you’ll still have perhaps four panels an hour from 6:00 PM to 10:00 PM, and maybe two panels an hour from 10:00 PM to maybe 2:00 AM.
While all this is going on, three or four rooms will be set aside for writers to read their most recent works, and at the same time half a dozen authors will be autographing in or near the dealers’ room. And of course there will be from two to four kaffeeklatsches occurring at the same time.
And let’s not forget the free, round-the-clock science fiction movies that will be showing in an auditorium.
That’s it. Every hour. And while all this is happening, the dealers room, the art show, and most of the other exhibits will be open as well.
Yeah, I know, it’s overwhelming. Probably the best thing to do is log onto the Worldcon’s web page after the final schedule is posted—usually two or three weeks before the con—and make your decision as to what items you definitely don’t want to miss. It can take a few hours, and why spend that time at the convention when there are so many interesting things to do?
WHAT TO BRING
OK, so it’s you first Worldcon. What do you pack? What do you bring? What do you leave behind?
Clothing: There is no panel or party where you won’t be accepted wearing a t-shirt, shorts, and sandals…so what else you bring depends to a great extent on what makes you comfortable and where you plan to go when you leave the hotel.
If
