The Third R. Austin Freeman Megapack. R. Austin Freeman
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All this time, although he had given the closest attention to what he was doing, his mind had been working actively, and already the sketch-plan was beginning to shape into a complete and detailed scheme; for he had suddenly remembered a supply of sheet gutta-percha which he had unearthed when he turned out the workshop, and this discovery disposed of what had been his chief difficulty. Now, in readiness for a later stage of his work, he lighted his Primus stove, and having filled a good-sized saucepan with water, placed it on the stove to heat. This consumed the rest of the time that he had allotted for the hardening of the plaster, and he now went forth with no little anxiety to see what the casts were like. For they were the really essential element of his plan on which success or failure depended. If he could get a perfect reproduction of the footprints, the rest of his task, troublesome as it promised to be, would be plain sailing.
Very gingerly he insinuated his finger under one of the casts of the second pair and gently turned it over. And then, as he threw the light of his lamp on it, all his misgivings vanished in respect of that foot—the right. The aspect of the cast was positively ridiculous. It was just the sole of a shoe; snow-white, but otherwise completely realistic, and perfect in every detail and marking, even to the makers’ name. And the second cast was equally good; so his special precautions had been unnecessary. Nevertheless, he went on to the first pair, and they proved to be, if anything, sharper and cleaner, more free from adherent particles of earth than the others. With a sigh of relief he picked up the four casts and bore them tenderly to the workshop, where he deposited them on the bench. There, under the bright electric light, their appearance was even more striking. But he did not stop to gloat. He could do that while he was working.
The first proceeding was to trim off the ragged edges with a scraper, and then came the process of “sizing”—painting with a boiled solution of soft soap—which also cleaned away the adherent particles of loam. When the soap had soaked in and “stopped” the surface, the surplus was washed away under the tap, and then, with a soft brush, an infinitesimal coating of olive oil was applied. The casts were now ready for the next stage—the making of the moulds. First, Pottermack filled a shallow tray with loam from the garden, striking the surface level with a straight-edge. On this surface the two best casts were laid, sole upwards, and pressed down until they were slightly embedded. Then came the mixing of another bowl of plaster, and this was “gauged” extra stiff in order that it should set quickly and set hard. By the time this had been poured on—rapidly, but with infinite care to avoid bubbles, which would have marred the perfection of the moulds—the water in the saucepan was boiling. Having cleaned out the bowl and spoon, Pottermack fetched the pieces of gutta-percha from their drawer and dropped them into the saucepan, replacing the lid. Then he put on his spectacles, extinguished the lamp, switched off the light, and, passing out of the workshop, walked quickly towards the house.
As he let himself out of the walled garden and closed the door behind him, he had a strange feeling as of one awakening from a dream. The familiar orchard and kitchen garden through which he was now passing, and the lighted windows of the house which twinkled through the trees, brought him back to the realities of his quiet, usually uneventful life and made the tragic interlude of the past hour seem incredible and unreal. He pondered on it with a sort of dull surprise as he walked up the long path; on all that had happened since he had last walked along it a few hours ago. How changed since then was his world—and himself! Then, he was an innocent man over whom yet hung the menace of the convict prison. Now, that menace was lifted, but he was an innocent man no more. Legally—technically, he put it to himself—he was a murderer; and the menace of the prison was exchanged for that of the rope. But there was this difference: the one had been an abiding menace that had been with him for the term of his life; the other was a temporary peril from which, when he had once freed himself, he would be free for ever.
His appearance in the house was hailed by Mrs. Gadby with a sigh of relief. It seemed that she had made a special effort in the matter of supper and had feared lest her trouble should be wasted after all. Very complacently she inducted him into the dining-room and awaited, with confidence born of much experience, his appreciative comments.
“Why, bless my soul, Mrs. Gadby!” he exclaimed, gazing at the display on the table, “it’s a regular banquet! Roses, too! And do I see a bottle under that shawl?”
Mrs. Gadby smilingly raised the shawl, revealing a small wooden tub in which a bottle of white wine stood embedded in ice. “I thought,” she explained, “that a glass of Chablis would go rather well with the lobster.”
“Rather well!” exclaimed Pottermack. “I should think it will. But why these extraordinary festivities?”
“Well, sir,” said Mrs. Gadby, “you haven’t seemed to be quite yourself the last day or two. Not in your usual spirits. So I thought a nice little supper and a glass of wine might pick you up a bit.”
“And so it will, I am sure,” affirmed Pottermack. “Tomorrow you will find me as lively as a cricket and as gay as a lark. And, by the way, Mrs. Gadby, don’t clear the table tonight. I am going out sugaring presently, and as I may be late getting back I shall probably be ready for another little meal before turning in. And of course you won’t bolt the door—but I expect you will have gone to bed before I start.”
Mrs. Gadby acknowledged these instructions and retired in sedate triumph. Particularly gratified was she at the evident satisfaction with which her employer had regarded the Chablis. A happy thought of hers, that had been. In which she was right in general though mistaken in one particular. For it was not the wine that had brought that look of satisfaction to Pottermack’s face. It was the ice. Mrs. Gadby’s kindly forethought had disposed of the last of his difficulties.
Before sitting down to supper, he ran up to his bedroom, ostensibly for the necessary wash and brush up; but first he visited a spacious cupboard from the ground floor of which he presently took a pair of over-shoes that he was accustomed to wear in very rainy or snowy weather. Their upper parts were of strong waterproof cloth and their soles of balata, cemented on to leather inner soles. He had, in fact, cemented them on himself when the original soles had worn through, and he still had, in the workshop, a large tin nearly full of the cement. He now inspected the soles critically, and when, after having washed and made himself tidy, he went down to the dining-room, he carried the over-shoes down with him and slipped them out of sight under the table.
Although he was pretty sharp-set after his strenuous and laborious evening, he made but a hasty meal; for time was precious and he could dispose of the balance of the feast when he had finished his task. Rising from the table, he picked up the over-shoes, and, stealing softly out into the garden, laid them down beside the path. Then he stole back to the dining-room, whence he walked briskly to the kitchen and tapped at the door.
“Good-night, Mrs. Gadby,” he called out cheerfully. “I shall be starting when I’ve got my traps together. Leave everything as it is in the dining-room so that I can have a snack when I come in. Good-night!”
“Good-night, sir,” the housekeeper responded cordially, presenting a smiling countenance at the door, “and good luck with the moths, though I must admit, sir, that they don’t seem to me worth all the trouble of catching them.”
“Ah, Mrs. Gadby,” said Pottermack, “but you see you are not a naturalist. You would think better of the moths, I expect, if they were good to eat.” With this and a chuckle, in which the housekeeper joined, he turned away and