in various localities. It is probable that the complex character of certain deities was due to the process of adjustment to which they were subjected in new environments.
The petty kingdoms of Sumeria appear to have been tribal in origin. Each city was presided over by a deity who was the nominal owner of the surrounding arable land, farms were rented or purchased from the priesthood, and pasture was held in common. As in Egypt, where we find, for instance, the artisan god Ptah supreme at Memphis, the sun god Ra at Heliopolis, and the cat goddess Bast at Bubastis, the various local Sumerian and Akkadian deities had distinctive characteristics, and similarly showed a tendency to absorb the attributes of their rivals. The chief deity of a state was the central figure in a pantheon, which had its political aspect and influenced the growth of local theology. Cities, however, did not, as a rule, bear the names of deities, which suggests that several were founded when Sumerian religion was in its early animistic stages, and gods and goddesses were not sharply defined from the various spirit groups.
A distinctive and characteristic Sumerian god was Ea, who was supreme at the ancient sea-deserted port of Eridu. He is identified with the Oannes of Berosus,[31] who referred to the deity as "a creature endowed with reason, with a body like that of a fish, with feet below like those of a man, with a fish's tail". This description recalls the familiar figures of Egyptian gods and priests attired in the skins of the sacred animals from whom their powers were derived, and the fairy lore about swan maids and men, and the seals and other animals who could divest themselves of their "skin coverings" and appear in human shape. Originally Ea may have been a sacred fish. The Indian creative gods Brahma and Vishnu had fish forms. In Sanskrit literature Manu, the eponymous "first man", is instructed by the fish to build a ship in which to save himself when the world would be purged by the rising waters. Ea befriended in similar manner the Babylonian Noah, called Pir-napishtim, advising him to build a vessel so as to be prepared for the approaching Deluge. Indeed the Indian legend appears to throw light on the original Sumerian conception of Ea. It relates that when the fish was small and in danger of being swallowed by other fish in a stream it appealed to Manu for protection. The sage at once lifted up the fish and placed it in a jar of water. It gradually increased in bulk, and he transferred it next to a tank and then to the river Ganges. In time the fish complained to Manu that the river was too small for it, so he carried it to the sea. For these services the god in fish form instructed Manu regarding the approaching flood, and afterwards piloted his ship through the weltering waters until it rested on a mountain top.[32]
If this Indian myth is of Babylonian origin, as appears probable, it may be that the spirit of the river Euphrates, "the soul of the land", was identified with a migrating fish. The growth of the fish suggests the growth of the river rising in flood. In Celtic folk tales high tides and valley floods are accounted for by the presence of a "great beast" in sea, loch, or river. In a class of legends, "specially connected with the worship of Atargatis", wrote Professor Robertson Smith, "the divine life of the waters resides in the sacred fish that inhabit them. Atargatis and her son, according to a legend common to Hierapolis and Ascalon, plunged into the waters--in the first case the Euphrates, in the second the sacred pool at the temple near the town--and were changed into fishes". The idea is that "where a god dies, that is, ceases to exist in human form, his life passes into the waters where he is buried; and this again is merely a theory to bring the divine water or the divine fish into harmony with anthropomorphic ideas. The same thing was sometimes effected in another way by saying that the anthropomorphic deity was born from the water, as Aphrodite sprang from sea foam, or as Atargatis, in another form of the Euphrates legend, ... was born of an egg which the sacred fishes found in the Euphrates and pushed ashore."[33]
As "Shar Apsi", Ea was the "King of the Watery Deep". The reference, however, according to Jastrow, "is not to the salt ocean, but the sweet waters flowing under the earth which feed the streams, and through streams and canals irrigate the fields".[34] As Babylonia was fertilized by its rivers, Ea, the fish god, was a fertilizing deity. In Egypt the "Mother of Mendes" is depicted carrying a fish upon her head; she links with Isis and Hathor; her husband is Ba-neb-Tettu, a form of Ptah, Osiris, and Ra, and as a god of fertility he is symbolized by the ram. Another Egyptian fish deity was the god Rem, whose name signifies "to weep"; he wept fertilizing tears, and corn was sown and reaped amidst lamentations. He may be identical with Remi, who was a phase of Sebek, the crocodile god, a developed attribute of Nu, the vague primitive Egyptian deity who symbolized the primordial deep. The connection between a fish god and a corn god is not necessarily remote when we consider that in Babylonia and Egypt the harvest was the gift of the rivers.
The Euphrates, indeed, was hailed as a creator of all that grew on its banks.
O thou River who didst create all things,
When the great gods dug thee out,
They set prosperity upon thy banks,
Within thee Ea, the King of the Deep, created his dwelling...
Thou judgest the cause of mankind!
O River, thou art mighty! O River, thou art supreme!
O River, thou art righteous![35]
In serving Ea, the embodiment or the water spirit, by leading him, as the Indian Manu led the Creator and "Preserver" in fish form, from river to water pot, water pot to pond or canal, and then again to river and ocean, the Babylonians became expert engineers and experienced agriculturists, the makers of bricks, the builders of cities, the framers of laws. Indeed, their civilization was a growth of Ea worship. Ea was their instructor. Berosus states that, as Oannes, he lived in the Persian Gulf, and every day came ashore to instruct the inhabitants of Eridu how to make canals, to grow crops, to work metals, to make pottery and bricks, and to build temples; he was the artisan god--Nun-ura, "god of the potter"; Kuski-banda, "god of goldsmiths", &c.--the divine patron of the arts and crafts. "Ea knoweth everything", chanted the hymn maker. He taught the people how to form and use alphabetic signs and instructed them in mathematics: he gave them their code of laws. Like the Egyptian artisan god Ptah, and the linking deity Khnumu, Ea was the "potter or moulder of gods and man". Ptah moulded the first man on his potter's wheel: he also moulded the sun and moon; he shaped the universe and hammered out the copper sky. Ea built the world "as an architect builds a house".[36] Similarly the Vedic Indra, who wielded a hammer like Ptah, fashioned the universe after the simple manner in which the Aryans made their wooden dwellings.[37]
Like Ptah, Ea also developed from an artisan god into a sublime Creator in the highest sense, not merely as a producer of crops. His word became the creative force; he named those things he desired to be, and they came into existence. "Who but Ea creates things", exclaimed a priestly poet. This change from artisan god to creator (Nudimmud) may have been due to the tendency of early religious cults to attach to their chief god the attributes of rivals exalted at other centres.
Ea, whose name is also rendered Aa, was identified with Ya, Ya'u, or Au, the Jah of the Hebrews. "In Ya-Daganu, 'Jah is Dagon'", writes Professor Pinches, "we have the elements reversed, showing a wish to identify Jah with Dagon, rather than Dagon with Jah; whilst another interesting name, Au-Aa, shows an identification of Jah with Aa, two names which have every appearance of being etymologically connected." Jah's name "is one of the words for 'god' in the Assyro-Babylonian language".[38]
Ea was "Enki", "lord of the world", or "lord of what is beneath"; Amma-ana-ki, "lord of heaven and earth"; Sa-kalama, "ruler of the land", as well as Engur, "god of the abyss", Naqbu, "the deep", and Lugal-ida, "king of the river". As rain fell from "the waters above the firmament", the god of waters was also a sky and earth god.
The Indian Varuna was similarly a sky as well as an ocean god before the theorizing and systematizing Brahmanic teachers relegated him
