Echoes of the Goddess. Darrell Schweitzer

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real. The blood ran down my face. I gasped, fell onto the sand, and lay there, panting, bleeding, waiting for the end to come.

      I waited for a long time. The sun set and the stars came out. The salt tide went out and came back in again, nudging seaweed against my feet.

      The rest is a muddle, a fever dream within a dream within a dream. I think someone found me. I remember walking along a road for a time. There was a bandage over my empty socket. There were a few words, a song, a carriage wheel creaking and rustling through dry leaves. I think I lay for a day beneath the hot sun in the middle of a harvested field. A boy and several dogs came upon me, then ran away in fright when I sat up.

      Somehow I came to Ai Hanlo, the real city, where the Guardian rules, where the bones of the Goddess lie in holy splendor at the core of Ai Hanlo Mountain. I remembered slowly—my mind was clouded, my thoughts like pale blossoms drifting to the surface—that my son was here, that he had come to serve the Religion. I went to the square of the mendicants, beneath the wall where the Guardian comes all draped in gold and silver to bless the crowds. I slept with the sick and the lame. Somebody stole my boots. So, barefoot, tattered, stinking, my face a running sore, I went to the gate of the inner city and demanded to see my son. But the soldiers laughed and sent me away. I begged, but they would not call for him.

      But what is the begging of a dadar?

      I prayed to whatever Forces or Powers there might be, to the remaining wisps of holiness that might linger over the bones of the Goddess, but what good are the prayers of a dadar?

      What good? At the very end, when I sat in a doorway, very near to death, a gate opened and a procession of priests came out, and I saw a face I knew, and I pushed through the crowd with the last of my strength. I called my son’s name and he stopped, and recognized me, and wept at my wretchedness. He took me to his rooms and comforted me, and later I told him that above all else I wanted to rejoin Tamda, his mother, my beloved, if she would have me, knowing me to be a dadar, without a soul, an uncertain thing.

      “But Father,” my son said, “consider what uncertain things all men are. What is a man, but a bubble in the foam, a speck of dust on the wind? Can any man know that his next breath will not be his last? Can he know how fortune will treat him, even tomorrow? What of the calamities that carry him off, or the diseases, or even that one, faint· breath of damp midnight air which touches his old bones and makes an end to him? Then what? Do we walk a long road till at last we come to the paradise at the top of the world, there to hear forever the blessed music of the Singer? Or do we merely lie in the ground? You think these are strange words, coming from me? But the Goddess is dead, and the last remnants of her holiness quickly drain away. All things are uncertain. The world is uncertain. Will the sun rise tomorrow? Father, you are weeping. How can a mere projection, an empty thing like a skin filled with wind—how can such a thing weep? It may deceive itself, but not others. I see your tears. I know that you are more than a sudden, random, fleeting shape, as much as any man is. Yes, a man. If you were not always a man, I think you have become one over the years through your living and your love.”

      Which brings me back to weeping.

      When at last I was able to travel from Ai Hanlo, my son went with me. We followed the way Tamda’s wagon was said to have gone, asking after her in every town. She made a few coins singing, people said, or selling sketches or doing sleight of hand. She looked thin and worn, they said.

      At last we found her at a crossroads. It had to be more than just chance. She leapt down from the wagon and ran to me. Again we all three wept.

      Later she said to me, “We are always uncertain. If you fade away, so shall I, when we are old. It may be very sudden. How are you unlike any man in this? Stay with me. Let the days pass one at a time, and live them one at a time. You can love. How are you unlike any man in this?”

      Which brings me back to weeping.

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