The Saki Megapack. Saki

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The Saki Megapack - Saki

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of decoration. But Stoner had eyes for little else than the bed, and could scarce wait to tear his clothes off him before rolling in a luxury of weariness into its comfortable depths. The hounds of Fate seemed to have checked for a brief moment.

      In the cold light of morning Stoner laughed mirthlessly as he slowly realized the position in which he found himself. Perhaps he might snatch a bit of breakfast on the strength of his likeness to this other missing ne’er-do-well, and get safely away before anyone discovered the fraud that had been thrust on him. In the room downstairs he found the bent old man ready with a dish of bacon and fried eggs for “Master Tom’s” breakfast, while a hard-faced elderly maid brought in a teapot and poured him out a cup of tea. As he sat at the table a small spaniel came up and made friendly advances.

      “’Tis old Bowker’s pup,” explained the old man, whom the hard-faced maid had addressed as George. “She was main fond of you; never seemed the same after you went away to Australee. She died ‘bout a year agone. ‘Tis her pup.”

      Stoner found it difficult to regret her decease; as a witness for identification she would have left something to be desired.

      “You’ll go for a ride, Master Tom?” was the next startling proposition that came from the old man. “We’ve a nice little roan cob that goes well in saddle. Old Biddy is getting a bit up in years, though ‘er goes well still, but I’ll have the little roan saddled and brought round to door.”

      “I’ve got no riding things,” stammered the castaway, almost laughing as he looked down at his one suit of well-worn clothes.

      “Master Tom,” said the old man earnestly, almost with an offended air, “all your things is just as you left them. A bit of airing before the fire an’ they’ll be all right. ‘Twill be a bit of a distraction like, a little riding and wild-fowling now and agen. You’ll find the folk around here has hard and bitter minds towards you. They hasn’t forgotten nor forgiven. No one’ll come nigh you, so you’d best get what distraction you can with horse and dog. They’m good company, too.”

      Old George hobbled away to give his orders, and Stoner, feeling more than ever like one in a dream, went upstairs to inspect “Master Tom’s” wardrobe. A ride was one of the pleasures dearest to his heart, and there was some protection against immediate discovery of his imposture in the thought that none of Tom’s aforetime companions were likely to favour him with a close inspection. As the interloper thrust himself into some tolerably well-fitting riding cords he wondered vaguely what manner of misdeed the genuine Tom had committed to set the whole countryside against him. The thud of quick, eager hoofs on damp earth cut short his speculations. The roan cob had been brought up to the side door.

      “Talk of beggars on horseback,” thought Stoner to himself, as he trotted rapidly along the muddy lanes where he had tramped yesterday as a down-at-heel outcast; and then he flung reflection indolently aside and gave himself up to the pleasure of a smart canter along the turf-grown side of a level stretch of road. At an open gateway he checked his pace to allow two carts to turn into a field. The lads driving the carts found time to give him a prolonged stare, and as he passed on he heard an excited voice call out, “’Tis Tom Prike! I knowed him at once; showing hisself here agen, is he?”

      Evidently the likeness which had imposed at close quarters on a doddering old man was good enough to mislead younger eyes at a short distance.

      In the course of his ride he met with ample evidence to confirm the statement that local folk had neither forgotten nor forgiven the bygone crime which had come to him as a legacy from the absent Tom. Scowling looks, mutterings, and nudgings greeted him whenever he chanced upon human beings; “Bowker’s pup,” trotting placidly by his side, seemed the one element of friendliness in a hostile world.

      As he dismounted at the side door he caught a fleeting glimpse of a gaunt, elderly woman peering at him from behind the curtain of an upper window. Evidently this was his aunt by adoption.

      Over the ample midday meal that stood in readiness for him Stoner was able to review the possibilities of his extraordinary situation. The real Tom, after four years of absence, might suddenly turn up at the farm, or a letter might come from him at any moment. Again, in the character of heir to the farm, the false Tom might be called on to sign documents, which would be an embarrassing predicament. Or a relative might arrive who would not imitate the aunt’s attitude of aloofness. All these things would mean ignominious exposure. On the other hand, the alternative was the open sky and the muddy lanes that led down to the sea. The farm offered him, at any rate, a temporary refuge from destitution; farming was one of the many things he had “tried,” and he would be able to do a certain amount of work in return for the hospitality to which he was so little entitled.

      “Will you have cold pork for your supper,” asked the hard-faced maid, as she cleared the table, “or will you have it hotted up?”

      “Hot, with onions,” said Stoner. It was the only time in his life that he had made a rapid decision. And as he gave the order he knew that he meant to stay.

      Stoner kept rigidly to those portions of the house which seemed to have been allotted to him by a tacit treaty of delimitation. When he took part in the farm-work it was as one who worked under orders and never initiated them. Old George, the roan cob, and Bowker’s pup were his sole companions in a world that was otherwise frostily silent and hostile. Of the mistress of the farm he saw nothing. Once, when he knew she had gone forth to church, he made a furtive visit to the farm parlour in an endeavour to glean some fragmentary knowledge of the young man whose place he had usurped, and whose ill-repute he had fastened on himself. There were many photographs hung on the walls, or stuck in prim frames, but the likeness he sought for was not among them. At last, in an album thrust out of sight, he came across what he wanted. There was a whole series, labelled “Tom,” a podgy child of three, in a fantastic frock, an awkward boy of about twelve, holding a cricket bat as though he loathed it, a rather good-looking youth of eighteen with very smooth, evenly parted hair, and, finally, a young man with a somewhat surly dare-devil expression. At this last portrait Stoner looked with particular interest; the likeness to himself was unmistakable.

      From the lips of old George, who was garrulous enough on most subjects, he tried again and again to learn something of the nature of the offence which shut him off as a creature to be shunned and hated by his fellow-men.

      “What do the folk around here say about me?” he asked one day as they were walking home from an outlying field.

      The old man shook his head.

      “They be bitter agen you, mortal bitter. Aye, ‘tis a sad business, a sad business.”

      And never could he be got to say anything more enlightening.

      On a clear frosty evening, a few days before the festival of Christmas, Stoner stood in a corner of the orchard which commanded a wide view of the countryside. Here and there he could see the twinkling dots of lamp or candle glow which told of human homes where the goodwill and jollity of the season held their sway. Behind him lay the grim, silent farm-house, where no one ever laughed, where even a quarrel would have seemed cheerful. As he turned to look at the long grey front of the gloom-shadowed building, a door opened and old George came hurriedly forth. Stoner heard his adopted name called in a tone of strained anxiety. Instantly he knew that something untoward had happened, and with a quick revulsion of outlook his sanctuary became in his eyes a place of peace and contentment, from which he dreaded to be driven.

      “Master Tom,” said the old man in a hoarse whisper, “you must slip away quiet from here for a few days. Michael Ley is back in the village, an’ he swears to shoot you if he can come across you. He’ll do it, too, there’s murder in the look of him. Get away under cover of night, ‘tis only

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