The Third R. Austin Freeman Megapack. R. Austin Freeman

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it can’t be, doctor! It is impossible—unbelievable. That, I mean!” and he pointed to the dead woman’s right hand, which held an open razor.

      Our poor friend had spoken my own thought. It was incredible that this refined, pious lady should have inflicted those savage wounds, that gaped scarlet beneath the waxen face. There, indeed, was the razor lying in her hand. But what was its testimony worth? My heart rejected it; but yet, unwillingly, I noted that the wounds seemed to support it; for they had been made from left to right, as they would have been if self-inflicted.

      “It is hard to believe,” said Thorndyke, “but there is only one alternative. Someone should acquaint the police at once.”

      “I will go,” exclaimed Meade, starting up. “I know the way and the cab is there.” He looked once more with infinite pity and affection at the dead woman. “Poor, sweet girl!” he murmured. “If we can do no more for you, we can defend your memory from calumny and call upon the God of Justice to right the innocent and punish the guilty.”

      With these words and a mute farewell to his dead friend, he hurried from the room, and immediately afterwards we heard the street door close.

      As he went out, Thorndyke’s manner changed abruptly. He had been deeply moved—as who would not have been—by this awful tragedy that had in a moment shattered the happiness of the genial, kindly parson. Now he turned to me with a face set and stern. “This is an abominable affair, Jervis,” he said in an ominously quiet voice.

      “You reject the suggestion of suicide, then?” said I, with a feeling of relief that surprised me.

      “Absolutely,” he replied. “Murder shouts at us from everything that meets our eye. Look at this poor woman, in her trim nurse’s dress, with her unfinished needlework lying on the table in the next room and that preposterous razor loose in her limp hand. Look at the savage wounds. Four of them, and the first one mortal. The great bloodstain by the door, the great bloodstain on her dress from the neck to the feet. The gashed collar, the cap-string cut right through. Note that the bleeding had practically ceased when she lay Idown. That is a group of visible facts that is utterly inconsistent with the idea of suicide. But we are wasting time. Let us search the premises thoroughly. The murderer has pretty certainly got away, but as he was in the house when we arrived, any traces will be quite fresh.”

      As he spoke he took his electric lamp from the research-case and walked to the door.

      “We can examine this room later,” he said, “but we had better look over the house. If you will stay by the stairs and watch the front and back doors, I will look through the upper rooms.”

      He ran lightly up the stairs while I kept watch below, but he was absent less than a couple of minutes.

      “There is no one there,” he reported, “and as there is no basement we will just look at this floor and then examine the grounds.”

      After a rapid inspection of the ground-floor rooms, including the kitchen, we went out by the back door, which was unbolted, and inspected the grounds. These consisted of a largish garden with a small orchard at the side. In the former we could discover no traces of any kind, but at the end of the path that crossed the orchard we came an a possible clue. The orchard was enclosed by a five-foot fence, the top of which bristled with hooked nails; and at the point opposite to the path, Thorndyke’s lantern brought into view one or two wisps of cloth caught on the hooks.

      “Someone has been over here,” said Thorndyke, but as this is an orchard, there is nothing remarkable in the fact. However, there is no fruit on the trees now, and the cloth looks fairly fresh. There are two kinds, you notice: a dark blue and a black and white mixture of some kind.”

      “Corresponding, probably, to the coat and trousers,” I suggested.

      “Possibly,” he agreed, taking from his pocket a couple of the little seed-envelopes of which he always carried a supply. Very delicately he picked the tiny wisps of cloth from the hooks and bestowed each kind in a separate envelope. Having pocketed these, he leaned over the fence and threw the light of his lamp along the narrow lane or alley that divided the orchard from the adjoining premises. It was ungravelled and covered with a growth of rank grass, which suggested that it was little frequented. But immediately below was a small patch of bare earth, and on this was a very distinct impression of a foot, covering several less distinct prints.

      “Several people have been over here at different times,” I remarked.

      “Yes,” Thorndyke agreed. “But that sharp foot print belongs to the last one over, and he is our concern. We had better not confuse the issues by getting over ourselves. We will mark the spot and explore from the other end.” He laid his handkerchief over the top of the fence and we then went back to the house.

      “You are going to take a plaster cast, I suppose?” said I; and as he assented, I fetched the research-case from the drawing-room. Then we fixed the catch of the front-door latch and went out, drawing the door to after us.

      We found the entrance to the alley about sixty yards from the gate, and entering it, walked slowly forwards, scanning the ground as we went. But the bright lamplight showed nothing more than the vague marks of trampling feet on the grass until we came to the spot marked by the handkerchief on the fence.

      It is a pity,” I remarked, “that this footprint has obliterated the others.”

      “On the other hand,” he replied, “this one, which is the one that interests us, is remarkably clear and characteristic: a circular heel and a rubber sole of a recognisable pattern mended with a patch of cement paste. It is a footprint that could be identified beyond a doubt.”

      As he was speaking, he took from the research-case the water-bottle, plaster-tin, rubber mixing-bowl and spoon, and a piece of canvas with which to “reinforce” the cast. Rapidly, he mixed a bowlful—extra thick, so that it should set quickly and hard—dipped the canvas into it, poured the remainder into the footprint, and laid the canvas on it.

      I will get you to stay here, Jervis,” said he, “until the plaster has set. I want to examine the body rather more thoroughly before the police arrive, particularly the back.”

      “Why the back?” I asked.

      “Did not the appearance of the body suggest to you the advisability of examining the back?” he asked, and then, without waiting for a reply, he went off, leaving the inspection-lamp with me.

      His words gave me matter for profound thought during my short vigil. I recalled the appearance of the dead woman very vividly—indeed, I am not likely ever to forget it—and I strove to connect that appearance with his desire to examine the back of the corpse. But there seemed to be no connection at all. The visible injuries were in front, and I had seen nothing to suggest the existence of any others. From time to time I tested the condition of the plaster, impatient to rejoin my colleague but fearful of cracking the thin cast by raising it prematurely. At length the plaster seemed to be hard enough, and trusting to the strength of the canvas, I prised cautiously at the edge, when, to my relief, the brittle plate came up safely and I lifted it clear. Wrapping it carefully in some spare rag, I packed it in the research-case, and then, taking this and the lantern, made my way back to the house.

      When I had let down the catch and closed the front door, I went to the drawing-room, where I found Thorndyke stooping over the dark stain at the threshold and scanning the floor as if in search of something. I re ported the completion of the cast and then asked him what he was looking for.

      “I am looking for a button,”

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