The Third R. Austin Freeman Megapack. R. Austin Freeman
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“How did you deduce that the hair of the corpse was not dyed?” I asked.
“I didn’t deduce it at all. I observed it. You remember a little patch of hair above the right ear, very much singed but still recognisable as hair? Well, in that patch I made out distinctly two or three white hairs. Naturally, when Mrs. Manford spoke of the dye, I recalled those white hairs, for though you may find silver hairs among the gold, you don’t find them among the dyed. So the corpse could not be Manford’s and was presumably that of Bilsky.
“But the instant that this presumption was made, a quantity of fresh evidence arose to support it. The destruction of the body was now understandable. Its purpose was to prevent identification. The parts destroyed were the parts that had to be destroyed for that purpose: the face was totally unrecognisable, and the right hand and right foot were burnt and shattered to fragments. But these were Bilsky’s personal marks. His right hand was mutilated and his right foot deformed. And the fact that the false teeth found were undoubtedly Manford’s was conclusive evidence of the intended deception.
“Then there were those very queer financial transactions, of which my interpretation was this: Manford borrowed two thousand pounds from Clines. With this he opened an account in the name of Elliott. As Elliott, he lent himself two thousand pounds which he repaid Clines—subject to an insurance of his life for that amount, taken out in Elliott’s name.”
“Then he would have gained nothing,” I objected.
“On the contrary, he would have stood to gain two thousand pounds on proof of his own death. That, I assumed, was his scheme: to murder Bilsky, to arrange for Bilsky’s corpse to personate his own, and then, when the insurance was paid, to abscond the company of some woman this sum, with the valuables that he had taken from Bilsky, and the five hundred pounds that he had withdrawn from the bank.
“But this was only theory. It had to be tested; and as we had Elliott’s address, I did the only thing that was possible. I employed our friend, ex-Sergeant Barber, to watch the house. He took lodgings in a house nearly opposite and kept up continuous observation, which soon convinced him that there was someone on the premises besides Mrs. Elliott. Then, late one night, he saw a man come out and walk away quickly. He followed the man for some distance, until the stranger turned back and began to retrace his steps. Then Barber accosted him, asking for a direction, and carefully inspecting him. The man’s appearance tallied exactly with the description that I had given—I had assumed that he would probably shave off his beard—and with the photograph; so Barber, having seen him home, reported to me. And that is the whole story.”
“Not quite the whole,” said Miller, with a sly grin. “There is that smoke-rocket. If it hadn’t been for the practical joker who slipped that through the letter-slit, we could never have got into that house. I call it a most remarkable coincidence.”
“So do I,” Thorndyke agreed, without moving a muscle; “but there is a special providence that watches over medical jurists.”
We were silent for a few moments. Then I remarked: “This will come as a terrible shock to Mrs. Manford.”
“I am afraid it will,” Thorndyke agreed. “But it will be better for her than if Manford had absconded with this woman, taking practically every penny that he possessed with him. She stood to lose a worthless husband in either event. At least we have saved her from poverty. And, knowing the facts, we were morally and legally bound to further the execution of justice.”
“A very proper sentiment,” said the superintendent, “though I am not quite clear as to the legal aspects of that smoke-rocket.”
A CERTAIN DR THORNDYKE (1927) [Part 1]
BOOK 1
The Ishmaelite
CHAPTER I
The Fugitive
The tropic moon shone brightly on the village of Adaffia in the Bight of Benin as a fishing-canoe steered warily through the relatively quiet surf of the dry season towards the steep beach. Out in the roadstead an anchored barque stood up sharply against the moonlit sky, the yellow spark of her riding light glimmering warmly, and a white shape dimly discernible in the approaching canoe hinted of a visitor from the sea. Soon the little craft, hidden for a while in the white smother of a breaking wave, emerged triumphant and pushed her pointed nose up the beach; the occupants leaped out and, seizing her by her inturned gunwales, hauled her forthwith out of reach of the following wave.
“You know where to go?” the Englishman demanded, turning a grim, hatchet face towards the ‘headman.’ “Don’t take me to the wrong house.”
The headman grinned. “Only one white man live for Adaffia. Me sabby him proper.” He twisted a rag of cotton cloth into a kind of turban, clapped it on his woolly pate and, poising on top a battered cabin-trunk, strode off easily across the waste of blown sand that separated the beach from a forest of coconut palms that hid the village. The Englishman followed less easily, his shod feet sinking into the loose sand; and as he went, he peered with a stranger’s curiosity along the deserted beach and into the solemn gloom beneath the palms, whence came the rhythmical clamour of drums and the sound of many voices joining in a strange, monotonous chant.
Through the ghostly colonnade of palm trunks, out into the narrow, tortuous alleys that served for streets, between rows of mud-built hovels roofed with unkempt grass thatch, where all was inky blackness in the shadow and silvery grey in the light, the stranger followed his guide; and ever the noise of the drums and the melancholy chant drew nearer. Suddenly the two men emerged from an alley into a large open space and in an instant passed from the stillness of the empty streets into a scene of the strangest bustle and uproar. In the middle of the space was a group of men, seated on low stools, who held between their knees drums of various sizes, which they were beating noisily, though by no means unskillfully, some with crooked sticks, others with the flat of the hand. Around the musicians a circle of dancers moved in an endless procession, the men and the women forming separate groups; and while the former danced furiously, writhing with starting muscles and streaming skins, in gestures grotesque and obscene, the latter undulated languorously with half-closed eyes and rhythmically moving arms.
The Englishman had halted in the black shadow to look on at this singular scene and to listen to the strange chant that rang out at intervals from dancers and spectators alike, when his guide touched him on the arm and pointed.
“Look, Mastah!” said he; “dem white man live. You look um?”
The stranger looked over the heads of the dancers, and, sure enough, in the very midst of the revellers, he espied a fellow-countryman seated on a green-painted gin-case, the sides of which he was pounding with his fists in unsuccessful emulation of the drummers. He was not a spectacle to engender undue pride of race. To begin with, he was obviously drunk, and as he drummed on the case and bellowed discordantly at intervals, he was not dignified. Perhaps to be drunk and dignified at one and the same time is not easy, and assuredly the task is made no easier by a costume consisting of a suit of ragged pyjamas, the legs tucked into scarlet socks, gaudy carpet slippers, and a skullcap of plaited grass. But such was the garb of this representative of a superior race, and the final touch was given to a raffish ensemble by an unlit cigar that waggled from the corner of his mouth.
The stranger stood for a minute or more watching,