had mastered all the subtlety of skilled workers, and had gradually displaced them; one thing only it could not do, it was unable to pick up the ends if a piece of the thread broke, in order to tie them together again. For this a human soul was required, and it was Mary Jane’s business to pick up broken ends; and the moment she placed them together the busy soulless creature tied them for itself.
All here was ugly; even the green wool as it whirled round and round was neither the green of the grass nor yet the green of the rushes, but a sorry muddy green that befitted a sullen city under a murky sky.
When she looked out over the roofs of the town, there too was ugliness; and well the houses knew it, for with hideous stucco they aped in grotesque mimicry the pillars and temples of old Greece, pretending to one another to be that which they were not. And emerging from these houses and going in, and seeing the pretence of paint and stucco year after year until it all peeled away, the souls of the poor owners of those houses sought to be other souls until they grew weary of it.
At evening Mary Jane went back to her lodgings. Only then, after the dark had fallen, could the soul of Mary Jane perceive any beauty in that city, when the lamps were lit and here and there a star shone through the smoke. Then she would have gone abroad and beheld the night, but this the old woman to whom she was confided would not let her do. And the days multiplied themselves by seven and became weeks, and the weeks passed by, and all days were the same. And all the while the soul of Mary Jane was crying for beautiful things, and found not one, saving on Sundays, when she went to church, and left it to find the city greyer than before.
One day she decided that it was better to be a wild thing in the lovely marshes, than to have a soul that cried for beautiful things and found not one. From that day she determined to be rid of her soul, so she told her story to one of the factory girls, and said to her:
‘The other girls are poorly clad and they do soulless work; surely some of them have no souls and would take mine.’
But the factory girl said to her: ‘All the poor have souls. It is all they have.’
Then Mary Jane watched the rich whenever she saw them, and vainly sought for some one without a soul.
One day at the hour when the machines rested and the human beings that tended them rested too, the wind being at that time from the direction of the marshlands, the soul of Mary Jane lamented bitterly. Then, as she stood outside the factory gates, the soul irresistibly compelled her to sing, and a wild song came from her lips, hymning the marshlands. And into her song came crying her yearning for home, and for the sound of the shout of the North Wind, masterful and proud, with his lovely lady the Snow; and she sang of tales that the rushes murmured to one another, tales that the teal knew and the watchful heron. And over the crowded streets her song went crying away, the song of waste places and of wild free lands, full of wonder and magic, for she had in her elf-made soul the song of the birds and the roar of the organ in the marshes.
At this moment Signor Thompsoni, the well-known English tenor, happened to go by with a friend. They stopped and listened; everyone stopped and listened.
‘There has been nothing like this in Europe in my time,’ said Signor Thompsoni.
So a change came into the life of Mary Jane.
People were written to, and finally it was arranged that she should take a leading part in the Covent Garden Opera in a few weeks.
So she went to London to learn.
London and singing lessons were better than the City of the Midlands and those terrible machines. Yet still Mary Jane was not free to go and live as she liked by the edge of the marshlands, and she was still determined to be rid of her soul, but could find no one that had not a soul of their own.
One day she was told that the English people would not listen to her as Miss Rush, and was asked what more suitable name she would like to be called by.
‘I would like to be called Terrible North Wind,’ said Mary Jane, ‘or Song of the Rushes.’
When she was told that this was impossible and Signorina Maria Russiano was suggested, she acquiesced at once, as she had acquiesced when they took her away from her curate; she knew nothing of the ways of humans.
At last the day of the Opera came round, and it was a cold day of the winter.
And Signorina Russiano appeared on the stage before a crowded house.
And Signorina Russiano sang.
And into the song went all the longing of her soul, the soul that could not go to Paradise, but could only worship God and know the meaning of music, and the longing pervaded that Italian song as the infinite mystery of the hills is borne along the sound of distant sheep-bells. Then in the souls that were in that crowded house arose little memories of a great while since that were quite quite dead, and lived awhile again during that marvellous song.
And a strange chill went into the blood of all that listened, as though they stood on the border of bleak marshes and the North Wind blew.
And some it moved to sorrow and some to regret, and some to an unearthly joy,—then suddenly the song went wailing away like the winds of the winter from the marshlands when Spring appears from the South.
So it ended. And a great silence fell fog-like over all that house, breaking in upon the end of a chatty conversation that Cecilia, Countess of Birmingham, was enjoying with a friend.
In the dead hush Signorina Russiano rushed from the stage; she appeared again running among the audience, and dashed up to Lady Birmingham.
‘Take my soul,’ she said; ‘it is a beautiful soul. It can worship God, and knows the meaning of music and can imagine Paradise. And if you go to the marshlands with it you will see beautiful things; there is an old town there built of lovely timbers, with ghosts in its streets.’
Lady Birmingham stared. Everyone was standing up. ‘See,’ said Signorina Russiano, ‘it is a beautiful soul.’
And she clutched at her left breast a little above the heart, and there was the soul shining in her hand, with the green and blue lights going round and round and the purple flare in the midst.
‘Take it,’ she said, ‘and you will love all that is beautiful, and know the four winds, each one by his name, and the songs of the birds at dawn. I do not want it, because I am not free. Put it to your left breast a little above the heart.’
Still everybody was standing up, and Lady Birmingham felt uncomfortable.
‘Please offer it to some one else,’ she said.
‘But they all have souls already,’ said Signorina Russiano.
And everybody went on standing up. And Lady Birmingham took the soul in her hand.
‘Perhaps it is lucky,’ she said.
She felt that she wanted to pray.
She half-closed her eyes, and said ‘Unberufen’. Then she put the soul to her left breast a little above the heart, and hoped that the people would sit down and the singer go away.
Instantly a heap of clothes collapsed before her. For a moment, in the shadow among the seats, those who were born in the dusk hour might have
