After Crucifixion. Craig Keen

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After Crucifixion - Craig Keen

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God. That is why good people send their children off to college to study with theologians, with people like me. And I—professor that I am—do profess God, overtly, loudly, passionately. What is so embarrassing, though, is that I have such a hard time saying what it is that God means. You would think that someone laboring in this field for so long would have at least that much nailed down! Yet I must confess that I do not.

      The problem is not that I am a closet infidel, hiding behind some plastic mask of public piety (like a candidate running for office). I try very hard to be honest and open, particularly where I am most professional. That is, my comprehension-failure is no secret. In fact I would think nothing would be more evident, as I go on and on in class, than that I strain just to get that black hole of a little three-letter word out. But, of course, my task as a professor of theology is not just to get that one word out; I am to throw out a whole galaxy of words and ideas and images and passions and practices that are agitated by and drawn into that black hole.

      Of course, speaking of God in this way is hopeless. To say “God” in the field where I labor is surely not to say “a compressed and compressing density, that heaviest, darkest phenomenon of orthodox physics.” And though there are speculative physicists and writers of science fiction who think of a black hole as a portal to another, distant point in space-time—and it might not be out of the question to think of one as an exit portal to some altogether different configuration of space-time, some new cosmos even—I have for a long time now been unable to speak of God as a way out of this earthy world. Speaking of God seems rather to be a way into it, even if as an alien.

      There, I have already said too much. My location is showing. Yet there is nothing surprising about that. Every college sophomore knows that God is tradition-specific. One opens the OED to the “G” tab and there one finds a meandering account of the roots of the little English word, roots that draw nutrients from deep inside pagan soil, where perhaps the ordinary usage of God is more happily at home. Provocative phrases about sacrifice and invocation appear in the midst of its history, their subjects and objects mingle, and in it all there is no outbreak into anything particularly transcendent (though transcendence as a universal within this system appears). Everything swims in the warm, immanent amniotic fluid of human consciousness. God as such is contained, subjected to occupational therapy at the merest suggestion of aphasia, and assigned the task to speak well in accordance with reasonable expectations. Thus God says something that is generally true, able to be heard everywhere and by all; a grand linguistic phenomenon, an absolute truth, the chief exemplification of all metaphysical principles, no doubt.

      And yet the OED is not the only big book. At the “Job” tab, one finds a meandering account of a particularly poor and troubled man, who—sitting on the ash heap, alone but for the company of dogs, aching, burning, and with every new upset tempted to curse God and die—turns his two wide eyes to the open sky and with a passion that rips apart the fabric of space-time and its God cries, “Violence!” (Job 19:7) and as if encountering something new on the far side of the sun, prophesies, “I know my redeemer lives” (Job 19:25; cf. Eccl 1:9). And I read that with him on the ash heap—in a maelstrom so fierce that even Job’s immeasurable suffering seems a shadow cast from what is for him yet to come—another poor and lonely man, hanging, dying, gasping for air, opens his throat and cries, “My God, my God, why have you forsaken me?” (Mark 15:34); and when “the curtain of the temple [is] torn in two . . . [as if encountering something new on the far side of death and damnation], Jesus, crying with a load voice, [prophesies], ‘Father, into your hands I commend my spirit’” (Luke 23:45–46). It strikes me that there is uttered in these narratives a word that no sequence of letters, however small or large, can contain. And I strain to say this new word when I stand before a classroom full of the children of good people, I strain to say it in such a way that no good person could ever say or hear it. And likely, were I just able to find a really good therapist, I’d put this obsession behind me and get on with my life.

      The question for me then is “why, why do I see and hear this way?” Most of my colleagues these past decades have seen and heard differently. They seem much calmer about it all, speaking as they do of the good, the true, and the beautiful and of how God fits so well into a system of values, goals, and ideals, i.e., a worldview; of how the story of Job and of Jesus and of God is a story that resolves questions, not complicates and ruptures them. They have told me that it is all about absolutes and universals and all I seem ever to see and hear are contextualized particulars, the life-stories of people with particular faces and voices, of a God with particularly elusive faces and voices. Of course, it may just be that I have been beguiled by Protestant nominalism, that I have fallen prey to that most modern of all perversions, postmodernism, that I am a child of my age. Indeed, I suppose this is all true. How could I honestly say anything else, even as I strain to say something else than the banal or high-born talk of my age?

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