The Suitcase / Чемодан. Книга для чтения на английском языке. Сергей Довлатов

      “Léger is an outstanding French artist. Member of the Communist Party.”

      “I doubt it,” said the editor, and then blew up. “Enough! You’re always getting sidetracked[42]! You’re never like anyone else! You must dress in a manner befitting an employee of a serious newspaper!”

      So I replied, “Then let the newspaper buy me a jacket. Or better yet, a suit. Naturally, I’ll take care of the tie myself…”

      But the editor was not being straight with me. He didn’t care in the least how I dressed. That wasn’t the point. There was a simpler explanation: I was the biggest one at the office. The tallest. That is, as the bosses assured me, the most presentable. Or, in the words of Executive Secretary Minz, “the most representative”.

      If a celebrity died, the newspaper delegated me to represent them. After all, coffins are heavy. And I approached these assignments with enthusiasm. Not because I liked funerals so much, but because I hated newspaper work.

      “You’re pushing it,” the editor said.

      “Not at all,” I said, “it’s a legitimate request. Railroad workers, for instance, get uniforms. Watchmen get warm jackets. Divers get diving suits. Let the newspaper buy me my special clothes. A suit for funerals.”

      Our editor was a kind man. With his big salary, he could afford to be. And the times were comparatively liberal then.

      He said, “Let’s compromise. You give me three socially significant articles by the New Year, three articles with broad socio-political resonance, and your bonus will be a modest suit.”