weirder than the quirk that came into his own life. Had Roxanne Milbank played three dozen parts and filled five thousand houses she could never have had a role with more happiness and more despair than were in the fate prepared for Roxanne Curtain.
For a year they lived in hotels, travelled to California, to Alaska, to Florida, to Mexico, loved and quarrelled gently, and gloried in the golden triflings of his wit with her beauty—they were young and gravely passionate; they demanded everything and then yielded everything again in ecstasies of unselfishness and pride. She loved the swift tones of his voice and his frantic, if unfounded jealousy. He loved her dark radiance, the white irises of her eyes, the warm, lustrous enthusiasm of her smile.
“Don’t you like her?” he would demand rather excitedly and shyly. “Isn’t she wonderful? Did you ever see—”
“Yes,” they would answer, grinning. “She’s a wonder. You’re lucky.”
The year passed. They tired of hotels. They bought an old house and twenty acres near the town of Marlowe, half an hour from Chicago; bought a little car, and moved out riotously with a pioneering hallucination that would have confounded Balboa.
“Your room will be here!” they cried in turn.
—And then:
“And my room here!”
“And the nursery here when we have children.”
“And we’ll build a sleeping porch—oh, next year.”
They moved out in April. In July Jeffrey’s closest friend, Harry Cromwell same to spend a week—they met him at the end of the long lawn and hurried him proudly to the house.
Harry was married also. His wife had had a baby some six months before and was still recuperating at her mother’s in New York. Roxanne had gathered from Jeffrey that Harry’s wife was not as attractive as Harry—Jeffrey had met her once and considered her—“shallow.” But Harry had been married nearly two years and was apparently happy, so Jeffrey guessed that she was probably all right.
“I’m making biscuits,” chattered Roxanne gravely. “Can you wife make biscuits? The cook is showing me how. I think every woman should know how to make biscuits. It sounds so utterly disarming. A woman who can make biscuits can surely do no—”
“You’ll have to come out here and live,” said Jeffrey. “Get a place out in the country like us, for you and Kitty.”
“You don’t know Kitty. She hates the country. She’s got to have her theatres and vaudevilles.”
“Bring her out,” repeated Jeffrey. “We’ll have a colony. There’s an awfully nice crowd here already. Bring her out!”
They were at the porch steps now and Roxanne made a brisk gesture toward a dilapidated structure on the right.
“The garage,” she announced. “It will also be Jeffrey’s writing-room within the month. Meanwhile dinner is at seven. Meanwhile to that I will mix a cocktail.”
The two men ascended to the second floor—that is, they ascended half-way, for at the first landing Jeffrey dropped his guest’s suitcase and in a cross between a query and a cry exclaimed:
“For God’s sake, Harry, how do you like her?”
“We will go upstairs,” answered his guest, “and we will shut the door.”
Half an hour later as they were sitting together in the library Roxanne reissued from the kitchen, bearing before her a pan of biscuits. Jeffrey and Harry rose.
“They’re beautiful, dear,” said the husband, intensely.
“Exquisite,” murmured Harry.
Roxanne beamed.
“Taste one. I couldn’t bear to touch them before you’d seen them all and I can’t bear to take them back until I find what they taste like.”
“Like manna, darling.”
Simultaneously the two men raised the biscuits to their lips, nibbled tentatively. Simultaneously they tried to change the subject. But Roxanne undeceived, set down the pan and seized a biscuit. After a second her comment rang out with lugubrious finality:
“Absolutely bum!”
“Really—”
“Why, I didn’t notice—”
Roxanne roared.
“Oh, I’m useless,” she cried laughing. “Turn me out, Jeffrey—I’m a parasite; I’m no goal—”
Jeffrey put his arm around her.
“Darling, I’ll eat your biscuits.”
“They’re beautiful, anyway,” insisted Roxanne.
“They’re—they’re decorative,” suggested Harry.
Jeffrey took him up wildly.
“That’s the word. They’re decorative; they’re masterpieces. We’ll use them.”
He rushed to the kitchen and returned with a hammer and a handful of nails.
“We’ll use them, by golly, Roxanne! We’ll make a frieze out of them.”
“Don’t!” wailed Roxanne. “Our beautiful house.”
“Never mind. We’re going to have the library repapered in October. Don’t you remember?”
“Well—”
Bang! The first biscuit was impaled to the wall, where it quivered for a moment like a live thing.
Bang!…
When Roxanne returned, with a second round of cocktails the biscuits were in a perpendicular row, twelve of them, like a collection of primitive spear-heads.
“Roxanne,” exclaimed Jeffrey, “you’re an artist! Cook?—nonsense! You shall illustrate my books!”
During dinner the twilight faltered into dusk, and later it was a starry dark outside, filled and permeated with the frail gorgeousness of Roxanne’s white dress and her tremulous, low laugh.
—Such a little girl she is, thought Harry. Not as old as Kitty.
He compared the two. Kitty—nervous without being sensitive, temperamental without temperament, a woman who seemed to flit and never light—and Roxanne, who was as young as spring night, and summed up in her own adolescent laughter.
—A good match for Jeffrey, he thought again. Two very young people, the sort who’ll stay very young until they suddenly find themselves old.
Harry thought these things between his constant thoughts about Kitty, He was depressed about Kitty. It seemed to him that she was well enough to come back to Chicago and bring his little son. He was thinking vaguely of Kitty when he said good-night to his friend’s wife and his friend at
