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COPYRIGHT INFORMATION
This edition copyright © 2005 by Wildside Press, LLC.
www.wildsidepress.com
INTRODUCTION, by H.P. Lovecraft
Very genuine, though not without the typical mannered extravagance of the eighteen-nineties, is the strain of horror in the early work of Robert W. Chambers, since renowned for products of a very different quality. The King in Yellow, a series of vaguely connected short stories having as a background a monstrous and suppressed book whose perusal brings fright, madness, and spectral tragedy, really achieves notable heights of cosmic fear in spite of uneven interest and a somewhat trivial and affected cultivation of the Gallic studio atmosphere made popular by Du Maurier’s Trilby. The most powerful of its tales, perhaps, is “The Yellow Sign,” in which is introduced a silent and terrible churchyard watchman with a face like a puffy grave-worm’s. A boy, describing a tussle he has had with this creature, shivers and sickens as he relates a certain detail. “Well, it’s Gawd’s truth that when I ’it ’im ’e grabbed me wrists, Sir, and when I twisted ’is soft, mushy fist one of ’is fingers come off in me ’and.” An artist, who after seeing him has shared with another a strange dream of a nocturnal hearse, is shocked by the voice with which the watchman accosts him. The fellow emits a muttering sound that fills the head “like thick oily smoke from a fat-rendering vat or an odour of noisome decay.” What he mumbles is merely this: “Have you found the Yellow Sign?”
A weirdly hieroglyphed onyx talisman, picked up on the street by the sharer of his dream, is shortly given the artist; and after stumbling queerly upon the hellish and forbidden book of horrors the two learn, among other hideous things which no sane mortal should know, that this talisman is indeed the nameless Yellow Sign handed down from the accursed cult of Hastur—from primordial Carcosa, whereof the volume treats, and some nightmare memory of which seeks to lurk latent and ominous at the back of all men’s minds. Soon they hear the rumbling of the black-plumed hearse driven by the flabby and corpse-faced watchman. He enters the night-shrouded house in quest of the Yellow Sign, all bolts and bars rotting at his touch. And when the people rush in, drawn by a scream that no human throat could utter, they find three forms on the floor—two dead and one dying. One of the dead shapes is far gone in decay. It is the churchyard watchman, and the doctor exclaims, “That man must have been dead for months.” It is worth observing that the author derives most of the names and allusions connected with his eldritch land of primal memory from the tales of Ambrose Bierce.
Other early works of Mr. Chambers displaying the outre and macabre element are The Maker of Moons and In Search of the Unknown. One cannot help regretting that he did not further develop a vein in which he could so easily have become a recognised master.
—H.P. Lovecraft
Supernatural Horror in Literature
OPENING
Along the shore the cloud waves break,
The twin suns sink behind the lake,
The shadows lengthen
In Carcosa
Strange is the night where black stars rise,
And strange moons circle through the skies,
But stranger still is
Lost Carcosa
Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Dim Carcosa.
Song of my soul, my voice is dead,
Die though, unsung, as tears unshed
Shall dry and die in
Lost Carcosa
—Cassilda’s Song in
“The King in Yellow”
Act 1, Scene 2.
THE REPAIRER OF REPUTATIONS
Ne raillons pas les fous; leur folie dure plus longtemps que la nôtre… Voilà toute la differénce.
I
Toward the end of the year 1920 the Government of the United States had practically completed the programme, adopted during the last months of President Winthrop’s administration. The country was apparently tranquil. Everybody knows how the Tariff and Labor questions were settled. The war with Germany, incident on that country’s seizure of the Samoan Islands, had left no visible scars upon the republic, and the temporary occupation of Norfolk by the invading army had been forgotten in the joy over repeated naval victories and the subsequent ridiculous plight of General Von Gartenlaube’s forces in the State of New Jersey. The Cuban and Hawaiian investments had paid one hundred percent and the territory of Samoa was well worth its cost as a coaling station. The country was in a superb state of defence. Every coast city had been supplied with land fortifications; the army under the parental eye of the General Staff, organized according to the Prussian system, had been increased to 300,000 men with a territorial reserve of a million; and six magnificent squadrons of cruisers and battleships patrolled the six stations of the navigable seas, leaving a steam reserve amply fitted to control home waters. The gentlemen from the West had at least been constrained to acknowledge that a college for the training of diplomats was as necessary as law schools are for the training of barristers. Consequently we were no longer represented abroad by incompetent patriots. The nation was prosperous. Chicago, for a moment paralyzed after a second great fire, had risen from it ruins, white and imperial, and more beautiful than the white city which had been built for its plaything in 1893. Everywhere good architecture was replacing bad and even in New York, a sudden craving for decency had swept away a great portion of the existing horrors. Streets had been widened, properly paved and lighted, trees had been planted, squares laid out, elevated structures demolished and underground roads built to replace them. The new government buildings and barracks were fine bits of architecture, and the long system of stone quays which completely surrounded the island had been turned into parks which proved a godsend to the population. The subsidizing of the state theatre and state opera brought its own reward. The United States National Academy of Design was much like European institutions of the same kind. Nobody envied the Secretary of Fine Arts, either his cabinet position or his portfolio. The Secretary of Forestry and Game Preservation had a much easier time, thanks to the new system of National Mounted Police. We had profited well by the latest treaties with France and England; the exclusion of foreign born Jews as a measure of nation self-preservation, the settlement of the new independent negro state of Suanee, the checking of immigration, the new laws concerning naturalization, and the gradual centralization of power in the executive all contributed to national calm and prosperity. When the Government solved the Indian problem and squadrons of Indian cavalry scouts in native costume were substituted for the pitiable organizations tacked on to the tail of skeletonized regiments by a former Secretary of War, the nation drew a long sigh of relief. When, after the colossal Congress of Religions, bigotry and intolerance were laid in their graves and kindness and charity began to draw warring sects together, many thought the millennium had arrived, at least in the new world, which after all is a world by itself.
But self-preservation is the first law, and the United States had to look on in helpless sorrow as Germany, Italy, Spain and Belgium writhed in the throes of Anarchy, while Russia, watching
