Hick. Andrea Portes
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“C’mon, Luli,” Ray says. “I’ll give you a ride home. I’m sorry. I am truly sorry.”
He puts his hand on my shoulder and takes me with him while he tells the bar-back to cover, quick. He doesn’t want nothing to do with this show no more. He’s had it. There’s nothing grand or loud or pretty about the way he steers me across the gravel. There’s nothing flashy about the way he hoists me up into the truck, deep red, with giant wheels for winter. He just sets me up top the seat, simple, before strutting around and getting in the driver’s side. He starts the engine and pulls out the lot, with not even a wink back to remind us he’s the hero.
When we’re pulling out onto Highway 34, I look back and see my dad leaning on the hood of the Nova. You could practice for years and never lean with that picture perfect cowboy slunk.
And you would think that would be it and call it a night, I bet. But just wait cause two fence-posts past our drive Ray stops the truck and next thing you know I’m staring into the big black night with just two headlights, that’s it for miles. He starts mumbling something about there’s a funny noise he’s gotta check up on and there I am, feet up on the dash, thumb-twiddling.
If you’re wondering what I look like, just throw two giant eyes and one big mouth at a face too small to hold them. There must’ve been a mix-up that day on the assembly line, cause they got the proportions all wrong. I got made fun of for my big mouth before I even made it to day-care. Fish-face. Quacky-duck. Put it on my bill.
Seems like Ray’s doing a whole lot of nothing, tinkering with the engine and grunt grunt grunt but then, next thing you know, he’s got his head in my window like he’s the weatherman on the nightly news.
“Wull. I can’t figure it.”
“Figure what?”
“The noise. I can’t figure the noise.”
“Huh.”
“Look, Luli.”
Now he starts scratching the back of his neck, shifting leg to leg.
“I wanna show you something.”
Boy, he sure knows how to be boring.
Shift. Shift.
“Wull, what?”
Shift.
“Um, wull, how bout you close your eyes and open your mouth.”
“Wull, why would I wanna do that?”
“Just trust me. Trust me. You’ll like it. I promise.”
And now something in the air around me starts to vibrate and I get the feeling that funny noise was pure make-up and my thumbs stop mid-twiddle.
But there’s also a side of me that won’t ever look away from a dead bird or a car chase or a hold-up at the Alibi at 2 a.m. There’s this side that wants to grab that buzzing thing and pull it close and twirl it around and inspect it, like dissecting a frog, belly-splayed.
So I do it.
I do what he says and I close my eyes and open my mouth and the next thing I know he’s got his twenty-eight-year-old tongue in my thirteen-year-old mouth and all I can think is that I don’t think the hero is supposed to be doing this.
He was supposed to grab me out the hullabaloo and gallop me off on a palomino horse, straight up into Orion’s Belt and up up up into the stars. Just leave out the step about making up truck noises and grumbling round the tires and then he’s got his tongue down my throat. Don’t tell that part. That part’s double-secret.
I squirm away and look at him like his marbles got lost. He looks at me, eyes swirling, and get this.
That thing swirling in his eyes, that thing, like he wants to jump into my body and devour me from the inside out, makes it like I could ask for whatever my little heart desired in this second and he would have to do it. He wouldn’t have a choice. Right here, in this second in the dead black night with nothing but two white beams and a fence-post waning, I could ask him to climb Chimney Rock or go rob a bank or take me to Lincoln, no, Omaha, no, Dallas. I could ask him, in this little speck of a moment, to jump off a cliff or spit on his mama or crash his truck into the Missouri and he’d do it. He’d have to do it.
And I don’t know if it’s the way I open my eyes or the way I gawk at his eyes swirling, but he steps back and looks at the ground and shuffles his feet and shakes his head. Then he gets back over to the driver’s seat, real quick.
Silent. Silent.
Two fence-posts back.
Silent.
Down the drive.
Silent.
Slam the door.
Silent.
Not even a good-bye. No sir. Not now.
And as I watch him crunching over the gravel, kicking up dust down the drive and into the nothing black night, I could jump for joy.
I could jump for joy, cause now I know I’ve got something. Fish-face. Quacky-duck’s got something. I’ve got something that cancels out too-broke Dad and cancels out dirt-lot brawls and cancels out that leaning, falling house I’m about to walk into. I got something that’s gonna throw me straight into the sun and leave this shitty little dust-bin behind and you just wait, you just wait, to see how I make it go boom.
TWO
Did you know I have a baby brother? Had one. it’s cause Tammy had a blue dress. Tammy had a baby-blue dress that came down not far enough and my dad liked her in that blue dress and then, the next thing you know, that blue dress started fitting tighter and tighter around her belly and, next thing you know, it looked like she swallowed a basketball and, next thing you know, my dad was skipping around talking about, “Luli, you’re gonna have a little baby brother, now, you’re gonna have to help your mama now, see.”
And even though I was only seven and didn’t know why Tammy swallowed a basketball or how that made a baby brother, you couldn’t help but smile when you saw my dad floating through the door and through the next, sashaying around Mama in her too-tight blue dress. And she’d say, “Now, c’mon, now, you don’t know it’s gonna be a boy, you just don’t know that, just shush.” And he’d say, “Yes, I do. I do sure know it like I know the sky is blue and I know the world is round and I know I married the most beautiful girl in the county, the state, the whole wide world, darlin, the whole big wide world.”
And this is the part where he’d sidle up behind her and start rocking back and forth and making her blush and play-swat him away, but she’s swaying, too, swaying there in that baby-blue dress, too.
And they had a Sunday with everyone coming over and bringing gifts and a cake and a little baby crib from Aunt Gina and Uncle Nipper, white with gold trim, like something you pulled out of a dollhouse and blew up life-size. And they were laughing and giggling and smiling thirty ways till sundown. And you would have been smiling, too, cause it was like all the good-mornings and all the hi-how-are-yas and all the well-hello-sunshines