take part in the evil saturnalia. I realized, too, that with the approach of dawn they had returned to their stone coffins, to lie in a death-like trance until the setting sun should bring brief liberation. My own occult studies had enabled me to recognize these dreadful manifestations.
I bowed to my companion and would have proceeded on my way to the upper parts of the castle, but he barred my path. He shook his head slowly, his scar hideous in the phosphorescent gloom.
I said, “May I not go yet?”
He stared at me with tortured, smoldering eyes that had looked into hell itself, and he pointed to what lay beside me, and in a flash of nightmare realization I knew the secret of the curse of Kralitz. There came to me the knowledge that made my brain a frightful thing in which shapes of darkness would ever swirl and scream; the dreadful comprehension of when each Baron Kralitz was initiated into the brotherhood of blood. I knew—I knew—that no coffin had ever been placed unoccupied in the tombs, and I read upon the stone sarcophagus at my feet the inscription that made my doom known to me—my own name, “Franz, twenty-first Baron Kralitz.”
The Shunned House
By H. P. Lovecraft
A posthumous story of immense power, written by a master of weird fiction—a tale of a revolting horror in the cellar of an old house in New England.
Howard Phillips Lovecraft died March 15, 1937, at the height of his career. Though only forty-six years of age, he had built up an international reputation by the artistry and impeccable literary craftsmanship of his weird tales; and he was regarded on both sides of the Atlantic as probably the greatest contemporary master of weird fiction. His ability to create and sustain a mood of brooding dread and unnamable horror is nowhere better shown than in the posthumous tale presented here: “The Shunned House.”
From even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman. Poe generally stopped at the Mansion House in Benefit Street—the renamed Golden Ball Inn whose roof has sheltered Washington, Jefferson, and Lafayette—and his favorite walk led northward along the same street to Mrs. Whitman’s home and the neighboring hillside churchyard of St. John’s, whose hidden expanse of Eighteenth Century gravestones had for him a peculiar fascination.
Now the irony is this. In this walk, so many times repeated, the world’s greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest fantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.
The house was—and for that matter still is—of a kind to attract the attention of the curious. Originally a farm or semi-farm building, it followed the average New England colonial lines of the middle Eighteenth Century—the prosperous peaked-roof sort, with two stories and dormerless attic, and with the Georgian doorway and interior panelling dictated by the progress of taste at that time. It faced south, with one gable end buried to the lower windows in the eastward rising hill, and the other exposed to the foundations toward the street. Its construction, over a century and a half ago, had followed the grading and straightening of the road in that especial vicinity; for Benefit Street—at first called Back Street—was laid out as a lane winding amongst the graveyards of the first settlers, and straightened only when the removal of the bodies to the North Burial Ground made it decently possible to cut through the old family plots.
At the start, the western wall had lain some twenty feet up a precipitous lawn from the roadway; but a widening of the street at about the time of the Revolution sheared off most of the intervening space, exposing the foundations so that a brick basement wall had to be made, giving the deep cellar a street frontage with door and one window above ground, close to the new line of public travel. When the sidewalk was laid out a century ago the last of the intervening space was removed; and Poe in his walks must have seen only a sheer ascent of dull gray brick flush with the sidewalk and surmounted at a height of ten feet by the antique shingled bulk of the house proper.
The farm-like ground extended back very deeply up the hill, almost to Wheaton Street. The space south of the house, abutting on Benefit Street, was of course greatly above the existing sidewalk level, forming a terrace bounded by a high bank wall of damp, mossy stone pierced by a steep flight of narrow steps which led inward between canyon-like surfaces to the upper region of mangy lawn, rheumy brick walks, and neglected gardens whose dismantled cement urns, rusted kettles fallen from tripods of knotty sticks, and similar paraphernalia set off the weather-beaten front door with its broken fanlight, rotting Ionic pilasters, and wormy triangular pediment.
*
What I heard in my youth about the shunned house was merely that people died there in alarmingly great numbers. That, I was told, was why the original owners had moved out some twenty years after building the place. It was plainly unhealthy, perhaps because of the dampness and fungous growths in the cellar, the general sickish smell, the drafts of the hallways, or the quality of the well and pump water. These things were bad enough, and these were all that gained belief among the persons whom I knew. Only the notebooks of my antiquarian uncle, Doctor Elihu Whipple, revealed to me at length the darker, vaguer surmises which formed an undercurrent of folklore among old-time servants and humble folk; surmises which never travelled far, and which were largely forgotten when Providence grew to be a metropolis with a shifting modern population.
The general fact is, that the house was never regarded by the solid part of the community as in any real sense “haunted.” There were no widespread tales of rattling chains, cold currents of air, extinguished lights, or faces at the window. Extremists sometimes said the house was “unlucky,” but that is as far as even they went. What was really beyond dispute is that a frightful proportion of persons died there; or more accurately, had died there, since after some peculiar happenings over sixty years ago the building had become deserted through the sheer impossibility of renting it. These persons were not all cut off suddenly by any one cause; rather did it seem that their vitality was insidiously sapped, so that each one died the sooner from whatever tendency to weakness he may have naturally had. And those who did not die displayed in varying degree a type of anemia or consumption, and sometimes a decline of the mental faculties, which spoke ill for the salubriousness of the building. Neighboring houses, it must be added, seemed entirely free from the noxious quality.
This much I knew before my insistent questioning led my uncle to show me the notes which finally embarked us both on our hideous investigation. In my childhood the shunned house was vacant, with barren, gnarled and terrible old trees, long, queerly pale grass and nightmarishly misshapen weeds in the high terraced yard where birds never lingered. We boys used to overrun the place, and I can still recall my youthful terror not only at the morbid strangeness of this sinister vegetation, but at the eldritch atmosphere and odor of the dilapidated house, whose unlocked front door was often entered in quest of shudders. The small-paned windows were largely broken, and a nameless air of desolation hung round the precarious panelling, shaky interior shutters, peeling wall-paper, falling plaster, rickety staircases, and such fragments of battered furniture as still remained. The dust and cobwebs added their touch of the fearful; and brave indeed was the boy who would voluntarily ascend the ladder to the attic,
